本文選題：寫實風(fēng)格　切入點(diǎn)：女性形象　出處：《西南大學(xué)》2014年碩士論文

【摘要】：電影這個行業(yè)從來都是男人揮灑汗水的天地,但是身為女性的許鞍華導(dǎo)演卻用自己獨(dú)特的視角和他人沒有的堅持,立足于這個領(lǐng)域長達(dá)三十多年,在香港新浪潮脫穎而出的許鞍華在從影三十多年來可謂是碩果累累、毀譽(yù)參半,在香港電影圈、乃至于華人電影圈有著不可替代地位。 本論文包括緒論、正文主體和結(jié)語三個部分,各自選取相應(yīng)的文本細(xì)致分析了許鞍華導(dǎo)演從影三十多年所創(chuàng)作的電影作品。緒論部分梳理了其生平經(jīng)歷、作品概況和研究現(xiàn)狀,總結(jié)出目前對許鞍華研究不甚豐富的原因是其作品眾多、毀譽(yù)參半、且作品內(nèi)容無固定路數(shù)。正文部分總共分為三章,第一章主要分析了其藝術(shù)風(fēng)格,從鏡頭語言、敘述機(jī)制和造型空間這三個方面歸納出“寫實主義”是許式電影慣用的表現(xiàn)手法；第二章主要研究的是許鞍華電影作品中的女性形象,將其大致歸納為堅強(qiáng)的、悲情的、敏感話題中的女性這三大類,具體解讀了許鞍華是如何塑造她們的。第三章分析的是許鞍華導(dǎo)演對文學(xué)作品的改編,選取了《半生緣》與《傾城之戀》這兩部最具代表性的電影,從故事情節(jié)、人物設(shè)計、敘述角度這三個層面對比了影片和原著小說的不同之處。
[Abstract]:The film industry has always been a place for men to sweat, but as a woman, director Xu Anhua used his own unique perspective and other people's insistence to stay in this field for more than 30 years.Hui Anhua, who stands out in the new wave of Hong Kong, has been fruitful and has a mixed reputation in the past 30 years, and has an irreplaceable position in the Hong Kong film circle and even in the Chinese film circle.This thesis includes three parts: introduction, main body and conclusion.The introduction part combs his life experience, works general situation and research present situation, sums up the reason that Xu Anhua's research is not very rich at present, because his works are numerous, the reputation is mixed, and the content of his works has no fixed path.The main body part is divided into three chapters, the first chapter mainly analyzes its artistic style, concludes that "realism" is the usual expression technique of Xu type film from three aspects: lens language, narrative mechanism and modeling space.The second chapter mainly studies the female image in Xu Anhua's film works, which is divided into three categories: strong, sad and sensitive topic, and explains how Xu Anhua molds them.The third chapter analyzes the adaptation of literary works by director Xu Anhua, and selects the two most representative films, "the relationship between the half Life" and "the Love of Qing City", from the storyline and the character design.The three levels of narration contrast the difference between the film and the original novel.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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相關(guān)期刊論文 前2條

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本文編號：1718091