本文選題：后現(xiàn)代語境 + 當(dāng)代美國動畫��； 參考：《江南大學(xué)》2017年碩士論文

【摘要】：本文以二十世紀(jì)九十年代以來的當(dāng)代美國動畫作為研究對象,以后現(xiàn)代主義理論為研究視角,細(xì)致爬梳當(dāng)代美國動畫在創(chuàng)作觀念、傳播方式和技術(shù)手段的變革路徑。尤其是深入梳理了與當(dāng)代美國動畫創(chuàng)作有著“瓜瓞連綿”關(guān)系的后現(xiàn)代波普藝術(shù),以及與當(dāng)代美國動畫“同宗同源”的后現(xiàn)代電影等為主要代表的后現(xiàn)代藝術(shù)作品的藝術(shù)表現(xiàn)方法及理論,借以概括總結(jié)后現(xiàn)代文藝?yán)碚撌侨绾螌Ξ?dāng)代美國動畫產(chǎn)生影響及作用力的。然后,以此為基礎(chǔ),將當(dāng)代美國動畫置于后現(xiàn)代語境下進(jìn)行考察,探究當(dāng)代美國動畫的藝術(shù)創(chuàng)作特征。最后,通過對后現(xiàn)代語境下當(dāng)代美國動畫藝術(shù)創(chuàng)作特征的理論建構(gòu),探析該理論框架對當(dāng)代美國動畫的創(chuàng)作實(shí)踐的指導(dǎo)與幫助作用。第一章為緒論部分,主要講述了后現(xiàn)代語境下當(dāng)代美國動畫藝術(shù)創(chuàng)作特征的研究背景、研究現(xiàn)狀、研究目標(biāo)與創(chuàng)新點(diǎn)、研究內(nèi)容與研究意義,為研究本選題提供了相對堅實(shí)的理論后盾。第二章詳盡講述了在后現(xiàn)代主義影響下,構(gòu)成當(dāng)代美國動畫三大組成部分即二維動畫、三維動畫、定格動畫是如何經(jīng)由技術(shù)手段革新、傳播方式變化、創(chuàng)作理念更新而出現(xiàn)的三大變革路徑。第三章主要探析了與當(dāng)代美國動畫有著“瓜瓞連綿”關(guān)系的后現(xiàn)代波普藝術(shù)風(fēng)格在當(dāng)代美國動畫中的表現(xiàn)。后現(xiàn)代波普藝術(shù)作為后現(xiàn)代美術(shù)主要的創(chuàng)作形式,與其后繼的當(dāng)代美國動畫的美術(shù)創(chuàng)作有諸多互生共榮的表現(xiàn),要想深入探討后現(xiàn)代語境下當(dāng)代美國動畫創(chuàng)作特征,勢必?zé)o法繞開后現(xiàn)代波普藝術(shù)風(fēng)格在當(dāng)代美國動畫中的表現(xiàn)的研究。經(jīng)研究論證,后現(xiàn)代波普藝術(shù)風(fēng)格在當(dāng)代美國動畫中的主要表現(xiàn):夸張簡約的造型凸顯角色特征;叛逆性的色彩重構(gòu)情緒感知;創(chuàng)作對大眾媒介的依賴;匪夷所思的組合拼貼和重復(fù),體現(xiàn)戲謔、惡搞的后現(xiàn)代波普精神等。第四章深入剖析了后現(xiàn)代電影創(chuàng)作手法在當(dāng)代美國動畫中的表現(xiàn)。因?yàn)閯赢嫼碗娪霸谒囆g(shù)和技術(shù)上同宗同源,而后現(xiàn)代電影的盛行又與當(dāng)代美國動畫的后現(xiàn)代思潮風(fēng)行在時間上同期同步。由此可見,深度探析后現(xiàn)代語境下當(dāng)代美國動畫創(chuàng)作特征,絕對離不開探究后現(xiàn)代電影創(chuàng)作技法在當(dāng)代美國動畫中的表現(xiàn)這一重要理論課題。經(jīng)研究發(fā)現(xiàn),在后現(xiàn)代電影創(chuàng)作技法中,混搭雜糅性的影片類型、非連貫性的敘事手段、“游戲性”等表現(xiàn)手法與手段都在當(dāng)代美國動畫作品中有所表現(xiàn),它們在一定程度上影響著當(dāng)代美國動畫的創(chuàng)作。第五章總結(jié)歸納了在后現(xiàn)代語境下,當(dāng)代美國動畫所泛現(xiàn)出的大眾化的藝術(shù)創(chuàng)作特征、幽默詼諧的藝術(shù)創(chuàng)作特征、解構(gòu)性的藝術(shù)創(chuàng)作特征和反叛性的藝術(shù)創(chuàng)作特征。其一,大眾化的特征主要體現(xiàn)在:題材選擇上的多樣性、傳播方法的復(fù)制性以及氛圍搭建的世俗化上。其二,幽默詼諧的特征以“擬人化”的戲仿、夸張的表情動作以及滑稽的語言表述來著重表現(xiàn)。其三,解構(gòu)角色、解構(gòu)敘事以及對動畫類別混搭重組則體現(xiàn)著解構(gòu)性的特征。其四,在后現(xiàn)代語境下,崇尚自由、追求平等的價值觀,追求男女平等、反對性別歧視以及反諷權(quán)威中心在一定程度上反映了反叛性的特征。籍此,從學(xué)理上架構(gòu)了后現(xiàn)代語境下當(dāng)代美國動畫藝術(shù)創(chuàng)作特征的基本理論框架。
[Abstract]:Based on the contemporary American animation since 1990s as the research object, the post-modernism theory, careful combing of contemporary American animation in the creation idea, change path propagation methods and technical means. Especially further combing with "melon die rolling" and the relationship of contemporary American animation after modern pop art, artistic expression the theory and method of modern art and contemporary American animation "same" postmodern film as the main representatives, to summarize the postmodern literary theory is how to influence and force of contemporary American animation. Then, on the basis of contemporary American animation in post-modern context were investigated. Art characteristics of contemporary American animation. Finally, based on the postmodern context of Contemporary American animation art features Theoretical construction, guidance and help of the theoretical framework of the creation of contemporary American animation. The first chapter is the introduction part, mainly describes the research background, the postmodern context of contemporary American animation art features research status, research goals and innovation points, research contents and significance of the research, provides the theory behind relatively solid the research of this topic. The second chapter elaborates on the influence of postmodernism, a contemporary American animation three parts namely 2D animation, 3D animation, animation is how to through technology innovation, mode of transmission changes, three changes and update path creation concept. The third chapter mainly analyzes a "die rolling melon" relationship with contemporary American animation after modern pop art style in the performance of contemporary American animation. After modern pop art as modern art master Should the creation form, and successor of contemporary American animation art creation has many alternate prosperity performance, to further explore the postmodern context of contemporary American animation features, the research of modern pop art style in the performance of contemporary American animation in the bound can not be bypassed. The study argues that the main performance of modern pop art in the style of contemporary American animation: exaggerated minimalist styling highlights character; rebellious color perception emotional reconstruction; creation of dependence on the mass media; fantastic combination of collage and repetition, embodied jokingly after modern pop, spoof spirit. The fourth chapter analyzes the postmodern movie creation in contemporary the United States animation. Because the animation and movies in the art and technology of same and modern movie popular with contemporary American animation of Postmodernism in the wind At the same time on. Thus, the depth of the postmodern context of contemporary American animation features, absolutely cannot do without exploring the postmodern movie creation techniques in the performance of contemporary American animation in this important theoretical topic. The study found that in the postmodern movie creation technique, mix hybridity genre, non coherence the narrative means, "game" and other methods and means of performance in contemporary American animation works, they affect contemporary American animation creation in a certain extent. The fifth chapter summarizes in the postmodern context, the contemporary American animation pan the popular art characteristics of art creative features of humor, deconstruction art characteristic of artistic creation and rebellion. It features a popular feature, mainly reflected in the diversity of subject choice, propagation method of complex System and build the secular atmosphere. Second, the characteristics of humor in "anthropomorphic Parody", exaggerated motion and funny language to emphasize the role of deconstruction, deconstruction. Third, narration and animation category mix restructuring embodies the characteristics of deconstruction. Fourth, advocating freedom in the post in modern context, the pursuit of equal values, the pursuit of equality between men and women, against gender discrimination and irony authority reflects the characteristics of the rebels to a certain extent. Therefore, from the perspective of architecture is the basic theoretical framework of the postmodern context of contemporary American animation art features.

【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J954

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本文編號：1756633