本文選題：跨文化傳播 + 宮崎駿�。� 參考：《重慶工商大學(xué)》2013年碩士論文

【摘要】：隨著人們對(duì)文化的研究和發(fā)展的重視，作為新興產(chǎn)業(yè)的動(dòng)畫正在蓬勃發(fā)展。在動(dòng)畫產(chǎn)業(yè)發(fā)達(dá)的歐美和日韓國家，動(dòng)畫已然成為了其弘揚(yáng)和傳承民族文化的有效形式。尤其是日本的動(dòng)畫產(chǎn)業(yè)，其動(dòng)畫影片中跨文化的體現(xiàn)，正是對(duì)其文化理念的有力運(yùn)用和傳播。動(dòng)畫影片對(duì)文化的有效傳播，以及帶來的商業(yè)利益，吸引著無數(shù)商家加入這個(gè)行列。動(dòng)畫影片中傳承文化的特殊形式，以及其跨時(shí)代的戰(zhàn)略意義，使得各國都對(duì)其注入了足夠的重視，并努力將其價(jià)值發(fā)揮到最大化。 日本作為動(dòng)畫大國，動(dòng)畫影片的成熟體現(xiàn)，奠定了其在海內(nèi)外重要地位，尤其是動(dòng)畫大師宮崎駿的作品，不但具有觀賞價(jià)值，更具有豐富的文化內(nèi)涵，其動(dòng)畫作品中對(duì)異域風(fēng)情的描繪正是跨文化傳播的體現(xiàn)，，成了各國學(xué)者競相研究的課題。本文從跨文化的角度出發(fā)，運(yùn)用傳播學(xué)相關(guān)理論，采用文獻(xiàn)研究法、文本分析法、比較分析法，通過研究相關(guān)文獻(xiàn)，獲得相關(guān)研究結(jié)論和調(diào)查數(shù)據(jù)；以宮崎駿的八部代表作為主要分析對(duì)象，探究其作品中的獨(dú)特的文化傳播方式；并將其與歐美文化作對(duì)比，詳細(xì)分析宮崎駿動(dòng)畫電影中跨文化特色的部分。探討了文化間的融會(huì)貫通使動(dòng)畫不僅具有娛樂性、觀賞性，更上升到了國際高度，值得中國動(dòng)畫創(chuàng)作借鑒。以電影角色、情節(jié)和場景三要素為載體，研究宮崎駿電影所承載的文化內(nèi)涵和人文關(guān)懷，在此基礎(chǔ)上，為當(dāng)前國產(chǎn)動(dòng)畫電影的發(fā)展提供借鑒，明確國產(chǎn)電影應(yīng)該走出誤區(qū)，立足本土文化，重視情節(jié)和人文關(guān)懷，拓展受眾，同時(shí)國家要健全動(dòng)畫市場，培養(yǎng)相關(guān)產(chǎn)業(yè)和培育動(dòng)畫人才，促進(jìn)我國動(dòng)畫產(chǎn)業(yè)的發(fā)展。
[Abstract]:With the attention of people to the research and development of culture, animation as a new industry is booming. Animation has become an effective form of carrying forward and inheriting national culture in Europe, America, Japan and South Korea, where animation industry is developed. Especially the animation industry in Japan, the cross-cultural embodiment of its animation film, is the use and dissemination of its cultural ideas. The effective spread of culture and the commercial benefits of animated films have attracted countless businesses to join. The special form of inheriting culture and its cross-epochal strategic significance in animated films make all countries pay enough attention to it and try to maximize its value. As a big animation country, the mature embodiment of Japanese animation film has established its important position at home and abroad, especially the work of animation master MiyazakiHayao, which not only has ornamental value, but also has rich cultural connotation. The depiction of exotic customs in his animated works is the embodiment of cross-cultural communication, and has become a subject of study by scholars all over the world. From the perspective of cross-culture, this paper uses the theory of communication, literature research, text analysis, comparative analysis, through the study of relevant literature, to obtain the relevant research conclusions and survey data; Taking the eight representatives of MiyazakiHayao as the main object of analysis, this paper probes into the unique ways of cultural communication in his works, and compares them with the cultures of Europe and the United States, and analyzes in detail the cross-cultural features of MiyazakiHayao's animated films. This paper discusses that the intercultural fusion makes animation not only entertaining and appreciative, but also rising to an international level, which is worthy of reference by Chinese animation creation. On the basis of studying the cultural connotation and humanistic care carried by MiyazakiHayao's films with three elements of movie characters, plot and scene, this paper provides a reference for the development of domestic animated films, and makes it clear that domestic films should be out of the wrong zone. Based on local culture, we should attach importance to the plot and humanistic care, expand the audience, at the same time, the country should perfect the animation market, train related industries and cultivate animation talents, and promote the development of animation industry in China.
【學(xué)位授予單位】：重慶工商大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 王亮;;宮崎駿電影世界中的經(jīng)典角色[J];安徽文學(xué)(下半月);2010年08期

2 [榭

本文編號(hào)：1819082