發(fā)布時(shí)間：2018-04-03 12:42

  本文選題：許鞍　切入點(diǎn)：華香港文藝電影　出處：《上海師范大學(xué)》2013年碩士論文

【摘要】：在商業(yè)電影、類(lèi)型電影、娛樂(lè)電影充斥著香港影壇時(shí)，許鞍華作為香港新浪潮的旗手，始終堅(jiān)持著自己的立場(chǎng)，創(chuàng)作出了一部又一部的文藝片佳作。許鞍華的影片在表達(dá)人文關(guān)懷的同時(shí)，從未忘記對(duì)電影的大眾化追求，所以盡可能在自己的電影世界里，創(chuàng)作出既接近觀眾心理訴求同時(shí)又表達(dá)出個(gè)人獨(dú)特特色的優(yōu)秀電影。許鞍華的文藝片不僅僅有對(duì)外部世界的觀察和思考，也有對(duì)內(nèi)心世界的問(wèn)答和關(guān)懷，這點(diǎn)在香港女性導(dǎo)演中算是先拔頭籌的，她的作品呈現(xiàn)給觀眾的是裹挾著大人文，大情懷的以正壓倒一切的質(zhì)感。借于此，筆者研究許鞍華的文藝電影，對(duì)許鞍華作品進(jìn)行梳理，其中著重分析許鞍華文藝電影的特色，港味保留和質(zhì)樸情懷；除此外，還結(jié)合許鞍華文藝電影在與商業(yè)電影摩擦中的生存狀態(tài)，探尋香港文藝電影的未來(lái)之路。以上研究都是本文創(chuàng)作的初衷和目的。 本文是采用層層遞進(jìn)的論述方式。首先會(huì)從整個(gè)香港電影歷史來(lái)分析香港文藝電影的發(fā)展，，中間會(huì)引出許鞍華的文藝電影作品。其次論述許鞍華文藝電影的特點(diǎn)，研究方式是從港味、質(zhì)樸情懷和鏡頭運(yùn)用等方面分析。其中從文本角度，會(huì)著重其港味與質(zhì)樸情懷的體現(xiàn)，會(huì)分析到以本土理念為基礎(chǔ)的港式人文情懷以及重細(xì)節(jié)、創(chuàng)作隨意性和題材挖掘、表現(xiàn)形式的質(zhì)樸性等方面；從創(chuàng)作角度上，會(huì)著重分析其電影中所常用的長(zhǎng)鏡頭、隱喻鏡頭。最后針對(duì)許鞍華文藝電影在與香港商業(yè)電影摩擦中的生存，結(jié)合在商業(yè)電影的嘗試和港味堅(jiān)持上的努力，特別是許鞍華近期作品的走向，香港電影的內(nèi)陸化、合拍片的涌現(xiàn)，以及《桃姐》的成功，探討香港文藝電影的未來(lái)之路。 本文通過(guò)對(duì)許鞍華文藝電影的分析，希望可以為香港文藝電影的未來(lái)出路提供一些借鑒。相信香港文藝電影在商業(yè)市場(chǎng)下將會(huì)同時(shí)融合商業(yè)元素及藝術(shù)氣質(zhì)，最終創(chuàng)作出既滿足于市場(chǎng)需求又蘊(yùn)含濃厚港味的優(yōu)秀作品。
[Abstract]:When commercial movies, genre films and entertainment films filled the Hong Kong film scene, Hui Anhua, as the flag bearer of the new wave of Hong Kong, always adhered to his own position and created one good piece of literary and artistic film after another.While expressing humanistic concern, Hui Anhua's film never forgets the popular pursuit of the film, so as far as possible in his own film world, he creates excellent films which are close to the psychological demands of the audience and also express the unique characteristics of the individual.The literary and artistic films of Hui Anhua have not only the observation and thinking of the outside world, but also the questions and answers and concerns about the inner world. This is the leading point among the Hong Kong female directors. Her works present the audience with a great humanity.An overwhelming sense of emotion.With this in mind, the author studies Xu Anhua's literary and artistic films and combs his works, which focuses on the analysis of the characteristics, Hong Kong flavor and simplicity of Xu Anhua's literary and artistic films. In addition,It also explores the future of Hong Kong's literary and artistic films in the light of the existence of Hui Anhua's literary and artistic films in the friction with commercial films.The above research is the original intention and purpose of this paper.This article is to adopt the layer by layer progressive discussion way.First of all, the development of Hong Kong's literary and artistic films will be analyzed from the whole history of Hong Kong's films, which will lead to Hui An-hua 's works of literary and artistic films.Secondly, it discusses the characteristics of Xu Anhua's literature and art films, and analyzes the research methods from the aspects of Hong Kong flavor, simple feelings and lens application.From the perspective of the text, it will focus on the Hong Kong flavor and simple feelings, will analyze the Hong Kong-style humanistic feelings based on the local concept, as well as the emphasis on details, creative randomness and theme mining, expression form of simplicity and so on;From the creative point of view, will focus on the analysis of the film used in the long lens, metaphorical lens.Finally, aiming at the survival of Hui Anhua's literary and artistic films in the friction with Hong Kong's commercial films, combined with the efforts made in commercial films and Hong Kong's persistence, especially the trend of Hui Anhua's recent works, the inland nature of Hong Kong films, and the emergence of co-productions,And the success of "Peach Sister", to explore the future of Hong Kong literature and art movies.Based on the analysis of Hui Anhua's literary and artistic films, this paper hopes to provide some references for the future of Hong Kong's literary and artistic films.It is believed that under the commercial market, Hong Kong literature and art films will combine commercial elements and artistic temperament, and finally create outstanding works which not only satisfy the market demand but also contain strong Hong Kong flavor.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J905

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 杜冬穎;;從《黃金時(shí)代》看許鞍華的特立獨(dú)行[J];電影文學(xué);2015年04期

本文編號(hào)：1705240