本文選題：西部題材 + 影視創(chuàng)作��； 參考：《中國報業(yè)》2016年22期

【摘要】：進入新世紀,影視的社會作用已不僅局限在政治領(lǐng)域,更是現(xiàn)代人監(jiān)視世界、協(xié)調(diào)社會、傳承文化、提供娛樂的主要渠道,其傳播功能得到全面復(fù)興。西部題材影視在藝術(shù)觀念上追求影戲向影像的轉(zhuǎn)變,在藝術(shù)內(nèi)容上追求主題人物的多元與豐滿,在藝術(shù)思想上追求對時代和人物的獨特認識。
[Abstract]:In the new century, the social role of film and television has not only been confined to the political field, but also the modern people to monitor the world, coordinate the society, inherit culture, provide the main channel of entertainment, and its dissemination function has been fully rejuvenated. The western theme film and television pursue the transformation from the shadow play to the image in the artistic concept, pursue the pluralism and fullness of the theme character in the artistic content, and pursue the unique understanding of the times and characters in the art thought.
【作者單位】： 蘭州交通大學(xué)藝術(shù)學(xué)院;
【基金】：2013年蘭州交通大學(xué)校級青年項目《甘肅紅色題材影視創(chuàng)作的歷史狀況和現(xiàn)實思考》 甘肅省高等學(xué)�？蒲许椖�2015年《甘肅紀錄片大省的文藝實踐與產(chǎn)業(yè)方向》
【分類號】：J905
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本文編號：1792313