發(fā)布時(shí)間：2018-04-23 22:06

  本文選題：旗袍 + 影視作品��； 參考：《上海師范大學(xué)》2014年碩士論文

【摘要】：一直以來，服飾就是影視作品中的一個(gè)重要元素。作為一種非語言的文化符號(hào)，服飾在影視作品中起著多方面的作用，為角色塑造、場(chǎng)景烘托、引導(dǎo)劇情等影視需要服務(wù)著。同時(shí)，由于影視作品的年代、地域、風(fēng)格、思想中心的不同，服飾符號(hào)也有著明顯的區(qū)別。因此，服飾作為影視符號(hào)的一種，也起著區(qū)分與標(biāo)識(shí)的作用。而旗袍，就是我國影視作品中，，一個(gè)具有鮮明民族藝術(shù)特色和中國風(fēng)格的服飾符號(hào)，既起到了影視服飾應(yīng)有的基本作用，同時(shí)也為電影打上了濃厚的“Made in China”的文化符號(hào)。 旗袍在我國電影作品中可謂遍地開花，不同年代、不同風(fēng)格的導(dǎo)演或多或少都會(huì)有關(guān)于旗袍的作品，這不僅是因?yàn)槠炫凼欠献髌纺甏姆椧�，同時(shí)也因?yàn)槠炫劬哂刑厥獾拿栏�。在電影的服飾�?yīng)用之中，華美多變的旗袍也往往與穿著旗袍的動(dòng)人女人捆綁銷售，成為影視作品中的一個(gè)固有印象，聞名中外，也讓梳著盤發(fā)、身著旗袍、風(fēng)姿綽約的女性形象成為外國人眼中典型的中國美女形象。同時(shí)，旗袍的元素應(yīng)用在影視作品的傳播過程之中，和燈光、音樂、表演、臺(tái)詞一起，作為創(chuàng)作者和服裝設(shè)計(jì)師的共同文化理念傳遞給觀眾，在打出個(gè)人風(fēng)格的同時(shí)，滿足觀眾的審美需求、提升情感共鳴，這也是影視作品的意義所在。另一方面，影視作品中的服飾元素應(yīng)用，也對(duì)時(shí)尚流行、大眾消費(fèi)觀念有著重要的引導(dǎo)作用。 因此，本文主要對(duì)具有中國民族特色的服飾符號(hào)——旗袍展開研究，通過對(duì)元素自身特點(diǎn)、發(fā)展歷史的了解基礎(chǔ)上，進(jìn)一步研究其在影視作品中的應(yīng)用。主要對(duì)應(yīng)用意義、應(yīng)用方法、應(yīng)用效果等方面展開研究。同時(shí)，針對(duì)相關(guān)文獻(xiàn)及研究作品中缺乏對(duì)影視作品中旗袍應(yīng)用失敗的研究進(jìn)行補(bǔ)充，通過對(duì)部分失敗作品的表現(xiàn)和原因進(jìn)行歸納和總結(jié)，與旗袍應(yīng)用成功的作品進(jìn)行對(duì)比分析，進(jìn)一步了解服飾在影視劇中應(yīng)用的方法和注意點(diǎn)，為電影創(chuàng)作者提供一些借鑒。
[Abstract]:All along, dress is an important element in film and television works. As a non-verbal cultural symbol, clothing plays a multi-role in the film and television works. At the same time, because of the age, region, style, thought center of the film and television works, the clothing symbol also has the obvious difference. Therefore, as a kind of film and television symbol, clothing also plays a role in distinguishing and marking. And the cheongsam, which has the distinctive national art characteristic and the Chinese style in our country film and television works, has not only played the basic role which the movie clothing should have, but also played the thick "Made in China" the cultural symbol for the movie. Cheongsam can be seen everywhere in Chinese film works. In different times, directors of different styles will have more or less works on cheongsam, not only because cheongsam is in line with the dress requirements of the time of the works, Also because cheongsam has a special sense of beauty. In the clothing application of the film, the beautiful and changeable cheongsam are often bundled with the moving woman in the cheongsam, becoming an inherent impression in the film and television works. The graceful female image has become a typical Chinese beauty image in the eyes of foreigners. At the same time, the elements of cheongsam are used in the transmission of film and television works, together with lights, music, performances and lines, as the common cultural concept of the creators and the fashion designers, they pass on to the audience while playing out their personal style. Meet the aesthetic needs of the audience, enhance emotional resonance, which is the significance of film and television works. On the other hand, the application of clothing elements in film and television works also plays an important guiding role in fashion and popular consumption. Therefore, this article mainly carries on the research to the Chinese national characteristic clothing symbol-cheongsam, through to the element own characteristic, the development history understanding foundation, further studies its application in the film and television works. The application significance, application method, application effect and so on are studied. At the same time, aiming at the lack of research on the failure of the application of Qipao in the film and television works in the relevant literature and research works, through the induction and summary of the performance and reasons of some of the failed works, this paper compares and analyzes the successful works of the application of the cheongsam. To further understand the application of clothing in film and television drama, and pay attention to provide some reference for film creators.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 吳學(xué)欽;;從民國時(shí)期旗袍的演變看女性意識(shí)的變化[J];滄桑;2011年05期

2 孫玉鳳;;解析電影人物旗袍服飾的運(yùn)用[J];電影評(píng)介;2008年14期

本文編號(hào)：1793833