發(fā)布時間：2018-03-30 07:29

  本文選題：賈樟柯　切入點(diǎn)：賈樟柯電影　出處：《西北大學(xué)》2013年碩士論文

【摘要】：從學(xué)生作品《小山回家》到電影《二十四城記》,賈樟柯電影一脈相承的呈現(xiàn)出“賈樟柯導(dǎo)演作品”的作者氣質(zhì),形成了非凡的影像風(fēng)格,尤其在電影聲音方面獨(dú)具特色。在電影創(chuàng)作中堅(jiān)持自編自導(dǎo)的賈樟柯對聲音的敏感、對電影音樂的細(xì)膩把控,使得賈樟柯電影表現(xiàn)出獨(dú)特的聲音藝術(shù)特點(diǎn)：電影中人物大量使用方言對白；準(zhǔn)確的運(yùn)用流行歌曲等其他非原創(chuàng)音樂,電影原創(chuàng)音樂少而精；同時重視環(huán)境音響的存在,擅長引用廣播、收音機(jī)、電視機(jī)等傳播媒介發(fā)出的電影、電視劇、新聞等傳媒聲音。 本文以賈樟柯的七部故事片《小山回家》、“故鄉(xiāng)三部曲”《小武》、《站臺》、《任逍遙》以及《世界》、《三峽好人》、《二十四城記》為研究對象,從五個部分入手,探討研究賈樟柯電影中的聲音：第一部分簡述論文研究的背景、相關(guān)理論綜述以及研究方法和目的；第二部分從人聲、音響和音樂的角度,歸納、梳理賈樟柯電影中聲音元素的具體內(nèi)容；第三部分分析這些被選擇的聲音在賈樟柯電影中所起的作用和意義；第四部分探討賈樟柯電影的聲音藝術(shù)形成的原因；第五部分試引申賈樟柯電影的聲音藝術(shù)的價(jià)值和對當(dāng)下中國電影創(chuàng)作的啟示。
[Abstract]:From the student work "Hill Home" to the film < 24 City Records, "Jia Zhangke's films follow one another and present the author temperament of" Jia Zhangke's directed works, "forming an extraordinary image style. Especially in the aspect of film sound. Jia Zhangke, who insisted on making and directing his own films, is sensitive to sound and controls the delicate control of film music. It makes Jia Zhangke's films show unique artistic characteristics of sound: the characters in the film use a large number of dialects in dialogue; the accurate use of other non-original music, such as pop songs; and the film's original music is less and more refined; at the same time, it attaches importance to the existence of environmental sound. Good at citation broadcast, radio, television and other media issued by the film, television, news and other media sound. This paper takes Jia Zhangke's seven feature films, "returning to the Hill", "hometown trilogy" "Xiao Wu", "platform", "Ren Xiaoyao" and "the World", "the good people of the three Gorges" and "24 City Records" as the research object, starting with five parts. Discuss the sound in Jia Zhangke's films: the first part briefly describes the background of the paper, the related theory review, the research methods and purposes; the second part from the human voice, sound and music perspective, summarized, The third part analyzes the role and significance of these selected sounds in Jia Zhangke's films, the fourth part discusses the reasons for the formation of sound art in Jia Zhangke's films. The fifth part tries to generalize the value of Jia Zhangke's sound art and its inspiration to the current Chinese film creation.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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本文編號：1684925