本文選題：寧浩電影　切入點：類型電影　出處：《華南理工大學(xué)》2014年碩士論文

【摘要】：迄今為止，寧浩共創(chuàng)作出四部類型電影。雖然作品數(shù)量不多，但類型風(fēng)格卻靈活多變。寧浩善于選用各類型電影中的敘事元素，并通過對它們的創(chuàng)新組合使作品呈現(xiàn)出類型敘事元素融合的創(chuàng)作傾向。本文通過對寧浩類型電影的分析，試圖找出多類型敘事元素融合這一創(chuàng)作方法的產(chǎn)生原因、呈現(xiàn)樣式，并在此基礎(chǔ)上歸納總結(jié)出寧浩類型電影的基本特征以及創(chuàng)作得失。 本論文主要有六個部分：第一章為緒論，主要內(nèi)容為本文的研究綜述、研究意義以及研究方法；第二章主要闡述多類型敘事元素融合這一創(chuàng)作傾向的背景與成因；第三章為寧浩電影中多類型敘事元素呈現(xiàn)及融合的具體表現(xiàn)形態(tài)；第四章為多類型敘事元素融合下，寧浩作品的內(nèi)在基本特征；第五章對多類型敘事元素融合帶來的得失影響進(jìn)行分析；最后為本文的結(jié)語。 通過對寧浩類型電影的研究，本文認(rèn)為寧浩在創(chuàng)作中不斷尋求類型突破和創(chuàng)新有兩方面原因，一方面是其延續(xù)了早期藝術(shù)電影創(chuàng)作時不斷尋求革新超越的藝術(shù)精神，而另一方面則是其在類型電影模式中堅持自我創(chuàng)作原則的一種變通策略。這兩方面原因促使寧浩通過敘事元素的不同組合來實現(xiàn)類型的多樣變化，從而在作品中呈現(xiàn)出多類型敘事元素融合的創(chuàng)作傾向。然而，雖然類型多變，但其作品卻顯現(xiàn)出故事至上、易懂為先、社會批判、善惡有報這四項內(nèi)在基本特征。多變表象與不變內(nèi)核的共同作用下，寧浩的類型電影題材常新、風(fēng)格多變，不但突破了一般類型片的創(chuàng)作格局和審美趣味，而且形成了自己獨特的作品風(fēng)格和類型樣式。寧浩電影對多類型敘事元素融合的運(yùn)用，一方面是對本土商業(yè)類型電影創(chuàng)作的有益探索，對實現(xiàn)國產(chǎn)電影藝術(shù)性和商業(yè)性的平衡具有一定的借鑒意義，另一方面它也可能使電影創(chuàng)作陷入了類型過度雜糅的誤區(qū)，這對國產(chǎn)類型電影的創(chuàng)作具有一定警示作用。
[Abstract]:So far, Ning Hao has produced four types of films.Although the number of works is small, but the type of style is flexible.Ning Hao is good at selecting narrative elements in various types of films and makes his works show the creative tendency of merging narrative elements of types through their innovative combination.Based on the analysis of Ninghao's movies, this paper tries to find out the reasons and styles of the multi-type narrative elements fusion, and on this basis sums up the basic characteristics of Ninghao's movies and the success and loss of their creation.This thesis has six parts: the first chapter is the introduction, the main content is the research summary, the research significance and the research method, the second chapter mainly elaborates the multi-type narrative element fusion this creation tendency background and the cause of formation;The third chapter is the concrete manifestation of the presentation and fusion of the multi-type narrative elements in Ning Hao's films, the fourth chapter is the inherent basic characteristics of Ning Hao's works under the fusion of the multi-type narrative elements.The fifth chapter analyzes the influence of multi-type narrative elements fusion; finally, the conclusion of this paper.Based on the study of Ninghao's genre films, this paper holds that there are two reasons for Ninghao's continuous seeking for breakthrough and innovation in his creative work. On the one hand, it continues the artistic spirit of seeking innovation and transcendence in the creation of early art films.On the other hand, it is an alternative strategy to adhere to the principle of self-creation in the mode of genre film.These two reasons urge Ning Hao to realize the variety of the types through the different combination of narrative elements, thus showing the creative tendency of multi-type narrative elements in his works.However, although the types are varied, his works show the four basic characteristics of story first, easy to understand, social criticism, good and evil retribution.Under the joint action of changeable representation and invariant core, Ning Hao's genre films are often new in subject matter and varied in style, which not only breaks through the creation pattern and aesthetic taste of general type films, but also forms his own unique style and style of works.The application of Ninghao's film to the fusion of various narrative elements, on the one hand, is a useful exploration for the creation of local commercial films, and has certain reference significance for realizing the balance between artistry and commercial of domestic films.On the other hand, it may also make the film creation fall into the misconception of excessive hybridity of type, which has a certain warning effect to the creation of domestic type movies.
【學(xué)位授予單位】：華南理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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本文編號：1702412