發(fā)布時間：2018-03-26 10:12

  本文選題：波蘭斯基　切入點：欲望　出處：《電影文學》2017年06期

【摘要】：在羅曼·波蘭斯基的電影中,人性永遠是一個核心的主題�；蛟S是波蘭斯基自身的坎坷命運讓他對人性有了更為透徹的理解,他在影片中往往能夠通過簡單的環(huán)境、人物設置和情節(jié)推進將人性中最基本的東西展示出來。波蘭斯基試圖將人物的社會背景隱去,在相對封閉的環(huán)境中完全暴露人的本性和欲望,因此從他的處女作《水中刀》開始,導演多次將自己的電影設置為封閉空間情境,呈現欲望如何從壓抑到釋放最終走向不可控制的結局,顛覆既有的社會構建,極具反思力度。
[Abstract]:In Roman Polanski's films, humanity is always a central theme. Perhaps Polanski's own bumpy fate gives him a better understanding of human nature, in which he is often able to use simple circumstances. Character settings and plot advances show the most basic things in human nature. Polanski tries to hide the social background of the character and completely expose human nature and desire in a relatively closed environment. Therefore, starting from his first work, "the knife in the Water", the director has set his film as a closed space situation for many times, showing how the desire changes from depression to release to the final uncontrollable outcome, subverts the existing social construction, and is highly reflective.
【作者單位】： 內蒙古大學滿洲里學院;
【分類號】：J905
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本文編號：1667453