本文選題：影片《Memory　切入點(diǎn)：key》　出處：《上海師范大學(xué)》2017年碩士論文

【摘要】：弗洛伊德釋夢是把夢的顯意過渡為隱意的流程,這個解釋十分形象:顯意也就是夢境,屬于夢的形象,即睡夢的人能夠感受到且闡述出夢的意思。隱意也就是夢的實際主旨,即睡夢人依靠夢境所傳導(dǎo)的思想。符號學(xué)的創(chuàng)立時期是以索緒爾語言學(xué)理論為主,符號學(xué)的分析與研究的關(guān)鍵演變即弗洛伊德精神分析理論以及麥茨研究電影的方式所起的作用,上述兩者的合并象征著第二符號學(xué)的形成。電影第二符號學(xué)所重視與研究的是影像同人的聯(lián)系,其是以精神分析學(xué)作為基礎(chǔ)的,而精神分析學(xué)所研究與分析的是本能無意識欲望機(jī)制關(guān)系以及夢與人的聯(lián)系。所有人都有部分不愿被他人所熟悉且藏在腦海中的記憶,然而該記憶卻會由于潛意識的影響會在無形中被揭示出,當(dāng)隱藏的記憶漸漸地被挖掘,人則會進(jìn)入恐懼狀態(tài)。本人對《Memory key》的創(chuàng)作展開分析,償試對電影符號展開探討。
[Abstract]:Freud's interpretation of a dream is the process of transforming the meaning of a dream into an implicit one. This explanation is very vivid: meaning is a dream, which belongs to the image of a dream, that is, the person who sleeps can feel and explain the meaning of the dream.Implicit meaning is the actual theme of dreams, that is, the dreamers rely on the dream of the transmission of ideas.In the founding period of semiotics, Saussure's linguistic theory was the main one. The key evolution of the analysis and research of semiotics was the function of Freud's psychoanalysis theory and the way in which Metz studied films.The combination of the two symbolizes the formation of the second semiotics.The second semiotic study of film emphasizes and studies the relation between image and man, which is based on psychoanalysis, while psychoanalysis studies the mechanism of instinctive unconscious desire and the relationship between dream and man.There is part of a memory that everyone does not want to be familiar with and hidden in his mind, but that memory is revealed invisibly by subconscious influences, and when hidden memories are gradually unearthed, people go into a state of fear.I analyze the creation of Memory key and discuss the movie symbols.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J905

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本文編號：1716591