本文選題：推理片 + 偵探��； 參考：《當(dāng)代電影》2017年09期

【摘要】：英國(guó)偵探片顯然直接受益于英國(guó)偵探文學(xué)這一寶藏,尤其是經(jīng)典時(shí)期("二戰(zhàn)"前)的作品。但不同于偵探小說(shuō)界一向"輕人物,重謎團(tuán)"的創(chuàng)作思路,英國(guó)推理片反而對(duì)人物尤其是主人公偵探的塑造更下功夫。事實(shí)證明這一策略相當(dāng)成功,它不僅催生了多個(gè)長(zhǎng)壽的影視劇系列,并且將"英式偵探"這一形象樹(shù)立為英國(guó)推理片區(qū)別于美國(guó)、日本以及其他歐洲國(guó)家同類電影最鮮明的標(biāo)志。此外,本文也試圖對(duì)英國(guó)推理片的"保守主義"做出淺析。
[Abstract]:British detective films apparently benefit directly from the treasure of British detective literature, especially from the classic period (before World War II).But different from the "light character, heavy mystery" creative idea in the field of detective fiction, English reasoning film works more hard on the portrayal of characters, especially the protagonist detective.It turned out to be a successful strategy, which not only gave birth to a number of long-lived film and television series, but also established the image of "British Detective" as a British reasoning film distinguished from the United States.Japan and other European countries of the same kind of film the most striking symbol.In addition, this paper also tries to make an analysis of the British reasoning film "conservatism".
【作者單位】： 北京電影學(xué)院文學(xué)系;北京電影學(xué)院電影學(xué)系;
【分類號(hào)】：J905

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本文編號(hào)：1774204