本文選題：定格動(dòng)畫(huà)　切入點(diǎn)：表現(xiàn)語(yǔ)言　出處：《廣州大學(xué)》2013年碩士論文

【摘要】：定格動(dòng)畫(huà)一般也稱(chēng)為材料動(dòng)畫(huà)，，它區(qū)別于其他動(dòng)畫(huà)形式之處就是借助工具和材料以手工方式制作各種角色、場(chǎng)景，并且在逐格拍攝下用手調(diào)節(jié)角色動(dòng)作來(lái)完成的動(dòng)畫(huà)形式。在整個(gè)動(dòng)畫(huà)的發(fā)展歷程中,定格動(dòng)畫(huà)作為一支，都是緊緊的伴隨著整體動(dòng)畫(huà)行業(yè)的進(jìn)步而發(fā)展著。 隨著現(xiàn)代工業(yè)生產(chǎn)和數(shù)字媒體技術(shù)的進(jìn)步，傳統(tǒng)的定格動(dòng)畫(huà)都受到了沖擊，在一段時(shí)間沉寂后，伴隨《星球大戰(zhàn)》的凸起，也預(yù)示著定格動(dòng)畫(huà)的冷冬到來(lái)。電腦動(dòng)畫(huà)在這短短的三十年間帶給了觀(guān)眾全新的視覺(jué)享受，比如《汽車(chē)總動(dòng)員》將畫(huà)面的精妙帶到了一個(gè)高峰，在皮克斯的努力下，電腦動(dòng)畫(huà)依然成為了動(dòng)畫(huà)的代名詞。那么，面對(duì)這樣的信息數(shù)字時(shí)代，定格動(dòng)畫(huà)的表現(xiàn)形式和技法將如何面對(duì)現(xiàn)實(shí)的挑戰(zhàn)？藝術(shù)作品的靈魂凸顯在其藝術(shù)性上，技術(shù)單單可以創(chuàng)造藝術(shù)的形式，但是無(wú)法使它具有強(qiáng)烈的生命力。定格動(dòng)畫(huà)自身的藝術(shù)魅力是由其藝術(shù)語(yǔ)言來(lái)決定的，在這一點(diǎn)上無(wú)論技術(shù)怎么發(fā)展，都不會(huì)被遮擋。它完全可以憑借科技的力量利用新技術(shù)的優(yōu)勢(shì)，使自己重新崛起。定格動(dòng)畫(huà)在近十年來(lái)取得舉世矚目的成就，同時(shí)定格動(dòng)畫(huà)電影也在不斷的刷新觀(guān)眾的視聽(tīng)體驗(yàn)，比如我們熟知的《僵尸新娘》、《彼得與狼》、《瑪麗與馬克思》等定格動(dòng)畫(huà)大片。仿佛在一夜之間，定格動(dòng)畫(huà)就已經(jīng)離我們?cè)?jīng)喜愛(ài)的《阿凡提》、《半夜雞叫》等相去甚遠(yuǎn)。 首先這種進(jìn)步得益于科技的進(jìn)步，定格動(dòng)畫(huà)的生存空間曾被擠壓占領(lǐng)，現(xiàn)在反而借著電腦三維動(dòng)畫(huà)的優(yōu)勢(shì)全面復(fù)興。另外，定格動(dòng)畫(huà)對(duì)材料的把握、藝術(shù)語(yǔ)言的表現(xiàn)、藝術(shù)形式的探討也都出現(xiàn)了明顯的變化，為此，本論文著重從定格動(dòng)畫(huà)表現(xiàn)語(yǔ)言的變化和發(fā)展為線(xiàn)索，剖析其更深層次的藝術(shù)變化。藝術(shù)的全面發(fā)展是其文化繁榮的表現(xiàn)，定格動(dòng)畫(huà)的再次大放異彩足以說(shuō)明其藝術(shù)表現(xiàn)力和藝術(shù)表現(xiàn)語(yǔ)言的強(qiáng)大，這些都很有繼續(xù)探索的空間和價(jià)值。定格動(dòng)畫(huà)在真實(shí)與虛擬之間的獨(dú)特性是傳統(tǒng)手繪動(dòng)畫(huà)和電腦動(dòng)畫(huà)都無(wú)法替代的，對(duì)現(xiàn)代定格動(dòng)畫(huà)所呈現(xiàn)出的表現(xiàn)語(yǔ)言的特點(diǎn)，本文也將從表現(xiàn)力和藝術(shù)性上進(jìn)行研究。
[Abstract]:Fixed-case animation is also called material animation, which is different from other animation forms. It uses tools and materials to create a variety of characters, scenes, and by hand to adjust the action of the animation.In the course of the development of animation, as a fixed animation, it is closely accompanied by the progress of the animation industry.With the development of modern industrial production and digital media technology, the traditional fixed animation has been impacted. After a period of silence, with the "Star Wars" protruding, it also foreshadowed the cold winter of the freeze animation.Computer animation in this short period of 30 years to the audience a new visual enjoyment, such as "General Mobilization of cars" has brought the picture to a peak, in Pixar's efforts, computer animation has become a synonym for animation.So, in the face of such an information digital age, how will the expression and techniques of fixed animation face the challenge of reality?The soul of a work of art highlights its artistry. Technology can only create the form of art, but it cannot make it have strong vitality.The artistic charm of fixed animation itself is determined by its artistic language, no matter how the technology develops, it will not be blocked.It can rely on the strength of technology to take advantage of the new technology, so that they rise again.Fixed-animation has made remarkable achievements in the past ten years, and the freeze animation movies are also constantly refreshing the audience's audio-visual experience, such as "zombie Bride", "Peter and Wolf", "Mary and Marx" and other fixed animation blockbuster.It'seems that overnight, fixed animation has been far from our favorite "Avanti", "midnight cock crow" and so on.First of all, this progress is due to the progress of science and technology. The living space of fixed animation was once squeezed and occupied, but now it is fully rejuvenated by the advantage of computer 3D animation.In addition, the grasp of materials, the expression of artistic language and the discussion of artistic form have all appeared obvious changes. Therefore, this paper focuses on the clue of the change and development of the expression language of fixed animation.Analyze its deeper artistic changes.The overall development of art is the expression of its cultural prosperity, the fixed animation once again splendor enough to explain its artistic expression and strong artistic expression language, these have the space and the value to continue to explore.The uniqueness of fixed animation between real and virtual is irreplaceable by both traditional hand-drawn animation and computer animation. This paper will also study the expressive and artistic features of modern fixed animation.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954

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