本文選題：馮小剛　切入點(diǎn)：喜劇電影　出處：《東北師范大學(xué)》2015年碩士論文

【摘要】：馮小剛導(dǎo)演在中國(guó)電影界有很高的地位,自1997年他的首部賀歲喜劇《甲方乙方》上映,他與他的電影受到外界的一致關(guān)注與討論。從此,馮小剛借助著他執(zhí)導(dǎo)的多部賀歲喜劇電影一躍成為中國(guó)電影市場(chǎng)最具有票房號(hào)召力的導(dǎo)演之一。他也曾拍攝過不同類型的電影,但喜劇電影是最具有特色的,在文學(xué)、影視、品牌等角度都有著研究意義,從傳播學(xué)的視角來研究小剛的喜劇電影也是具有獨(dú)特意義的。電影作為現(xiàn)代社會(huì)一個(gè)大眾傳播媒介,它與傳播是密不可分的,馮小剛的喜劇電影就是一個(gè)很好的例證。本文以馮小剛執(zhí)導(dǎo)的9部喜劇電影為例做具體分析。本文共分為四個(gè)部分,第一部分:對(duì)馮小剛的導(dǎo)演歷程以及他的電影進(jìn)行概述;第二部分:探尋“馮氏幽默”的獨(dú)特魅力,馮小剛是如何運(yùn)用多元化的語言、獨(dú)特的敘事藝術(shù)、對(duì)現(xiàn)實(shí)社會(huì)關(guān)切的情懷來對(duì)他的喜劇電影進(jìn)行表達(dá)的。第三部分:馮小剛以及他團(tuán)隊(duì)對(duì)他的電影進(jìn)行的商業(yè)運(yùn)作;第四部分:根據(jù)近些年馮小剛電影的一些轉(zhuǎn)型,總結(jié)其電影經(jīng)過數(shù)十年的發(fā)展面臨的機(jī)遇和挑戰(zhàn),以及肯定馮氏喜劇電影所帶來的價(jià)值。馮小剛的喜劇電影有著鮮明的個(gè)人特色,在所有喜劇電影中具有非常高的辨識(shí)度。通過他拍過的數(shù)十部影片的票房成績(jī),就奠定了其在中國(guó)電影界的地位。馮小剛抓住了“受眾即市場(chǎng)”的客觀規(guī)律,拍的都是觀眾喜聞樂見的故事情節(jié)。他以小人物為故事主體并運(yùn)用他獨(dú)有的語言魅力和敘事藝術(shù)來做詮釋,讓平民的生活也有了傳奇色彩,更重要的是他的喜劇電影可以讓觀眾笑后引發(fā)深思。本文通過在傳播學(xué)視野下的馮小剛喜劇電影研究,也可以看到馮氏喜劇電影整體的傳播模式特點(diǎn)、以及導(dǎo)演和觀眾對(duì)于電影的互動(dòng)反饋的重要性。
[Abstract]:Director Feng Xiaogang has a high status in the Chinese film industry. Since 1997, when his first New year comedy, Party B, was released, he and his film have received unanimous attention and discussion from the outside world. Feng Xiaogang has become one of the most box-office directors in the Chinese film market with the help of his many New year comedy films. He has also made different types of films, but comedy movies are the most distinctive in literature, film and television. Brand and other angles have research significance. It is also of unique significance to study Xiaogang's comedy film from the perspective of communication. As a mass media in modern society, film is closely related to communication. Feng Xiaogang's comedy film is a good example. This paper takes the 9 comedy films directed by Feng Xiaogang as an example to make a concrete analysis. This article is divided into four parts: the first part: the history of the director and his film overview; The second part: explore the unique charm of Feng's humor, Feng Xiaogang is how to use a variety of languages, unique narrative art, The third part: the commercial operation of Feng Xiaogang and his team on his films; the fourth part: according to the recent changes in Feng Xiaogang films, Summing up the opportunities and challenges faced by his films after decades of development, and affirming the value that Feng's comedy films bring. Feng Xiaogang's comedy films have distinct personal characteristics. He has a very high degree of recognition in all comedy films. Through the box office results of dozens of films he has made, he has established his position in the Chinese film industry. Feng Xiaogang has grasped the objective law of "audience is the market." All of the stories are popular with the audience. He uses small people as the main body of the story and uses his unique language charm and narrative art to explain, so that the life of the common people has a legendary color. What is more important is that his comedy films can make the audience think deeply after they laugh. Through the study of Feng Xiaogang's comedy films in the field of communication, we can also see the characteristics of the overall dissemination mode of Feng's comedy films. And the importance of the director and audience's interactive feedback to the film.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 趙寧宇;灰色幽默:《大腕》的導(dǎo)演藝術(shù)[J];當(dāng)代電影;2002年02期

2 吳景明;;馮小剛賀歲電影十年求索(1997-2007)[J];當(dāng)代文壇;2008年05期

3 萬靖;;馮小剛電影研究綜述[J];電影評(píng)介;2006年24期

4 楊義;中國(guó)敘事學(xué)的文化闡釋[J];廣東技術(shù)師范學(xué)院學(xué)報(bào);2003年03期

5 趙立愛;商業(yè)敘事策略下的喜劇電影——論馮小剛的賀歲片[J];山東商業(yè)職業(yè)技術(shù)學(xué)院學(xué)報(bào);2003年01期

相關(guān)重要報(bào)紙文章 前1條

1 賈磊磊;[N];文藝報(bào);2007年

相關(guān)碩士學(xué)位論文 前3條

1 婁晶艷;大眾文化語境下的馮小剛賀歲片研究[D];揚(yáng)州大學(xué);2009年

2 劉兵;神工鬼斧塑光影[D];南昌大學(xué);2008年

3 陳慧;大眾文化語境下的馮小剛賀歲片[D];安徽大學(xué);2014年

，

本文編號(hào)：1693071