本文選題：《新白娘子傳奇》　切入點(diǎn)：影視敘事策略　出處：《西南交通大學(xué)》2014年碩士論文

【摘要】：《白蛇傳》與《梁山伯與祝英臺》、《牛郎織女》、《孟姜女》并稱為中國民間四大傳說,先后經(jīng)歷口碑相傳、書面記錄、各種藝術(shù)形式傳播流傳至今,是中華民族集體智慧的結(jié)晶。《白蛇傳》于2006年5月被國務(wù)院列入“第一批國家級非物質(zhì)文化遺產(chǎn)”�！缎掳啄镒觽髌妗纷鳛椤栋咨邆鳌繁姸喾闹械囊话�,從播出之日起就引發(fā)收視熱潮,至今仍是各大電視臺反復(fù)播出的選擇之一�！缎掳啄镒觽髌妗繁籆CTV電視指南評為《80后心目中的十大經(jīng)典港臺劇》(古裝篇)第一名,足見其藝術(shù)魅力。 本文將以《新白娘子傳奇》為研究文本,以影視敘事理論為理論武器,從影視敘事策略和手段入手,研究探索劇中影視元素閃光點(diǎn)。 第一章緒論闡述問題有：本文的研究意義和價值——民間傳說類電視劇作為民間遺珠的再現(xiàn)應(yīng)該給予更多學(xué)術(shù)和理論上的關(guān)懷,《新白娘子傳奇》作為民間傳說類電視劇觀眾反響不錯的一部劇作,具有影視研究和借鑒的價值；綜述研究現(xiàn)狀——關(guān)于《新白娘子傳奇》的研究偏少,從影視領(lǐng)域出發(fā)的研究著作更是寥寥無幾；闡述本文研究理論來源：對影視敘事學(xué)理論進(jìn)行簡要概述,厘清敘事學(xué)和影視敘事學(xué)之間的關(guān)系。 第二章從影視敘事策略的角度分析《新白娘子傳奇》。根據(jù)劇情,以格雷馬斯的行為模型和行為方式為建模理論指導(dǎo),繪制了主要人物關(guān)系模型,主要從故事和情節(jié)入手分析。當(dāng)線性敘事用空間表達(dá)時,得出了陣營對立、結(jié)構(gòu)對稱、層級明確的特點(diǎn)。探索了設(shè)置懸念和制造沖突的方式。 第三章從影視敘事手段的角度分析《新白娘子傳奇》。主要從造型和聲音入手分析。重點(diǎn)分析了造型的鏡頭空間和整體空間、聲音中的音樂造型、音響造型與對白。探索分析了如中國特色的“單鏡頭—蒙太奇美學(xué)”鏡語、服裝色彩搭配特色、對白特色等影視元素閃光點(diǎn)。 最后一章從影視敘事策略和手段的角度對民間傳說類影視劇發(fā)展的思考,提出了幾點(diǎn)意見和建議,希望能對今后民間傳說類影視劇的制作有一定的啟示意義。
[Abstract]:"White Snake" and "Liang Shanbo and Zhu Yingtai", "Niu Lang Weaver Nu", "Meng Jiangnv" are called four Chinese folklore legends, have successively experienced word of mouth, written records, various forms of art spread to this day. The Biography of the White Snake was listed by the State Council in May 2006 as "the first National Intangible Cultural Heritage". The Legend of the New White Lady is one of the many reproductions of the Biography of the White Snake. Since the day it was broadcast, it has caused a television viewing boom, and it is still one of the choices repeated by major TV stations. "the Legend of the New White Lady" was named the first of the ten classic Hong Kong and Taiwan TV dramas (ancient costume articles) in the eyes of the < 80s generation by the CCTV TV Guide. See its artistic charm. This article will take "the New White Lady Legend" as the research text, take the film and television narrative theory as the theoretical weapon, starts with the film and television narrative strategy and the means, studies and explores the movie and television element to shine the bright spot in the play. The first chapter is introduction: the significance and value of this thesis-folklore TV dramas should be given more academic and theoretical care as the reappearance of folk legends, and the Legend of the New White Lady is a kind of folklore. A play that was well received by TV viewers, It has the value of film and television research and reference, and summarizes the current research situation-the research on "the Legend of the New White Lady" is on the low side, and the research works from the field of film and television are very few; This paper expounds the theoretical source of this study: briefly summarizes the theory of film and television narratology, and clarifies the relationship between narratology and film narratology. The second chapter analyzes "the Legend of the New White Lady" from the perspective of the narrative strategy of the film and television. According to the plot, the author draws the main character relationship model based on Graymas' behavior model and behavior mode as the guidance of the modeling theory. When linear narration is expressed in space, the characteristics of camp opposition, symmetrical structure and clear hierarchy are obtained, and the ways of setting suspense and creating conflict are explored. The third chapter analyzes "the Legend of the New White Lady" from the angle of the narrative means of the film and television. It mainly analyzes the modeling and the sound. It focuses on the lens space and the whole space of the modeling, the music modeling in the sound. Sound modeling and dialogue. This paper explores and analyzes the "single lens-montage aesthetics" mirror language with Chinese characteristics, clothing color collocation features, dialogue features and other film and television elements. In the last chapter, from the angle of the narrative strategy and means of film and television, the author puts forward some opinions and suggestions on the development of folklore movies and TV dramas, hoping to have some enlightenment to the production of folk legends movies and TV dramas in the future.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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