本文選題：蒙太奇 + 建筑投影藝術(shù)　； 參考：《武漢理工大學(xué)》2013年碩士論文

【摘要】：新媒體語境下,數(shù)字技術(shù)手段得到廣泛應(yīng)用,藝術(shù)創(chuàng)作手段和藝術(shù)思維逐漸數(shù)字化。建筑作為“居住的機器”,其原本的功能早己發(fā)生了變化,建筑也成為城市空間內(nèi)的重要媒介,日漸呈現(xiàn)出媒體化的特征。本文主要論述了蒙太奇作為技術(shù)手段、藝術(shù)手法和思維方式在建筑投影藝術(shù)之中的應(yīng)用與研究。通過搜集整理國內(nèi)外建筑投影藝術(shù)的相關(guān)資料,并對實際案例進(jìn)行分析,剖析了建筑投影藝術(shù)作為新興的藝術(shù)形式,在新媒體語境下的實質(zhì)與特性,并總結(jié)了蒙太奇手法在建筑投影藝術(shù)中應(yīng)用的功能及其影響。 本文首先介紹了蒙太奇的原本含義及其在新媒體語境下豐富的新內(nèi)涵和作用。從后期制作、文本客體、審美創(chuàng)造三個角度來看可以把蒙太奇分為三個層次：技術(shù)蒙太奇、藝術(shù)蒙太奇和思維蒙太奇。蒙太奇理論打破正常的時間順序,敘述方式和簡單的線性思維,是從事物發(fā)展變化的角度、相互聯(lián)系的眼光、縱橫交錯的關(guān)系而進(jìn)行的復(fù)雜性、交融性思維方式和藝術(shù)手法,進(jìn)而對動態(tài)影像和媒介綜合性地重新審視,片段性的重組。 其次,對建筑投影藝術(shù)的概念及其歷史和發(fā)展進(jìn)行了介紹。建筑投影藝術(shù)在國內(nèi)的理論研究相當(dāng)匱乏,在國外的發(fā)展勢頭則十分迅速。本文對建筑投影藝術(shù)的實質(zhì)以及制造方法進(jìn)行了論述,建筑投影藝術(shù)一方面作為表征裝飾所存在,一方面也作為媒介方式存在。更重要的是,建筑投影藝術(shù)作為新興的藝術(shù)形式承擔(dān)著新媒體語境下重要的媒介功能。 再次,本文對新媒體語境下的蒙太奇做出了新解,分析建筑作為城市空間內(nèi)重要的媒介功能和意義,總結(jié)國內(nèi)外優(yōu)秀的具有代表性的案例,剖析蒙太奇作為重要的技術(shù)手段與藝術(shù)方法,在建筑投影藝術(shù)中得以應(yīng)用的功能及其帶來的影響。 最后,結(jié)合了目前國內(nèi)外建筑投影藝術(shù)應(yīng)用與研究,對本文所存在的不足做出分析,提出一些可能的研究建議。并對它的未來發(fā)展做出展望,建筑投影藝術(shù)終將成為新媒體語境下重要的藝術(shù)形式,帶來新媒體藝術(shù)的重大變革。
[Abstract]:In the context of new media, digital technology is widely used, artistic creation means and artistic thinking are gradually digitized. As a "living machine", the original function of architecture has already changed, and architecture has become an important medium in urban space, gradually showing the characteristics of media. This paper mainly discusses the application and research of montage as a technical means, artistic technique and thinking mode in architectural projection art. By collecting and sorting out the relevant materials of architectural projection art at home and abroad, and analyzing the actual cases, this paper analyzes the essence and characteristics of architectural projection art as a new art form in the context of new media. And summarized the montage technique in the architectural projection art application function and the influence. This paper first introduces the original meaning of montage and its rich new connotation and function in the context of new media. From the point of view of post-production, text object and aesthetic creation, montage can be divided into three levels: technical montage, artistic montage and thinking montage. Montage theory breaks the normal order of time, narrate mode and simple linear thinking, is the complexity, blending mode of thinking and artistic technique from the angle of development and change of things, interrelated vision, crisscross relation. Then the dynamic image and media comprehensive review, fragment reorganization. Secondly, the concept, history and development of architectural projection art are introduced. The theoretical research of architectural projection art in China is quite scarce, and the development momentum in foreign countries is very rapid. The essence and manufacturing method of architectural projection art are discussed in this paper. Architectural projection art exists as representation and decoration on the one hand and as media on the other. More importantly, architectural projection art, as a new art form, plays an important role in the context of new media. Thirdly, this paper makes a new understanding of montage in the context of new media, analyzes the important function and significance of architecture as a medium in urban space, and summarizes the outstanding and representative cases at home and abroad. This paper analyzes the function and influence of montage as an important technique and method in architectural projection art. Finally, combined with the application and research of architectural projection art at home and abroad, this paper makes an analysis of the shortcomings of this paper, and puts forward some possible research suggestions. The architectural projection art will become an important form of art in the context of new media and bring great changes to the art of new media.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J932

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 吳宣;建筑設(shè)計與蒙太奇思維[J];華中建筑;2003年02期

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本文編號：1798079