本文選題：彭浩翔 + 香港電影��； 參考：《復(fù)旦大學(xué)》2014年碩士論文

【摘要】：彭浩翔是目前香港影壇極具才氣的青年導(dǎo)演。執(zhí)導(dǎo)十五年來,彭浩翔幾乎每年都能拿出充滿個(gè)性化風(fēng)格的新作,為呈低谷萎縮之狀的香港電影市場(chǎng)注入新鮮的血液。本論文把彭浩翔置于香港電影工業(yè)的大環(huán)境下,從其個(gè)人創(chuàng)作歷程入手,結(jié)合具體作品進(jìn)行分析,第一章概述了身為作者型導(dǎo)演的彭浩翔,如何在編劇、監(jiān)制、導(dǎo)演三個(gè)方面掌控整部電影,并對(duì)其電影創(chuàng)作理念與主題內(nèi)涵進(jìn)行了概括,即在創(chuàng)作上從不自我復(fù)制,立足香港本土、描繪民生百態(tài)；第二章以具體電影角色為切入點(diǎn),探究彭浩翔慣于塑造的幾類人物,聚焦其對(duì)女性群像與男性群像的刻畫,重點(diǎn)分析了“殺手”、“妓女”、“AV女優(yōu)”等人物形象的特點(diǎn),從中解讀彭浩翔對(duì)兩性關(guān)系的態(tài)度及對(duì)邊緣人物的關(guān)注；第三章探討總結(jié)彭浩翔電影的美學(xué)風(fēng)格,主要包括以微見著的電影語言、實(shí)驗(yàn)性的敘事結(jié)構(gòu)以及雜糅的電影類型三個(gè)方面的特點(diǎn)。力圖通過此研究,整理總結(jié)作為香港電影新興力量之一的彭浩翔,其電影創(chuàng)作的藝術(shù)特色及創(chuàng)新之處,并由此進(jìn)一步探究香港電影人在兩岸合作日趨緊密的創(chuàng)作環(huán)境中,如何準(zhǔn)確定位自己的坐標(biāo),找到構(gòu)筑現(xiàn)代港片的新生方向,從而為其沖破當(dāng)下迷局、重塑香港精神,提供建設(shè)性的意見與啟示。
[Abstract]:Mr Pang is a talented young director in the Hong Kong film world.Over the past 15 years, Peng has been able to produce new works full of personalized style almost every year, infusing fresh blood into Hong Kong's shrinking film market.This paper puts Peng Haoxiang in the Hong Kong film industry environment, starting with his personal creation process, combining with the analysis of specific works. The first chapter summarizes Peng Haoxiang, as an author director, how to make screenwriters and producers.The director controls the whole film in three aspects, and generalizes the concept and theme of his film creation, that is, he never replicates himself in his creative work, he bases himself on Hong Kong and depicts the people's livelihood. The second chapter takes specific movie characters as the breakthrough point.This paper probes into several kinds of characters that Peng Haoxiang is used to portray, focuses on his portrayal of female and male images, and analyzes the characteristics of the characters such as "killer", "prostitute", "AV female excellence" and so on.The third chapter discusses and summarizes the aesthetic style of Peng Haoxiang's films, which mainly includes the language of movies with a small perspective, from which Peng Haoxiang's attitude towards gender relations and his attention to the marginal characters are explained, and the third chapter discusses the aesthetic style of Peng Haoxiang's films.Experimental narrative structure and hybrid film types of three aspects of the characteristics.Through this study, he tries to sort out and summarize the artistic characteristics and innovations of Hong Kong film creation as one of the new forces of Hong Kong film creation, and thus further explore the Hong Kong filmmakers' creative environment in which cross-strait cooperation is ever closer.How to accurately locate their coordinates and find the new direction of constructing modern Hong Kong films, thus breaking through the current confusion, reshaping the spirit of Hong Kong, providing constructive advice and enlightenment.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

【共引文獻(xiàn)】

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本文編號(hào)：1761427