本文選題：獨立紀(jì)錄片 + 創(chuàng)作理念��； 參考：《山東師范大學(xué)》2014年碩士論文

【摘要】：本文研究的主要對象是中國獨立紀(jì)錄片，它隸屬于“獨立影像”的范疇，在20世紀(jì)90年的出現(xiàn)。隨著攝影攝像理論的完善和技術(shù)的進(jìn)步以及新型媒體、新傳播載體的大范圍普及，越來越多的人拿起身邊的攝像機、DV甚至手機，投入到了獨立紀(jì)錄片的創(chuàng)作當(dāng)中。獨立紀(jì)錄片的創(chuàng)作日趨繁榮。 本文以獨立紀(jì)錄片的創(chuàng)作者的身份，，結(jié)合自身參與獨立紀(jì)錄片的創(chuàng)作經(jīng)歷、經(jīng)驗，從創(chuàng)作方面展開對獨立紀(jì)錄片的研究。通過系統(tǒng)的整理所參與獨立紀(jì)錄片的整個創(chuàng)作過程，理清編導(dǎo)在創(chuàng)作過程中是如何把握主題、挖掘事實真相等具體措施及方法。再結(jié)合自身創(chuàng)作體會，從創(chuàng)作理念和制作方式以及理論與實踐等方面展開有關(guān)獨立紀(jì)錄片創(chuàng)作的探討。 文章共分四個章節(jié)。分別從四個方面展開對中國獨立紀(jì)錄片創(chuàng)作的研究： 第一章：中國獨立紀(jì)錄片的創(chuàng)作演變。從中國獨立紀(jì)錄片誕生以來，其創(chuàng)作環(huán)境、創(chuàng)作主體、創(chuàng)作理念發(fā)生的巨大變化。本章從這三個方面具體分析中國獨立紀(jì)錄片的創(chuàng)作演變，在變與不變的分析中尋找中國獨立紀(jì)錄片創(chuàng)作的獨特風(fēng)格。 第二章：中國獨立紀(jì)錄片創(chuàng)作的獨特風(fēng)格。創(chuàng)作的風(fēng)格不同于紀(jì)錄片本身的風(fēng)格，本章主要從兩個方面展開分析——“專業(yè)制作與個人情感表達(dá)的結(jié)合”、“真實記錄與自我審視的結(jié)合”。 第三章：中國獨立紀(jì)錄片的創(chuàng)作實踐。本章為重點章節(jié)，圍繞筆者自身創(chuàng)作實踐，對獨立紀(jì)錄片的具體創(chuàng)作展開分析。從重點環(huán)節(jié)入手，包括如何確定選題的核心價值、如何對一些比較隱蔽的故事線索進(jìn)行挖掘及如何其相關(guān)素材、在創(chuàng)作時特殊的拍攝和表達(dá)方式、在創(chuàng)作過程中發(fā)現(xiàn)的一些問題和獲得的重大收獲等。將具體的創(chuàng)作細(xì)節(jié)予以分析，便于在分析中總結(jié)實踐經(jīng)驗，以便更好的將創(chuàng)作理論與實踐相結(jié)合。 第四章：中國獨立紀(jì)錄片的創(chuàng)作探討。結(jié)合筆者自身的創(chuàng)作經(jīng)驗，從“獨立創(chuàng)作的理念”、“獨立創(chuàng)作的精神”、“還原歷史等于創(chuàng)造價值”三個方面展開對獨理創(chuàng)作的魅力分析。這事重點章節(jié)，承接前面一章具體的創(chuàng)作環(huán)節(jié)的梳理和分析，通過編導(dǎo)具體的創(chuàng)作實踐展開對獨立紀(jì)錄片的創(chuàng)作的探討和總結(jié)。 文章最后結(jié)語部分，筆者基于對獨立紀(jì)錄片創(chuàng)作的實踐及其探討，通過對“紀(jì)錄片創(chuàng)作的價值在哪里？獨立紀(jì)錄片的特殊含義是什么？獨立紀(jì)錄片創(chuàng)作的美學(xué)特征是什么？”這三個問題的理解和分析，進(jìn)一步總結(jié)和闡明了獨立紀(jì)錄片的創(chuàng)作的獨特魅力。由于作者創(chuàng)作實踐有限，接觸獨立紀(jì)錄片創(chuàng)作時間有限，對于獨立紀(jì)錄片創(chuàng)作的理解難免有片面之處，但正是通過本論文的寫作，使得自己充分吸收了這次長達(dá)兩年的創(chuàng)作實踐經(jīng)驗，并對以后自己獨立完成獨立紀(jì)錄片的創(chuàng)作有著極大的借鑒意義。
[Abstract]:The main research object of this paper is Chinese independent documentary, which belongs to the category of "independent image" and appeared in the 20th century. With the improvement of photography camera theory and the progress of technology as well as the new media and the popularization of new media, more and more people take up the camera around DV or even mobile phone, and invest in the creation of independent documentary. The creation of independent documentaries is becoming more and more prosperous. This paper, as the creator of independent documentary, combined with its own experience and experience in the creation of independent documentary, carries out the research on independent documentary from the aspect of creation. Through the systematic arrangement of the whole process of the independent documentary, the author clarifies the concrete measures and methods such as how to grasp the theme and excavate the truth in the process of creation. Combining with his own creative experience, this paper discusses the creation of independent documentary from the aspects of creation idea, production method, theory and practice. The article is divided into four chapters. The research on the creation of independent documentary in China is carried out from four aspects: Chapter one: the creation and evolution of Chinese independent documentary. Since the birth of independent documentary in China, great changes have taken place in its creation environment, subject and idea. This chapter analyzes the evolution of Chinese independent documentary creation from these three aspects, and looks for the unique style of Chinese independent documentary creation in the analysis of change and invariance. Chapter two: the unique style of Chinese independent documentary creation. The style of creation is different from the style of documentary itself. This chapter mainly analyzes from two aspects: "combination of professional production and personal emotional expression", "combination of real record and self-examination". Chapter three: the creation practice of Chinese independent documentary. This chapter focuses on the author's own creative practice, the specific creation of independent documentary analysis. Starting with the key links, including how to determine the core value of the topic, how to excavate some relatively hidden story clues and how to make relevant materials, and how to shoot and express them in the creative process. In the process of creative discovery of some problems and major gains. It is convenient to summarize the practical experience in the analysis by analyzing the specific creation details, so as to better combine the creative theory with the practice. The fourth chapter: the Chinese independent documentary creation discussion. Based on the author's own creative experience, the author analyzes the charisma of independent creation from three aspects: "the idea of independent creation", "the spirit of independent creation" and "restoring history is equal to creating value". The key chapter of this matter, to undertake the previous chapter of the specific creative links combing and analysis, through the compilation of specific creative practice to explore and summarize the creation of independent documentaries. The last part of the article, the author based on the practice of independent documentary creation and its discussion, through the "documentary creation where is the value?" What is the special meaning of independent documentary? What are the aesthetic characteristics of independent documentary creation? " The understanding and analysis of these three questions further sums up and clarifies the unique charm of the creation of independent documentary. Due to the author's limited creative practice and limited time to contact with the creation of independent documentaries, the understanding of the creation of independent documentaries is inevitably one-sided, but it is through the writing of this paper that, So that I fully absorb the experience of two years of creative practice, and later I independently completed the creation of independent documentaries have a great significance for reference.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J952

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