本文選題：電視紀(jì)錄片　切入點(diǎn)：娛樂化傾向　出處：《東北師范大學(xué)》2014年碩士論文

【摘要】：當(dāng)代社會(huì)在全球化的進(jìn)程當(dāng)中，文化的沖突和融合形成了一個(gè)文化多元化的時(shí)期，文化的多元化是不同的社會(huì)結(jié)構(gòu)和不同的地域環(huán)境的體現(xiàn)。本文所說的大眾文化以大眾媒介為傳播手段，使大眾獲得精神享受，使其成為大眾的生活習(xí)慣和日常文化，并逐漸形成以大眾消費(fèi)為主的文化產(chǎn)業(yè)。 紀(jì)錄片作為當(dāng)代傳播媒介之一，，在大眾文化的影響之下，為了滿足受眾群體和市場(chǎng)的需求逐漸產(chǎn)生娛樂化及泛娛樂化的新的創(chuàng)作傾向，通過使用各種觀眾所喜愛的娛樂元素，以及來緩解國產(chǎn)紀(jì)錄片以往嚴(yán)肅、說教而又晦澀的表達(dá)方式。本文通過五章內(nèi)容來詳細(xì)闡述在大眾文化背景下我國電視紀(jì)錄片娛樂化的表象與反思。 在第一章中，通過三節(jié)內(nèi)容對(duì)大眾文化及電視紀(jì)錄片娛樂化的概述進(jìn)行內(nèi)涵與外延的深入研究，來深入理解大眾文化、電視紀(jì)錄片的娛樂化及娛樂化的概念，及其發(fā)展過程。 第二章，通過兩節(jié)內(nèi)容對(duì)電視紀(jì)錄片娛樂化形成的背景和原因進(jìn)行詳細(xì)闡述，進(jìn)而對(duì)電視紀(jì)錄片娛樂化現(xiàn)象的形成更加深刻地理解。 第三章，通過兩節(jié)內(nèi)容對(duì)我國電視紀(jì)錄片娛樂化的表現(xiàn)及特征做詳細(xì)闡述，通過本章內(nèi)容，我們可以分別從表面、內(nèi)涵兩個(gè)層面來對(duì)電視紀(jì)錄片娛樂化的創(chuàng)作手法做一個(gè)清晰的整理，同時(shí)，這也是本文最重要的一章。通過對(duì)故事化的敘事方式、真人扮演與情景再現(xiàn)的體現(xiàn)、數(shù)字技術(shù)的大力支持三方面內(nèi)容對(duì)電視紀(jì)錄片娛樂化的創(chuàng)作手法進(jìn)行詳細(xì)闡述；通過對(duì)創(chuàng)新的題材、文化的特征、紀(jì)錄片生產(chǎn)的工業(yè)化、多元化的技術(shù)支持以及電視紀(jì)錄片的游戲化形態(tài)五方面內(nèi)容對(duì)電視紀(jì)錄片娛樂化的表現(xiàn)特征做詳細(xì)闡述。 第四章，通過兩節(jié)內(nèi)容對(duì)我國電視紀(jì)錄片娛樂化現(xiàn)象的受眾接受的情況做研究分析，從中得到我國受眾群體在面對(duì)電視紀(jì)錄片娛樂化現(xiàn)象時(shí)所作的反響及對(duì)紀(jì)錄片發(fā)展的作用。 第五章，也是本文最后一張，將用辯證的方法對(duì)我國電視紀(jì)錄片娛樂化現(xiàn)象的利與弊進(jìn)行分析，以及通過分析后的個(gè)人反思與總結(jié)。
[Abstract]:In the process of globalization, the conflict and integration of culture has formed a period of cultural pluralism. Cultural pluralism is the embodiment of different social structure and different regional environment.The mass culture mentioned in this paper takes the mass media as the means of communication, makes the masses enjoy the spirit, makes it become the living habits and daily culture of the masses, and gradually forms the cultural industry with the mass consumption as the main body.As one of the contemporary media, under the influence of mass culture, documentary film, in order to meet the needs of the audience and the market, gradually produce a new creative tendency of entertainment and pan-entertainment, through the use of various audience favorite entertainment elements.And to ease domestic documentaries in the past serious, preaching and obscure expression.This paper elaborates the appearance and reflection of entertainment of TV documentary in our country under the background of popular culture through five chapters.In the first chapter, the connotation and extension of popular culture and entertainment of TV documentary are deeply studied in order to understand the concepts of popular culture, entertainment and entertainment of TV documentary and its development process.The second chapter, through the two sections of the content of the television documentary entertainment background and reasons for the formation of a more profound understanding of the formation of television documentary entertainment phenomenon.The third chapter, through two sections of content to our country's television documentary entertainment performance and characteristics to do a detailed elaboration, through this chapter content, we can separately from the surface,Two levels of connotation to make a clear arrangement of the entertainment of TV documentary creation, at the same time, this is the most important chapter of this paper.Through the narration of the story, the representation of the real person and the scene, the support of the digital technology, the creative technique of the entertainment of the TV documentary is elaborated in detail, and the creative theme, the cultural characteristic, the characteristic of the culture, are discussed in detail.The industrialization of documentary production, the diversified technical support and the game form of TV documentary are described in detail.The fourth chapter, through two sections of the content of the television documentary entertainment phenomenon of the audience to do research and analysis, from the audience in the face of the phenomenon of entertainment television documentary entertainment phenomenon and the role of the development of documentary.The fifth chapter, which is the last of this paper, will analyze the advantages and disadvantages of the entertainment phenomenon of Chinese TV documentary with dialectical method, and through the analysis of personal reflection and summary.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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