本文選題：華語動畫影片　切入點：電影敘事　出處：《陜西科技大學》2014年碩士論文

【摘要】：進入新世紀以來，華語動畫影片無論從數(shù)量上還是從票房上，都獲得了的快速發(fā)展，到最近幾年甚至達到了“井噴”式的繁榮。但是在這一股動畫產(chǎn)業(yè)快速發(fā)展的熱潮下，我們尤為需要的是冷思考，以此來發(fā)現(xiàn)其背后隱藏的問題。雖然受益于國內(nèi)經(jīng)濟的持續(xù)發(fā)展、動畫市場的擴大與發(fā)展和國家政策對國產(chǎn)動畫影片的保護等因素，華語動畫影片近年來的票房成績直線上升。但是華語動畫影片依然存在著文本架構方面敘事較薄弱、角色的表演與塑造停留在表面和故事背景設定不夠豐富等問題。此外華語動畫影片在敘事策略與方法方面，還存在著運用失當或技巧單一等短板。動畫影片歸根結底，是一門敘事的藝術，所以如何解決敘事方面的不足，就成為了華語動畫影片目前所面臨的主要問題之一。 本文的研究目的，正是嘗試對這一問題提供一種解決的思路。在近年來國內(nèi)外學者關于影視敘事學的最新論述和研究成果的基礎之上，本文將梳理新世紀以來華語動畫影片的變化和特點，并通過與國外優(yōu)秀動畫影片做橫向比較，以及與上世紀華語動畫影片做縱向比較，從這兩個角度，來研究總結未來華語動畫影片可以采用的敘事策略與方法。上世紀中后葉發(fā)展起來的“中國學派”動畫，形成了一套有著鮮明特點的敘事方法體系。國內(nèi)學界對于這一時期的華語動畫影片的敘事，已經(jīng)做了較多的研究，但是對新世紀以來的華語動畫電影的敘事研究相對還比較少。本文通過對新世紀以來的華語動畫影片進行分析歸納、對比研究，總結出了新世紀華語動畫影片可以采用的新的敘事方法與敘事策略，包括以跨越不同傳播媒介來完成敘事的跨媒介敘事，基于影視類型學的類型化與超類型敘事，和側重于動畫背景架構、角色設定和故事線索安排的陌生化敘事。 雖然目前華語動畫影片在商業(yè)上成功的案例日益增多，但是大多數(shù)的華語動畫影片仍然面臨著商業(yè)效益和藝術品質兩方面的巨大壓力。為了使華語動畫影片整體上提高敘事質量，就需要持續(xù)的深入研究適合新世紀華語動畫影片特點的敘事策略與方法，，并將理論運用于創(chuàng)作實踐當中，以此實現(xiàn)動畫敘事理論與動畫創(chuàng)作的相互促進和共同發(fā)展。
[Abstract]:Since the beginning of the new century, the number and box office of Chinese animated films have developed rapidly, and in recent years they have even achieved a boom of "blowout". But in this boom of rapid development of the animation industry, What we especially need is cold thinking to discover the hidden problems behind it. Although we benefit from the sustained development of the domestic economy, the expansion and development of the animation market, and the protection of domestic animation films by national policies, The box office performance of Chinese animation films has risen sharply in recent years. But there is still a weak narrative in the text structure of Chinese animation films. In addition, there are still some problems in the narrative strategy and method of Chinese animation film, such as improper use or single skill. It is an art of narrative, so how to solve the shortage of narrative has become one of the main problems faced by Chinese animation films. The purpose of this paper is to try to provide a way to solve this problem. On the basis of the latest exposition and research results of domestic and foreign scholars on film and television narratology in recent years, This paper will comb the changes and characteristics of Chinese animation films since the new century, and compare them horizontally with foreign excellent animation films and vertically with the Chinese animation films of the last century, from these two angles. To study and summarize the narrative strategies and methods that can be used in the future Chinese animated films. The "Chinese School" animation developed in the middle and later part of the last century, A set of narrative methods with distinctive characteristics has been formed. Domestic scholars have done more research on the narration of Chinese animated films during this period. However, the narrative studies of Chinese animated films since the new century are relatively few. This paper summarizes the new narrative methods and narrative strategies that can be used in Chinese animated films in the new century, including cross-media narration across different media, typology and super-type narration based on film and television typology. And focuses on animation background structure, role setting and story thread arrangement of strangeness narration. Although the commercial success of Chinese animation films is increasing, However, most Chinese animation films still face tremendous pressure from both commercial benefits and artistic quality. In order to improve the narrative quality of Chinese animation films as a whole, It is necessary to continuously and deeply study the narrative strategies and methods suitable for the characteristics of Chinese animation films in the new century and apply the theory to the creative practice so as to realize the mutual promotion and common development of the animation narrative theory and animation creation.
【學位授予單位】：陜西科技大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J954

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