本文選題：21世紀(jì) + 中國(guó)大陸電影�。� 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：21世紀(jì)以來(lái)的中國(guó)經(jīng)歷著深刻的變革,目前正是國(guó)家轉(zhuǎn)型、發(fā)展的重要時(shí)期。在中國(guó)向現(xiàn)代化邁進(jìn)的過(guò)程中,農(nóng)村女性對(duì)鄉(xiāng)村社會(huì)乃至整個(gè)中國(guó)社會(huì)的發(fā)展都做出了巨大的貢獻(xiàn),她們應(yīng)該得到社會(huì)的關(guān)注。電影,作為重要的藝術(shù)媒介,必將承擔(dān)起關(guān)注農(nóng)村女性群體的責(zé)任。有鑒于此,本篇論文將從文藝學(xué)角度給予農(nóng)村女性群體應(yīng)有的人文關(guān)懷,對(duì)21世紀(jì)中國(guó)大陸電影中的農(nóng)村女性形象進(jìn)行分析和闡釋。本文將分六章對(duì)21世紀(jì)中國(guó)大陸電影中的農(nóng)村女性形象進(jìn)行探析:論文第一章從宏觀上對(duì)21世紀(jì)中國(guó)農(nóng)村女性的普遍處境進(jìn)行整體上的把握;第二章將根據(jù)中國(guó)農(nóng)村女性的形象特征對(duì)21世紀(jì)中國(guó)電影中的農(nóng)村女性形象進(jìn)行界定和分類(lèi);第三章根據(jù)前文分類(lèi)對(duì)電影中的農(nóng)村女性形象類(lèi)型做出具體分析;論文第四章主要探討21世紀(jì)中國(guó)大陸電影中農(nóng)村女性形象的塑造方式。最后兩章將主要對(duì)21世紀(jì)中國(guó)大陸電影中的農(nóng)村女性形象建構(gòu)的現(xiàn)實(shí)意義以及建構(gòu)過(guò)程中所存在的一些問(wèn)題作出思考和分析。第一章考察21世紀(jì)中國(guó)農(nóng)村女性的普遍處境:通過(guò)對(duì)21世紀(jì)中國(guó)農(nóng)村女性的普遍處境的整體把握,不難發(fā)現(xiàn):“農(nóng)村的城市化進(jìn)程與農(nóng)村女性身份的松動(dòng)”、“脫貧之路與農(nóng)村女性對(duì)農(nóng)村的被迫守望”以及“游走在城市叢林的底層”三個(gè)方面大體構(gòu)成了21世紀(jì)農(nóng)村女性的普遍處境。第二章將從現(xiàn)實(shí)回歸到電影本身,根據(jù)第一章農(nóng)村女性的普遍處境,按年齡與社會(huì)身份將21世紀(jì)中國(guó)大陸電影中的農(nóng)村女性分為以下四類(lèi):農(nóng)村女童、農(nóng)村未婚女性、農(nóng)村已婚婦女、女性農(nóng)民工,并在此基礎(chǔ)上分析和闡釋21世紀(jì)中國(guó)大陸電影中農(nóng)村女性的形象特征。第三章將緊密結(jié)合電影文本,對(duì)21世紀(jì)中國(guó)大陸電影中的農(nóng)村女性形象類(lèi)型做出具體的文本分析,并對(duì)電影人物形象背后所蘊(yùn)含的文化現(xiàn)象及文化成因做具體闡釋。第四章是對(duì)21世紀(jì)中國(guó)大陸電影中農(nóng)村女性形象塑造方式的分析:紀(jì)實(shí)美學(xué)風(fēng)格下的鏡頭語(yǔ)言、富有時(shí)代特征的服飾造型、特色方言的形象化表達(dá)以及豐富多樣的敘事方式構(gòu)成了21世紀(jì)中國(guó)大陸電影對(duì)農(nóng)村女性形象的主要塑造方式。第五章闡述21世紀(jì)中國(guó)大陸電影中農(nóng)村女性形象建構(gòu)的現(xiàn)實(shí)意義。電影通過(guò)對(duì)農(nóng)村女性形象的刻畫(huà)和塑造,不僅反映了21世紀(jì)新農(nóng)村建設(shè)的客觀現(xiàn)實(shí),也積極地表現(xiàn)出對(duì)于農(nóng)村現(xiàn)實(shí)問(wèn)題的主觀思考。第六章作為全文的結(jié)尾章節(jié),將針對(duì)21世紀(jì)中國(guó)大陸電影在農(nóng)村女性形象塑造過(guò)程中所存在的偏差、缺失等問(wèn)題進(jìn)行思考�？偟膩�(lái)說(shuō),本文將從電影藝術(shù)和社會(huì)現(xiàn)實(shí)兩方面出發(fā),從整體上把握21世紀(jì)中國(guó)大陸電影中的農(nóng)村女性形象,通過(guò)對(duì)電影中農(nóng)村女性形象的分析挖據(jù)出現(xiàn)象背后的現(xiàn)實(shí)意義,并針對(duì)電影創(chuàng)作中所存在的問(wèn)題作出相應(yīng)的思考,以期為今后電影中農(nóng)村女性形象塑造提供參考。
[Abstract]:China has experienced profound changes since the 21 st century, which is an important period of national transformation and development.In the process of China's modernization, rural women have made great contributions to the development of rural society and the whole Chinese society.Film, as an important artistic medium, will assume the responsibility of paying attention to rural women.In view of this, this thesis will analyze and explain the images of rural women in Chinese mainland films in the 21st century from the point of view of literature and art.This paper will be divided into six chapters to explore the image of rural women in the Chinese mainland films of the 21st century: the first chapter of the paper from the macro perspective of the general situation of Chinese rural women in the 21st century overall grasp;The second chapter defines and classifies the rural female images in Chinese films in the 21st century according to the image characteristics of Chinese rural women, the third chapter makes a specific analysis of the types of rural women images in the films according to the previous classification.The fourth chapter mainly discusses the way of shaping the rural female image in the Chinese mainland film in the 21 st century.The last two chapters will mainly reflect and analyze the realistic significance of the construction of rural female image in Chinese mainland films in the 21st century and some problems existing in the process of construction.The first chapter examines the general situation of Chinese rural women in the 21st century. Through the overall understanding of the general situation of Chinese rural women in the 21st century, it is not difficult to find out: "the urbanization process in rural areas and the loosening of rural women's identity"."the road out of poverty and the rural women's forced watch over the countryside" and "walking in the bottom of the urban jungle" constitute the general situation of rural women in the 21st century.The second chapter will return to the film itself from reality. According to the general situation of rural women in chapter one, according to the age and social status, the rural women in Chinese mainland films in the 21st century can be divided into the following four categories: rural girls, unmarried rural women.Rural married women, female migrant workers, and on the basis of this analysis and interpretation of the image of rural women in mainland China in the 21st century.The third chapter closely combines the film text to make the concrete text analysis to the rural female image type in the Chinese mainland film in the 21st century, and makes the concrete explanation to the cultural phenomenon and the cultural cause behind the movie character image.The fourth chapter is the analysis of the way to portray the rural female image in the Chinese mainland films in the 21st century: the lens language under the documentary aesthetic style, the dress style with the characteristics of the times,The vivid expression of characteristic dialects and the rich and varied narrative methods constitute the main ways of shaping the rural female image in the Chinese mainland films in the 21st century.The fifth chapter expounds the realistic significance of the construction of rural female image in Chinese mainland films in the 21 st century.The film not only reflects the objective reality of the new rural construction in the 21st century, but also shows the subjective thinking about the rural reality through the portrayal and molding of the rural female image.The sixth chapter, as the ending chapter of the full text, will think about the deviation and deficiency of the Chinese mainland film in the process of shaping the rural female image in the 21 ~ (st) century.In general, this paper will start from the two aspects of film art and social reality, grasp the rural female image in the Chinese mainland film of the 21st century as a whole, and dig out the realistic significance behind the phenomenon through the analysis of the rural female image in the film.The author also thinks about the problems existing in the film creation in order to provide reference for the shaping of the rural female image in the future.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J905

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本文編號(hào)：1751638