本文選題：非主流 + 敘事特征　； 參考：《福建師范大學(xué)》2013年碩士論文

【摘要】：本文對美國非主流動畫電影系統(tǒng)研究的時間界定是從二十世紀(jì)九十年代以來,所研究的案例是以美國動畫劇情長片為主,短片為輔,本文中九十年代以前的美國或其他國家非主流動畫電影將較少進(jìn)行系統(tǒng)研究。第一章首先闡述非主流動畫電影發(fā)展的脈絡(luò),通過自身研究對非主流動畫電影進(jìn)行概念界定,并對國內(nèi)外非主流動畫電影產(chǎn)生的歷史溯源、現(xiàn)狀以及特征分類進(jìn)行梳理。后兩章則分別研究九十年代以來美國非主流動畫電影的題材選擇、人物設(shè)置以及敘事特征。通過后兩章的探討也可反過來當(dāng)作本人在第一章對非主流動畫電影的概念界定的依據(jù)。 另外,九十年代以來的非主流動畫電影之所以不同于傳統(tǒng)動畫影片,區(qū)別之一就在于其獨(dú)特的敘事結(jié)構(gòu)和敘事風(fēng)格。在第四章本文討論了非主流動畫電影對當(dāng)今的主流動畫電影有著怎樣重要的影響。九十年代以來,動畫電影的影響力日益重大,票房更是節(jié)節(jié)高升,而新世紀(jì)以來非主流動畫電影與主流動畫電影互相影響,非主流動畫電影如何才能既保持非主流的“內(nèi)心”,又能很好的迎合廣大觀眾?這成為一個非常有價值和意義的問題。受到“非主流”的影響,主流動畫電影該如何發(fā)展,也值得所有創(chuàng)作人員深思。
[Abstract]:This paper defines the time for the study of the non-mainstream animation film system in the United States. Since the 1990s, the cases studied have been mainly American animated feature films, supplemented by short films.In this paper, the non-mainstream animation films in the United States or other countries before the 1990 s will be less systematic research.The first chapter first describes the development of non-mainstream animation film context, through its own research to define the concept of non-mainstream animation film, and domestic and foreign non-mainstream animation film history, the status quo and characteristics of classification are combed.The latter two chapters separately study the theme selection, character setting and narrative features of American non-mainstream animated films since 1990 s.The discussion of the latter two chapters can also be regarded as the basis of defining the concept of non-mainstream animation film in the first chapter.In addition, one of the differences between non-mainstream animation films since 1990's and traditional animation films lies in their unique narrative structure and narrative style.In the fourth chapter, this paper discusses how the non-mainstream animation film has an important influence on the current mainstream animation film.Since the 1990s, the influence of animated films has become increasingly important, and the box office has been rising. Since the new century, non-mainstream animated films and mainstream animated films have interacted with each other. How can non-mainstream animated movies maintain the "inner" of the non-mainstream?And it caters to the public?This becomes a very valuable and meaningful question.Under the influence of "non-mainstream", how to develop mainstream animation films is worth pondering by all creators.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J954

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本文編號：1749357