本文選題：編劇　切入點(diǎn)：主題　出處：《南京師范大學(xué)》2015年碩士論文

【摘要】：姜偉是一位文人氣息濃厚、沉穩(wěn)內(nèi)斂的電視劇編劇,他的作品不多但是卻風(fēng)格顯著、結(jié)構(gòu)精巧,為很多觀眾所熟悉并喜歡。國內(nèi)關(guān)于他單部作品的學(xué)術(shù)研究比較多,對其作品的綜合研究與論述有待加強(qiáng)。筆者基于目前研究狀況,主要從三個方面對姜偉編劇的特點(diǎn)進(jìn)行分析：一是他在主題表達(dá)上的深度與正能量,“向上”的主題表達(dá)是姜偉劇區(qū)別于同類型其他電視劇的重要標(biāo)識；二是在他劇本中獨(dú)特的人物形象塑造,正面人物體系圍繞主人公的成長進(jìn)行設(shè)置,反面人物則深刻挖掘了其犯罪背后的心理問題,體現(xiàn)出編劇對于人性描繪的獨(dú)特角度；三是他巧妙獨(dú)特的敘事特色使得劇本情節(jié)巧妙,經(jīng)得起反復(fù)推敲。
[Abstract]:Jiang Wei is a literati, quiet and introverted TV screenwriter, his works are not many, but the style is remarkable, the structure is exquisite, is familiar to many audience and likes.There are many academic studies on his single works in China, and the comprehensive research and discussion of his works need to be strengthened.Based on the current research situation, the author mainly analyzes the characteristics of Jiang Wei's screenplay from three aspects: first, his depth and positive energy in thematic expression,The theme expression of "upward" is an important symbol of Jiang Wei's drama being different from other TV plays of the same type; second, the unique character image in his plays is shaped, and the positive character system is set up around the growth of the protagonist.The negative figure deeply excavates the psychological problems behind his crime and reflects the unique angle of the screenwriter's depiction of human nature. The third is that his ingenious and unique narrative features make the script subtly plot and stand up to repeated scrutiny.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J904

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本文編號：1705105