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電影《唐人街探案》的八大組合段

發(fā)布時間:2018-04-23 17:54

  本文選題:麥茨 + 唐人街探案。 參考:《西部廣播電視》2016年12期


【摘要】:著名電影理論家麥茨提出了八大組合段理念,從非蒙太奇的角度提供了切分電影結(jié)構(gòu)的新思路。國產(chǎn)賀歲影片《唐人街探案》中使用了多種組合段的拼接方式,通過交替敘事組合段,多線穿插推進影片節(jié)點,并且慣于運用閃前閃回的括號組合段,形成了強烈的時空反差,感染著觀眾內(nèi)心的真情實感,這類現(xiàn)象值得思考。
[Abstract]:The famous film theorist Metz put forward the idea of eight major combinations, which provides a new way of dividing the film structure from the angle of non-montage. In the Chinese-made New year film "Chinatown investigation", many kinds of combination segments are used. By alternately narrative composite segments, multiple lines are inserted to push the film nodes, and they are used to using the bracketed combination segments that flash back before the flash, forming a strong space-time contrast. This kind of phenomenon is worth thinking about, which infects the true feelings of the audience.
【作者單位】: 山西師范大學(xué);
【分類號】:J905
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本文編號:1792996

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