本文選題：青年亞文化　切入點：中國邊緣題材電影　出處：《南京藝術(shù)學(xué)院》2014年碩士論文

【摘要】：西方后現(xiàn)代文化的涌入，為中國青年亞文化發(fā)展提供了文化土壤。媒體技術(shù)和現(xiàn)代網(wǎng)絡(luò)的進(jìn)步，為青年亞文化發(fā)展提供了有利的技術(shù)支持和發(fā)展空間。現(xiàn)代社會生活改變著人們的慢節(jié)奏，廣大青年群體在承受著精神上和經(jīng)濟(jì)上的雙重壓力。巨大的心理壓力促使青年欲借助當(dāng)下媒介來釋放情緒，在此背景下，中國邊緣題材電影則成為青年亞文化釋放的主要媒介載體之一。本文的重點論述共分五個章節(jié)：第一章，界定了中國邊緣題材電影和青年亞文化的概念，分析了中國邊緣題材電影的創(chuàng)作類型和青年亞文化的發(fā)展現(xiàn)狀，對本文寫作起到了厚實的鋪墊作用；第二章，總結(jié)中國邊緣題材電影的成長敘事、女性敘事、同性戀敘事和底層人物敘事四種邊緣敘事形態(tài)及呈現(xiàn)青年亞文化的精神內(nèi)核；第三章，分析中國邊緣題材電影中青年亞文化的表達(dá)方式與藝術(shù)特征；第四章，從心理因素和現(xiàn)實因素兩方面入手，揭示中國邊緣題材電影的創(chuàng)作主體熱衷表現(xiàn)青年亞文化的深層原因；第五章，探索青年亞文化對中國邊緣題材電影的影響。青年亞文化一方面為中國邊緣題材電影創(chuàng)作注入新源泉，另一方面為創(chuàng)作者提供話語權(quán)。通過研究發(fā)現(xiàn)，中國邊緣題材電影具有明顯的青年亞文化特征，青年亞文化亦對中國邊緣題材電影的藝術(shù)特征與文化呈現(xiàn)產(chǎn)生一定影響。盡管，青年亞文化在發(fā)展之初雖帶有貶義色彩，但從現(xiàn)代文化的發(fā)展角度來看，亞文化青年群體已成為現(xiàn)代文化的一部分，，具有時代先鋒性和現(xiàn)實批判性，為電影創(chuàng)作注入了新的活力，拓展了大眾的審視空間。本文意在從整體上梳理青年亞文化與中國邊緣題材電影之間的研究線索，將中國邊緣題材電影中的青年亞文化風(fēng)貌客觀呈現(xiàn)并探尋其文化現(xiàn)象背后的深層原因。
[Abstract]:The influx of western postmodern culture has provided the cultural soil for the development of Chinese youth subculture, the progress of media technology and modern network. It provides favorable technical support and development space for the development of youth subculture. Modern social life changes people's slow rhythm. The vast group of young people are under both spiritual and economic pressures. Great psychological pressure urges young people to use the current media to release their emotions, and in this context, Chinese marginal films have become one of the main media carriers for the release of youth subculture. This paper focuses on five chapters: the first chapter defines the concepts of Chinese fringe films and youth subculture. This paper analyzes the creation types of Chinese marginal films and the development of youth subculture, which plays a very important role in the writing of this paper. Chapter two summarizes the growth narrative, female narration of Chinese marginal films. Four marginal narrative forms of homosexual narrative and bottom character narration and the spiritual core of presenting youth subculture; chapter three, analysis of the expression and artistic characteristics of youth subculture in Chinese marginal films; chapter four, From two aspects of psychological factors and realistic factors, this paper reveals the deep reasons why the creative subjects of Chinese marginal films are keen to express the youth subculture. This paper explores the influence of youth subculture on Chinese marginal films. On the one hand, youth subculture injects new resources into the creation of Chinese marginal films, on the other hand, it provides the creators with the right to speak. Chinese marginal films have obvious subcultural characteristics of youth, and youth subculture has a certain influence on the artistic characteristics and cultural presentation of Chinese marginal films, although youth subculture has a derogatory meaning at the beginning of its development. But from the point of view of the development of modern culture, the subculture youth group has become a part of modern culture, which has the vanguard of the times and the critical nature of reality, which has injected new vitality into the film creation. The purpose of this paper is to sort out the research clues between youth subculture and Chinese marginal films. This paper objectively presents the subcultural features of youth in Chinese marginal films and explores the deep reasons behind their cultural phenomena.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 單萬里;認(rèn)識“新紀(jì)錄電影”[J];北京電影學(xué)院學(xué)報;2002年06期

2 查特吉;關(guān)注底層[J];讀書;2001年08期

3 劉云蘭;陳斌;;中國當(dāng)代影視藝術(shù)的后現(xiàn)代主義審美特征探析[J];電影文學(xué);2008年09期

4 施濤;;主流文化與青年群體亞文化辨析[J];湖北社會科學(xué);2011年09期

5 伍方斐;后現(xiàn)代欲望敘述的解構(gòu)特征與當(dāng)代文學(xué)的轉(zhuǎn)型[J];廣東外語外貿(mào)大學(xué)學(xué)報;2005年01期

6 陳龍;青年亞文化與當(dāng)代媒介素養(yǎng)教育[J];國際新聞界;2005年02期

7 薛潔;;中國當(dāng)代獨立電影存在的問題及發(fā)展策略探析[J];美與時代(下);2010年05期

8 范蓓;陳崢;;中國當(dāng)代獨立電影:挖掘現(xiàn)實,尋找方法,建構(gòu)風(fēng)格[J];綿陽師范學(xué)院學(xué)報;2012年04期

9 張真;;親歷見證:社會轉(zhuǎn)型期的中國都市電影[J];上海大學(xué)學(xué)報(社會科學(xué)版);2009年04期

10 李健;;當(dāng)前中國青年亞文化的特點及成因分析[J];山西高等學(xué)校社會科學(xué)學(xué)報;2011年10期

本文編號：1675187