本文選題：新世紀(jì)　切入點(diǎn)：都市電影　出處：《上海大學(xué)》2013年碩士論文

【摘要】：電影誕生于巴黎街頭的一家大咖啡館內(nèi)，并從此與都市結(jié)下了不解之緣。中國電影也同樣在大都市發(fā)軔，而后受到都市文化的滋養(yǎng)，，漸漸地在中國大地上發(fā)展流行起來。本文研究的都市電影，是那些以現(xiàn)代化大都市為故事背景、以展現(xiàn)都市人群的生活百態(tài)以及他們的思想、情感、愿望等心理活動(dòng)為主要內(nèi)容的電影。而談及新世紀(jì)以來的都市電影，不容忽視的一點(diǎn)是電影中大量涌現(xiàn)的中產(chǎn)階級形象，在都市電影蓬勃發(fā)展的今天，形形色色的中產(chǎn)階級人物形象正以其消費(fèi)前衛(wèi)及品位階層的姿態(tài)引領(lǐng)著全社會的時(shí)尚潮流與生活方式。 本文首先從職業(yè)、教育、財(cái)產(chǎn)三個(gè)方面界定了中產(chǎn)階級的概念范圍，接著采用電影文本細(xì)讀法對新世紀(jì)以來都市電影中的中產(chǎn)階級形象進(jìn)行分析、總結(jié)，由此發(fā)現(xiàn)，近年來社會環(huán)境的巨大變化使得中國中產(chǎn)階級的消費(fèi)場域隨之發(fā)生變化，產(chǎn)生了許多新特征。同時(shí)，社會文化語境的變化，使得新世紀(jì)中產(chǎn)階級的文化品位和階層認(rèn)同都發(fā)生了重大的轉(zhuǎn)變,中產(chǎn)階級的品位更多地具有了豐富的階層區(qū)隔意味。此外，都市電影對當(dāng)前的中產(chǎn)階級認(rèn)同（包括社會認(rèn)同和自我認(rèn)同）的影響也是巨大的，這種影響包括生活方式、愛情觀念和事業(yè)追求等諸多方面。在中國傳統(tǒng)文化因斷裂而缺失的情形下，西方生活方式與道德價(jià)值觀正在中產(chǎn)階級日常生活中悄悄地蔓延，并已經(jīng)表現(xiàn)出其潛移默化的影響。 新世紀(jì)以來的都市電影，以特有的方式關(guān)注和映射中產(chǎn)階級的心理狀態(tài)和他們的生活處境，塑造了令人耳目一新的中產(chǎn)階級形象。但令人遺憾的是，大量都市電影表現(xiàn)出的是一種以消費(fèi)為中心的中產(chǎn)階級文化鏡像，電影本身并不在意是否切合事實(shí)，使得這些中產(chǎn)階級形象具有極強(qiáng)的夸張性與虛飾性。盡管如此，都市電影還是對轉(zhuǎn)型時(shí)期社會心理的一種投射或者迎合。不過從根本上講，它無疑還是停留在大銀幕上的中產(chǎn)階級鏡像，我們不能將它當(dāng)作現(xiàn)實(shí)來看待,但是都市電影依然給人們造成了一種錯(cuò)覺與幻像，如果把握不當(dāng)，甚至?xí)且欢ǔ潭壬系恼`導(dǎo)。針對這一問題，對新世紀(jì)都市電影中的中產(chǎn)階級形象進(jìn)行分析，可以幫助我們從一個(gè)側(cè)面把握住都市電影和階層社會的發(fā)展脈絡(luò)。本文旨在探究新都市電影與中產(chǎn)階級鏡像的有機(jī)互動(dòng)關(guān)系，希望能夠?qū)π率兰o(jì)都市電影的創(chuàng)作有所裨益。
[Abstract]:The film was born in a large cafe on the streets of Paris and has been linked to the city ever since.Chinese films also started in metropolitan areas and were nurtured by urban culture, and gradually developed and became popular in China.The urban films studied in this paper are those with the modern metropolis as the background of the story, to show the life of urban people and their thoughts, emotions, desires and other psychological activities as the main content of the film.When it comes to urban films since the new century, one thing that can not be ignored is the emergence of a large number of middle-class images in films. Today, when urban films are booming,All kinds of middle-class figures are leading the fashion trend and life style of the whole society with their consumption avant-garde and taste class attitude.This paper first defines the concept range of middle class from three aspects of occupation, education and property, and then analyzes the middle class image in urban movies since the new century by means of film text reading method.In recent years, the great changes of social environment make the consumption field of middle class in China change with it, and produce many new characteristics.At the same time, the change of social and cultural context makes the cultural taste and class identity of the middle class have changed greatly in the new century, and the taste of the middle class has a rich sense of stratification.In addition, the impact of urban movies on the current middle class identity (including social identity and self-identity) is enormous, including life style, love concept and career pursuit and so on.In the absence of Chinese traditional culture due to the breakage, the Western way of life and moral values are spreading quietly in the daily life of the middle class, and have shown their subtle influence.The urban movies in the new century pay attention to and reflect the psychological state of the middle class and their living conditions in a special way, and create a refreshing image of the middle class.However, it is regrettable that a large number of urban films show a consumption as the center of the middle class culture mirror, the film itself does not care whether it is true, making these middle-class images have a strong exaggeration and hypocrisy.Nevertheless, urban movies are still a projection or pandering to the social psychology in the transitional period.But fundamentally speaking, it is no doubt still a middle-class image on the big screen. We can't treat it as a reality, but urban movies still give people an illusion and an illusion, if they are not handled properly,It can even be somewhat misleading.In view of this problem, the analysis of the middle class image in urban movies in the new century can help us grasp the development of urban movies and social strata from one side.The purpose of this paper is to explore the organic interaction between the new urban film and the middle-class image, hoping to be helpful to the creation of the urban film in the new century.
【學(xué)位授予單位】：上海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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