本文選題：藝術(shù)真實(shí) + CG動(dòng)畫��； 參考：《當(dāng)代電影》2016年10期

【摘要】：逼真影像背后的文化命意與思想深度應(yīng)該同構(gòu)于人的精神向度,影像技術(shù)的革新則應(yīng)帶來洞悉人類澄明精神與生命價(jià)值的方式演進(jìn),比特影像時(shí)代應(yīng)是高科技與高人文協(xié)調(diào)統(tǒng)一的人文價(jià)值時(shí)代。"超離"與"切實(shí)"實(shí)質(zhì)上是藝術(shù)真實(shí)與生活真實(shí)的延伸,CG動(dòng)畫不應(yīng)限于表面的描摹刻畫,而應(yīng)窮盡對象的內(nèi)在精神與意義,追求至高的審美境界。真實(shí)更不應(yīng)只是一種純粹的視覺呈現(xiàn),而應(yīng)是觸及靈魂深處、滿足受眾精神"愿景"的內(nèi)在揭露。
[Abstract]:The meaning of cultural life and the depth of thought behind lifelike images should be the same as the spiritual dimension of human beings, and the innovation of image technology should bring insight into the evolution of human beings' clarity of spirit and value of life. The age of bit-image should be the age of humanistic value of the harmony of high technology and high humanity. " In essence, the "transcendental" and "practical" are the extension of the artistic reality and the real life. The CG animation should not be limited to the superficial depiction, but should exhaust the inner spirit and significance of the object and pursue the supreme aesthetic realm. Reality should not only be a pure visual presentation, but also the inner disclosure of the soul to satisfy the audience's spiritual "vision".
【作者單位】： 重慶大學(xué)電影學(xué)院;
【基金】：重慶大學(xué)中央高�；究蒲袠I(yè)務(wù)費(fèi)(項(xiàng)目編號:106112015CDJSK06JD16)的研究成果之一
【分類號】：J905
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本文編號：1788534