民俗類紀(jì)錄片在當(dāng)代文化語境下的藝術(shù)表達(dá)
發(fā)布時間:2018-03-28 09:08
本文選題:民俗 切入點:紀(jì)錄片 出處:《青島大學(xué)》2017年碩士論文
【摘要】:紀(jì)錄片作為一種藝術(shù)傳播途徑是傳承優(yōu)秀民俗文化藝術(shù)的橋梁之一,在當(dāng)代文化語境下紀(jì)錄片承擔(dān)了文化傳播與傳承的重要任務(wù),受眾能夠通過觀影的方式去認(rèn)識、了解、探索民俗文化所帶來的層層魅力,它是連接文化藝術(shù)領(lǐng)域的一條紐帶。隨著信息媒介多元化的傳播形式,原本簡單、機(jī)械的鏡頭紀(jì)錄已不能滿足人們視覺上的審美追求與文化需知,只有通過藝術(shù)化的影像語言挖掘其本真、本原,以真實呈現(xiàn),才能避免表面意義上的傳承形式。因此,紀(jì)錄片應(yīng)在確保選題內(nèi)容的真實客觀、影像風(fēng)格的精致考究的前提下,更應(yīng)注重藝術(shù)手法的表達(dá),運用藝術(shù)化的表達(dá)方式呈現(xiàn)民俗文化的本真魅力,使觀眾在觀看之后了解其文化背景與真實的民俗事項,感悟真實的民間文化意蘊。本文從民俗紀(jì)錄片的概述著手,介紹了民俗紀(jì)錄片目前的發(fā)展現(xiàn)狀及呈現(xiàn)的共性審美特征,即:人文之美、真實之美、形式之美;以國內(nèi)外優(yōu)秀民俗類紀(jì)錄片為主要研究樣本,通過對民俗類紀(jì)錄片敘事策略、視覺語言、聽覺語言和價值探析的把握,結(jié)合具體鏡頭語言,采用查閱文獻(xiàn)、案例拉片分析、案例研究等方法與同類型紀(jì)錄片進(jìn)行比較研究,較為全面的總結(jié)探索出當(dāng)代文化語境下民俗紀(jì)錄片的藝術(shù)形式表達(dá),為民俗紀(jì)錄片的紀(jì)錄形式及藝術(shù)性創(chuàng)作提供參考。
[Abstract]:Documentary film is one of the bridges of inheriting excellent folk culture and art as a way of artistic communication. In the context of contemporary culture, documentary film undertakes the important task of cultural transmission and inheritance, and the audience can understand and understand through the way of watching film. Exploring the layers of charm brought by folklore culture is a link connecting the field of culture and art. With the diversification of information media, it was originally simple. The mechanical lens record can no longer satisfy people's visual aesthetic pursuit and cultural need to know. Only through the artistic image language to excavate its true, primitive, real presentation, can we avoid the apparent form of inheritance. Documentary should not only ensure the truth and objectivity of the selected topics, but also pay attention to the expression of artistic techniques, and use the artistic expression to present the true charm of folk culture. After watching, the audience can understand its cultural background and real folklore matters, and realize the true folk cultural implication. This paper introduces the present development situation and general aesthetic characteristics of folklore documentary from an overview of folklore documentaries. That is: the beauty of humanity, the beauty of reality, the beauty of form, the main research sample of excellent folklore documentaries at home and abroad, and the analysis of narrative strategy, visual language, auditory language and value of folklore documentaries. Combining with the specific lens language, using the methods of consulting literature, case analysis, case study and so on, this paper makes a comparative study with the same type of documentary, and comprehensively summarizes and explores the artistic forms of folk documentary in the context of contemporary culture. To provide reference for the record form and artistic creation of folklore documentary.
【學(xué)位授予單位】:青島大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J952
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 鄭錫元;從民俗看韓國傳統(tǒng)文化的特色[J];貴州民族學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);2005年04期
2 王秀云;文獻(xiàn)紀(jì)錄片的表現(xiàn)手法探析[J];理論觀察;2004年01期
相關(guān)碩士學(xué)位論文 前1條
1 王蕾;晉商題材電視劇文化藝術(shù)特色研究[D];西北師范大學(xué);2011年
,本文編號:1675669
本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/1675669.html
教材專著