本文選題：時(shí)間意識(shí) + 或此或彼��； 參考：《電影評(píng)介》2017年13期

【摘要】：正對(duì)于人生現(xiàn)實(shí)不可避免的悲劇性,眾多哲人和藝術(shù)家對(duì)此已有非常深刻的體會(huì)�？藸杽P郭爾對(duì)人生在"或此或彼"的處境之中艱難抉擇的揭示~([1]),叔本華對(duì)人生被欲念追逐而陷入無(wú)法解膠的痛苦命運(yùn)的洞察~([2]),薩特對(duì)人在冷漠的必然性世界里面追求自由的探討~([3]),都深刻地表現(xiàn)了人生的悲劇性。其中,海德格爾對(duì)人生存在論上由時(shí)間構(gòu)造的"罪責(zé)"(亦可稱之為"悲劇性")最為深刻,它與我們討論的時(shí)空穿越電影的聯(lián)系也最為密切。對(duì)人生本體性悲劇
[Abstract]:As for the inevitable tragedy of life reality, many philosophers and artists have very profound understanding of this. Kerr Kay Gol's hard choice of life in the situation of "or this or Peter" is revealed ~ ([1]), Schopenhauer's insight into the painful fate of life being chased by desire and falling into the unsolvable fate ~ ([2]), Sutter is indifferent to human beings The pursuit of freedom in the world of inevitability ~ ([3]) is a profound manifestation of the tragedy of life. Among them, Heidegger is most profound in the "culpable" (also called "tragedy") on the existence of life in the theory of life (also called "tragedy"). It is most closely related to the time and space through electric shadow we discussed.

【作者單位】： 河北大學(xué)藝術(shù)學(xué)院;河北大學(xué)工商學(xué)院藝術(shù)系;
【分類號(hào)】：J901
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本文編號(hào)：1819837