本文選題：手繪實驗動畫　切入點：視覺形態(tài)　出處：《湖北美術學院》2016年碩士論文

【摘要】：縱觀動畫的發(fā)展歷史,動畫的起源都是以實驗動畫的形式誕生,是動畫發(fā)展的必經(jīng)之路。隨著數(shù)字化時代的進步與發(fā)展,商業(yè)動畫熱潮愈演愈烈,但實驗動畫以它獨特的視聽語言、極具個性化的表達形式仍然受到很多人的喜愛和追捧。手繪實驗動畫是實驗動畫中最主要的一種表現(xiàn)形式,其具有很強的美學意義與藝術價值。視覺形態(tài)具有多樣性,被廣泛的運用在實驗動畫中,而手繪實驗動畫是一種簡短有力的藝術形式,敘事結構不同于常規(guī)動畫,往往是對某個主題進行烘托渲染,或對某種視覺形式作創(chuàng)意表現(xiàn),因此需要更加別出心裁地去進行創(chuàng)作。在如此自由的創(chuàng)作空間里,對視覺形態(tài)的創(chuàng)新研究,對更大限度的表達創(chuàng)作者的意圖和想象力發(fā)揮有著至關重要的作用�，F(xiàn)如今步入科技時代,掀起數(shù)字化熱潮,視覺文化占據(jù)著主導地位,既促進了人們便利的生活又潛移默化的影響著人們對事物認知和審美的方向。不可置否的是,手繪實驗動畫的發(fā)展也更具有挑戰(zhàn)性。本文以基本視覺形態(tài)的點線面形式為切入點,結合大量的手繪實驗短片和個人創(chuàng)作經(jīng)驗對如何將手繪實驗動畫和視覺形態(tài)的創(chuàng)意造型有機結合做了理性的研究和歸納,總結了視覺形態(tài)的創(chuàng)新研究方法,以期望達到對手繪實驗動畫的創(chuàng)意視覺研究有一定的參考價值的目的。
[Abstract]:Throughout the history of development of animation, animation of the origin are based on experimental animation in the form of birth, is the only way which must be passed of animation development. With the development of the digital era, commercial animation boom intensified, but the experimental animation with its unique audio-visual language, highly personalized expression still loved by many people and hand-painted experimental animation sought. Is one of the most important forms of experimental animation, which has a strong aesthetic meaning and artistic value. Visual form is diverse, widely used in experimental animation, and hand-painted experimental animal painting is a kind of short powerful artistic form, the narrative structure is different from the conventional animation, are often carried out on the romancing a topic, or creative performance of a visual form, so we need more to create new styles for creation. In this free creative space, the visual form The innovation of research, the intention of the creator and imagination plays a vital role on the expression of a greater extent. Now entered the era of science and technology, a digital boom, visual culture occupies a dominant position, which not only promotes the influence of convenience to people life and the subtle people of cognition and aesthetic can not set the direction. The development of hand-painted experimental animation, but also more challenging. In this paper, the basic form of visual point form as the starting point, combined with a large number of experimental films and hand-painted personal creation experience to do the research and summary of how rational hand-painted experimental animation and visual form of creative combination, summarizes the research methods of visual form in order to study the creative vision of hand-painted experimental animation has a certain reference value.

【學位授予單位】：湖北美術學院
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J954

【參考文獻】

相關期刊論文 前1條

1 孫銳;;新媒體時代手繪動畫的藝術特征[J];現(xiàn)代裝飾(理論);2014年10期

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本文編號：1711062