本文選題：電影互動(dòng)　切入點(diǎn)：香港電影　出處：《中國(guó)藝術(shù)研究院》2017年碩士論文

【摘要】：1949年至1979年,是世界冷戰(zhàn)格局形成及斗爭(zhēng)最激烈的階段。在國(guó)內(nèi),香港與臺(tái)灣都對(duì)內(nèi)地采取了封鎖政策,使得兩岸三地的聯(lián)系暫時(shí)被割斷,形成了大陸被隔絕,只有香港、臺(tái)灣兩地能夠進(jìn)行交流的局面。本文主要論述這一背景下香港、臺(tái)灣兩地的電影在政治、產(chǎn)業(yè)和美學(xué)上的交流與互動(dòng)規(guī)律:第一章,主要論述香港、臺(tái)灣兩地在1949年至1979年間的政治環(huán)境及電影政策,聚焦不同年代的香港和臺(tái)灣在政治共識(shí)上所達(dá)到的深度及廣度,并簡(jiǎn)略分析香港、臺(tái)灣兩地的電影政策對(duì)雙方產(chǎn)生的影響。第二章,探討香港與臺(tái)灣電影的產(chǎn)業(yè)互動(dòng)。主要梳理香港與臺(tái)灣在產(chǎn)業(yè)初創(chuàng)期、發(fā)展期和繁榮期的互動(dòng),重點(diǎn)分析香港、臺(tái)灣兩地具有代表性的電影公司如邵氏兄弟(香港)電影有限公司、嘉禾電影公司等對(duì)臺(tái)灣電影產(chǎn)業(yè)帶來(lái)的影響。第三章,研究香港與臺(tái)灣電影的美學(xué)互動(dòng)。簡(jiǎn)要梳理新武俠片、抗日戰(zhàn)爭(zhēng)電影、黃梅調(diào)電影及瓊瑤電影等電影類(lèi)型的發(fā)展歷程,并從互文性角度分析這幾類(lèi)電影類(lèi)型經(jīng)過(guò)本土化置換后在美學(xué)上的異同。本論文將運(yùn)用地緣政治理論、產(chǎn)業(yè)理論、文化身份/身份認(rèn)同理論、互文性理論等理論基礎(chǔ)及研究方法,對(duì)香港、臺(tái)灣在1949年至1979年間的電影互動(dòng)交流從史學(xué)角度進(jìn)行梳理、分析。
[Abstract]:From 1949 to 1979, it was the most intense stage of the formation and struggle of the world cold war pattern.In the mainland, both Hong Kong and Taiwan have adopted a blockade policy on the mainland, which has temporarily cut off the ties between the two sides of the Taiwan Strait, resulting in a situation in which the mainland is isolated and only Hong Kong and Taiwan can conduct exchanges.This paper mainly discusses the political, industrial and aesthetic exchange and interaction of films in Hong Kong and Taiwan under this background: chapter one mainly discusses the political environment and film policy of Hong Kong and Taiwan from 1949 to 1979.Focus on the depth and breadth of the political consensus between Hong Kong and Taiwan in different ages, and briefly analyze the impact of the film policies of Hong Kong and Taiwan on both sides.Chapter two discusses the industrial interaction between Hong Kong and Taiwan films.Mainly combing the interaction between Hong Kong and Taiwan in the beginning, development and prosperity of the industry, focusing on the analysis of Hong Kong and Taiwan's representative film companies such as Shao Brothers (Hong Kong) Film Co., Ltd.The impact of Jiahe Film Company on Taiwan Film Industry.The third chapter studies the aesthetic interaction between Hong Kong and Taiwan films.This paper briefly combs the development course of new martial arts films, anti-Japanese war films, Huang Mei's films and Qiong Yao films, and analyzes the aesthetic similarities and differences of these film types after the localization replacement from the angle of intertextuality.This paper will use the theory of geopolitics, industry theory, cultural identity / identity theory, intertextuality theory and other theoretical basis and research methods to sort out the interactive exchange between Hong Kong and Taiwan from 1949 to 1979 from the perspective of history.Analysis
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J909.2

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本文編號(hào)：1709092