本文選題：跨文化傳播 + 宮崎駿��； 參考：《重慶工商大學》2013年碩士論文

【摘要】：隨著人們對文化的研究和發(fā)展的重視，作為新興產業(yè)的動畫正在蓬勃發(fā)展。在動畫產業(yè)發(fā)達的歐美和日韓國家，動畫已然成為了其弘揚和傳承民族文化的有效形式。尤其是日本的動畫產業(yè)，其動畫影片中跨文化的體現(xiàn)，正是對其文化理念的有力運用和傳播。動畫影片對文化的有效傳播，以及帶來的商業(yè)利益，吸引著無數(shù)商家加入這個行列。動畫影片中傳承文化的特殊形式，以及其跨時代的戰(zhàn)略意義，使得各國都對其注入了足夠的重視，并努力將其價值發(fā)揮到最大化。 日本作為動畫大國，動畫影片的成熟體現(xiàn)，奠定了其在海內外重要地位，尤其是動畫大師宮崎駿的作品，不但具有觀賞價值，更具有豐富的文化內涵，其動畫作品中對異域風情的描繪正是跨文化傳播的體現(xiàn)，，成了各國學者競相研究的課題。本文從跨文化的角度出發(fā)，運用傳播學相關理論，采用文獻研究法、文本分析法、比較分析法，通過研究相關文獻，獲得相關研究結論和調查數(shù)據(jù)；以宮崎駿的八部代表作為主要分析對象，探究其作品中的獨特的文化傳播方式；并將其與歐美文化作對比，詳細分析宮崎駿動畫電影中跨文化特色的部分。探討了文化間的融會貫通使動畫不僅具有娛樂性、觀賞性，更上升到了國際高度，值得中國動畫創(chuàng)作借鑒。以電影角色、情節(jié)和場景三要素為載體，研究宮崎駿電影所承載的文化內涵和人文關懷，在此基礎上，為當前國產動畫電影的發(fā)展提供借鑒，明確國產電影應該走出誤區(qū)，立足本土文化，重視情節(jié)和人文關懷，拓展受眾，同時國家要健全動畫市場，培養(yǎng)相關產業(yè)和培育動畫人才，促進我國動畫產業(yè)的發(fā)展。
[Abstract]:With the attention of people to the research and development of culture, animation as a new industry is booming. Animation has become an effective form of carrying forward and inheriting national culture in Europe, America, Japan and South Korea, where animation industry is developed. Especially the animation industry in Japan, the cross-cultural embodiment of its animation film, is the use and dissemination of its cultural ideas. The effective spread of culture and the commercial benefits of animated films have attracted countless businesses to join. The special form of inheriting culture and its cross-epochal strategic significance in animated films make all countries pay enough attention to it and try to maximize its value. As a big animation country, the mature embodiment of Japanese animation film has established its important position at home and abroad, especially the work of animation master MiyazakiHayao, which not only has ornamental value, but also has rich cultural connotation. The depiction of exotic customs in his animated works is the embodiment of cross-cultural communication, and has become a subject of study by scholars all over the world. From the perspective of cross-culture, this paper uses the theory of communication, literature research, text analysis, comparative analysis, through the study of relevant literature, to obtain the relevant research conclusions and survey data; Taking the eight representatives of MiyazakiHayao as the main object of analysis, this paper probes into the unique ways of cultural communication in his works, and compares them with the cultures of Europe and the United States, and analyzes in detail the cross-cultural features of MiyazakiHayao's animated films. This paper discusses that the intercultural fusion makes animation not only entertaining and appreciative, but also rising to an international level, which is worthy of reference by Chinese animation creation. On the basis of studying the cultural connotation and humanistic care carried by MiyazakiHayao's films with three elements of movie characters, plot and scene, this paper provides a reference for the development of domestic animated films, and makes it clear that domestic films should be out of the wrong zone. Based on local culture, we should attach importance to the plot and humanistic care, expand the audience, at the same time, the country should perfect the animation market, train related industries and cultivate animation talents, and promote the development of animation industry in China.
【學位授予單位】：重慶工商大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J954

【參考文獻】

相關期刊論文 前10條

1 王亮;;宮崎駿電影世界中的經典角色[J];安徽文學(下半月);2010年08期

2 [榭

本文編號：1819082