本文選題：戰(zhàn)爭片　切入點(diǎn)：創(chuàng)作態(tài)勢　出處：《復(fù)旦大學(xué)》2014年碩士論文

【摘要】：戰(zhàn)爭片在中國電影史上具有重要地位,它是伴隨著民族危難的處境逐步發(fā)展起來的,并在新中國成立后迎來輝煌創(chuàng)作期,涌現(xiàn)出了一大批優(yōu)秀作品。進(jìn)入新世紀(jì)后,隨著國產(chǎn)電影走上產(chǎn)業(yè)化道路,電影的商品屬性和娛樂性得到突顯,戰(zhàn)爭片的創(chuàng)作也開始了轉(zhuǎn)型。在整體呈現(xiàn)出式微狀態(tài)的情況下,也有部分作品進(jìn)行了一定的創(chuàng)新調(diào)整,產(chǎn)生了不錯(cuò)的反響。本文在前人研究成果的基礎(chǔ)上,綜合各方面的資料和觀點(diǎn),對新世紀(jì)戰(zhàn)爭片創(chuàng)作進(jìn)行了一次較為系統(tǒng)的梳理,重點(diǎn)考察其在新環(huán)境中的新變化。除了總結(jié)優(yōu)秀戰(zhàn)爭片的成功經(jīng)驗(yàn)外,還著重關(guān)注那些影響力不大、藝術(shù)表現(xiàn)較差的作品,分析它們存在的問題及原因。文章的第一部分主要從影片數(shù)量、票房表現(xiàn)、創(chuàng)作主體、類型樣式等方面,對新世紀(jì)戰(zhàn)爭片的創(chuàng)作態(tài)勢進(jìn)行了概述,看到其創(chuàng)作過程中表現(xiàn)出的不平衡和極端化現(xiàn)象；第二部分主要論述新世紀(jì)戰(zhàn)爭片的主題表達(dá),可分為對主旋律價(jià)值觀的宣揚(yáng)、對人性的關(guān)照和對戰(zhàn)爭的反思三個(gè)層面；第三部分主要分析新世紀(jì)戰(zhàn)爭片的人物塑造,包括軍人形象、平民形象和反面人物形象三個(gè)類別；第四部分論述新世紀(jì)戰(zhàn)爭片的敘事特征,主要體現(xiàn)出多角度的敘事視野、多樣化的敘事風(fēng)格和類型化特征突顯等特點(diǎn)；第五部分重點(diǎn)探討新世紀(jì)戰(zhàn)爭片的美學(xué)追求,一方面是在影像風(fēng)格上寫實(shí)與寫意的結(jié)合,另一方面是戰(zhàn)爭場面營造上的科技奇觀化表現(xiàn)。在研究過程中,文章主要運(yùn)用“比較研究”和“綜合歸納”的方法,將新世紀(jì)戰(zhàn)爭片置于“歷史”、“共時(shí)”、“中外”等多個(gè)維度中,既分析戰(zhàn)爭片與之前的時(shí)代相比存在哪些創(chuàng)新和突破之處,又考察產(chǎn)業(yè)環(huán)境與創(chuàng)作實(shí)踐之間的互動(dòng)關(guān)系,希望能夠?yàn)橹蟮膽?zhàn)爭片創(chuàng)作提供一定的理論借鑒。
[Abstract]:War film plays an important role in the history of Chinese film. It develops gradually with the situation of national distress. After the founding of New China, it ushered in a brilliant period of creation, and a large number of excellent works emerged.After entering the new century, with the domestic films on the road to industrialization, the commercial properties and entertainment of films have been highlighted, and the creation of war films has also begun to transform.In the overall state of decline, there are some works of innovation and adjustment, produced a good response.On the basis of the previous research results, this paper makes a systematic combing of war film creation in the new century, focusing on its new changes in the new environment.In addition to summing up the successful experiences of excellent war films, it also focuses on the works with little influence and poor artistic performance, and analyzes their problems and reasons.The first part of the article mainly from the number of films, box office performance, creative subject, style and other aspects of the new century war film creation situation summarized, see its creative process of imbalance and extreme phenomenon;The second part mainly discusses the theme expression of the war film in the new century, which can be divided into three levels: the propaganda of the main melody values, the care of human nature and the reflection on the war; the third part mainly analyzes the character shaping of the war film in the new century.The fourth part discusses the narrative characteristics of war films in the new century, which mainly reflect the characteristics of multi-angle narrative vision, diverse narrative style and typological features.The fifth part focuses on the aesthetic pursuit of war films in the new century, on the one hand, the combination of realistic and freehand brushwork in the image style, and on the other hand, the scientific and technological spectacle of the war scene construction.It not only analyzes the innovation and breakthrough of war film compared with the previous era, but also examines the interactive relationship between industrial environment and creative practice, hoping to provide some theoretical reference for the later war film creation.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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