本文選題：御宅 + 御宅文化��； 參考：《福建師范大學(xué)》2013年碩士論文

【摘要】：在動(dòng)漫游戲產(chǎn)業(yè)迅速發(fā)展的同時(shí),御宅文化也隨之出現(xiàn),成為一種亞文化現(xiàn)象。2005年的時(shí)候,日本電視劇《電車男》在我國熱播,而御宅這一新名詞也由此進(jìn)入中國。御宅文化的誕生在日本已經(jīng)差不多三十年的時(shí)間,剛開始是一個(gè)第二人稱的敬語,現(xiàn)在變成了一個(gè)社會群體。它的含義也有很多次的演變,御宅現(xiàn)象的產(chǎn)生與日本的社會發(fā)展、經(jīng)濟(jì)發(fā)展等都具有非常密切的關(guān)系,經(jīng)歷的時(shí)間也是非常長的。在我國,對于御宅文化的概念目前還不是被很多人所知道,我們通過調(diào)查研究發(fā)現(xiàn),御宅在真實(shí)的生活中其實(shí)是比較少的。它大部分集中在80后身上,這些人對于日本動(dòng)漫有很高的喜愛度,在消費(fèi)以及人際交往的時(shí)候往往會表現(xiàn)出自己的特點(diǎn),這與我國的政治、經(jīng)濟(jì)、文化發(fā)展也有密不可分的關(guān)系。 從文化傳播的層面來分析,御宅文化在我國屬于一種跨文化的傳播事物,受到日本動(dòng)漫產(chǎn)業(yè)的影響是巨大的,其中富含了很多的日本文化。它在年輕人中間較為流行,是一種比較典型的青少年亞文化。另外,御宅文化它也逐漸開始和主流文化進(jìn)行融合和競爭。在不同的時(shí)代,不同的語境下,御宅文化也在進(jìn)行著不斷的調(diào)整。 本位研究的重點(diǎn)就是在御宅文化的基礎(chǔ)之上,對御宅電視劇進(jìn)行研究。通過大量的資料收集和文獻(xiàn)整理,我們對御宅的概念進(jìn)行了界定。我們接著對御宅文化電視劇的藝術(shù)特征進(jìn)行了相關(guān)研究,概括其中的主題、人物、元素等特征。然后我們分析了御宅電視劇對社會和經(jīng)濟(jì)的影響,從而找出我國發(fā)展御宅電視劇的途徑以及未來的發(fā)展方向。
[Abstract]:With the rapid development of the animation and game industry, the Otaka culture has also emerged as a sub-cultural phenomenon. In 2005, the Japanese TV drama "Trambus Man" became popular in our country, and the new term "Royal House" also came into China. After almost three decades in Japan, the Otaku culture, initially a second-person honorific, has become a social group. Its meaning also has many times evolution, the appearance of the imperial residence phenomenon and Japan's social development, the economic development and so on all have the very close relation, the experience time is also very long. In our country, the concept of imperial residence culture is not known by many people at present. Through investigation and research, we find that imperial residence is actually relatively few in real life. Most of it is concentrated on the post-80s generation. These people have a high degree of love for Japanese animation. They tend to show their own characteristics when they consume and interact with each other. This is related to the politics and economy of our country. Cultural development is also inextricably linked. From the aspect of cultural communication, the imperial residence culture is a kind of cross-cultural communication thing in our country, which is greatly influenced by Japanese animation industry, among which is rich in a lot of Japanese culture. It is more popular among young people, is a more typical juvenile subculture. In addition, the imperial residence culture it also gradually began to merge and compete with the mainstream culture. In different times and different contexts, the imperial residence culture is constantly adjusting. The focus of this research is to study the TV drama on the basis of imperial residence culture. Through a lot of data collection and literature collation, we define the concept of imperial residence. Then we have carried on the related research to the artistic characteristic of the imperial house culture TV play, summarized the theme, the character, the element and so on. Then we analyze the social and economic impact of the Imperial House TV series, and find out the way to develop the Royal House TV series and the future development direction.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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