本文選題：法國新時期電影 + 法國新導演群��； 參考：《上海戲劇學院》2013年博士論文

【摘要】：1895年12月28日，電影誕生在法國。在接下來的一百多年里，法國就和電影有了密不可分的關系。從早期的盧米埃爾兄弟開天辟地的寫實主義影片，到梅里愛開拓的表現(xiàn)主義風格，到先鋒派電影在法國的蓬勃發(fā)展，到新浪潮的澤被后世，法國電影無論從藝術實踐上還是在美學理論研究方面都走在世界的前沿。法國電影是一面旗幟，她經(jīng)歷過登峰造極的輝煌，也曾徘徊在市場萎縮的低谷，但目前仍然處于世界的頂峰。法國電影新時期是時間上離我們最近的一個法國電影發(fā)展階段，在這個時期出現(xiàn)了創(chuàng)作的跌宕起伏，出現(xiàn)了美國的商業(yè)威脅，也出現(xiàn)了一批才華橫溢、風格不同的年輕導演。正是這些導演們的精心創(chuàng)作和不倦努力,才使法國電影在歐洲其他國家電影與好萊塢較量之后幾乎全軍覆沒的歲月里仍然能夠傲然于世。 新導演們在秉承前輩創(chuàng)作精神的同時，與好萊塢電影博弈票房，取得了不俗的成績。他們在作者電影的精神世界里自由翱翔，也在商業(yè)電影的票房工廠中積極探索；他們有時哲理深奧晦澀難懂，有時僅制造感官的新鮮和刺激；他們反思社會問題，也積極娛樂大眾；他們尋找人性的美好，也暴露現(xiàn)實的殘酷。 本文聚焦于最近二十七年（新時期法國電影從1984年開始）的新一代導演的創(chuàng)作，試圖通過他們的作品解讀法國電影新時期的導演風格的演變、電影創(chuàng)作的藝術特征和市場運作的規(guī)律和模式，找到法國電影在新時期里屹立不倒的原因所在。 從結構上說，論文共有三個章節(jié)，加上導言和結語共有五個部分組成： 導言的主要內容包括了課題的研究意義、國內外現(xiàn)狀、研究的主要內容、創(chuàng)新之處以及重點和難點。 第一章，法國電影新導演群落。 本章分成三個小節(jié)，分別對法國電影新導演的劃分、新導演的成長環(huán)境和創(chuàng)作背景以及新導演的組成群落進行了詳細的論證和說明。為后文章節(jié)導演創(chuàng)作風格的演變交代了背景。 第二章，新導演的創(chuàng)作風格及其作品的美學特征。 本章從新導演的電影表現(xiàn)主題、影像風格特色、敘事的節(jié)奏和方法以及塑造人物的重要手段等方面進行了詳細的研究，通過對他們作品的歸類分析，完成了對新導演作品的藝術模式與美學特征的總結，以及相關的具有代表性的電影理論研究。 第三章，新導演及其主要作品分析 本章選擇了四位比較有代表性的新導演，對其創(chuàng)作風格進行個案的細化研究。他們是法國電影新時期非常有代表性的導演，不僅獲獎無數(shù)，，而且風格獨特，不可復制。這四位導演分別是阿布戴·柯西胥、艾曼紐勒·莫雷、克萊爾·丹尼和讓-皮埃爾·熱內。 結語，全文結論性總括。本章總結了法國電影新時期的概貌以及新導演的創(chuàng)作，并與中國新導演的情況做了簡單的對比，希望能從法國新導演的創(chuàng)作經(jīng)驗中得到啟迪和借鑒。
[Abstract]:The film was born in France on December 28, 1895.Over the next hundred years, France was inextricably linked to films.From the original realism films of the early Lumiere brothers to the expressionist style developed by Meri, to the vigorous development of avant-garde films in France, to the coming generations of the new wave.French films are at the forefront of the world both in artistic practice and in the study of aesthetic theory.French film is a banner, she has experienced a brilliant peak, but also hovering in the market decline, but is still at the top of the world.The new era of French film is a recent stage of development of French film from us in time. In this period, there have been ups and downs of creation, a commercial threat from the United States, and a group of talented young directors of different styles.It was the painstaking creation and tireless efforts of these directors that enabled French films to remain proud of the rest of Europe after almost all their years of war with Hollywood.While adhering to the creative spirit of their predecessors, the new directors and Hollywood film game box office, has made good results.They fly freely in the spiritual world of the author's films and actively explore in the box office factories of commercial films; they sometimes have profound and obscure philosophies, sometimes they only create the freshness and excitement of the senses; they reflect on social problems.They also actively entertain the masses; they seek the beauty of human nature, but also expose the cruelty of reality.This article focuses on the creation of a new generation of directors in the last twenty-seven years (the new era of French cinema began in 1984), trying to interpret the evolution of the style of directors in the new era of French films through their works.The artistic characteristics of film creation and the law and mode of market operation find out the reason why the French film stands erect in the new period.Structurally, the thesis consists of three chapters, plus an introduction and a conclusion consisting of five parts:The main contents of the introduction include the significance of the research, the current situation at home and abroad, the main contents of the research, the innovation and the key points and difficulties.The first chapter, the new French film director community.This chapter is divided into three sections, respectively, the new French film director division, the new director of the growing environment and creative background and the composition of the new director for detailed demonstration and explanation.For the later chapters of the evolution of the director's creative style explained the background.The second chapter is the creative style of the new director and the aesthetic characteristics of his works.This chapter has carried on the detailed research from the new director's movie performance theme, the image style characteristic, the narrative rhythm and the method as well as the important means of portraying the character, through classifies the analysis to their works,The art model and aesthetic characteristics of the new director's works are summarized, as well as the relevant representative film theory research.Chapter three: analysis of the New Director and his main worksIn this chapter, four representative new directors are selected to study their creative style in detail.They are very representative French film directors in the new era, not only innumerable awards, but also unique style, can not be copied.The four directors are Abd Cosey, Emmanuel Morey, Claire Danny and Jean-Pierre Genet.Conclusion, conclusion.This chapter summarizes the general picture of the new period of French film and the creation of the new director, and makes a simple comparison with the situation of the new director in China, hoping to get inspiration and reference from the creative experience of the new French director.
【學位授予單位】：上海戲劇學院
【學位級別】：博士
【學位授予年份】：2013
【分類號】：J911;J905

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