大眾心理與魔幻電影剖析
發(fā)布時間:2018-03-26 07:23
本文選題:魔幻電影 切入點:大眾心理 出處:《湖南師范大學(xué)》2013年碩士論文
【摘要】:魔幻電影作為近幾年來的新興類型電影,具有著廣泛且深刻的影響,它已經(jīng)由一個單純的大眾娛樂活動話題轉(zhuǎn)變?yōu)橐粋值得深刻研究的文化現(xiàn)象。像我們熟知的《指環(huán)王》,《哈利·波特》等電影系列在好萊塢影壇中嶄露頭角,掀起了一陣“魔幻熱潮”也取得了票房的豐收,從此魔幻也便成為了最具時尚特質(zhì)的元素被藝術(shù)家廣泛應(yīng)用。 那么,為什么魔幻電影會取得如此好評引來觀眾如云?為什么魔幻電影成了很多觀眾心中綺麗的夢?本文將分為四個部分從大眾心理出發(fā)探討為什么魔幻電影會受到如此的推崇。 本文是從大眾的心理需求和審美需求出發(fā),探究大眾,心理需求與魔幻電影的關(guān)系。通過對大眾心理對魔幻電影的藝術(shù)消費心理特征、過程和實質(zhì)的研究,發(fā)現(xiàn)大眾心理因素對魔幻電影產(chǎn)業(yè)發(fā)展的指引性作用,從而使得魔幻電影獲得商業(yè)利益的同時也能實現(xiàn)文化、藝術(shù)價值和效應(yīng)的最大化。反過來,魔幻電影也滿足了廣大群眾的需要,使得受眾群體身心愉悅。本文從心里學(xué)的角度分析了魔幻電影的起源,類型構(gòu)成,文化價值以及發(fā)展方向,并且探究到大眾對魔幻電影的一些心理期待。以觀眾的感官及精神需求為剖析重點,以具體實例如《阿凡達(dá)》,《指環(huán)王》等電影為支撐點,對魔幻電影,從劇情安排上,到人物設(shè)定上進行了探析,最后,從影視的接受心理出發(fā),根據(jù)觀眾的觀影反饋,對魔幻電影的發(fā)展提了一些建議。魔幻電影的好壞,觀眾是評判家,一部電影的產(chǎn)生務(wù)必要經(jīng)過“創(chuàng)作——傳播——接受——反饋——在創(chuàng)作”這幾個環(huán)節(jié),一部好的電影要滿足何種觀影心理,才能實現(xiàn)藝術(shù)與效益的最大化,本文有具體分析。最后筆者認(rèn)為,在順應(yīng)大眾消費心理的同時,也不能盲目的追從,而迷失了自我,在盡可能的滿足大眾,娛樂大眾的同時,還是要看清自己的所在。
[Abstract]:Magic film, as a new type of film in recent years, has a wide and profound impact. It has changed from a simple topic of mass entertainment to a cultural phenomenon that deserves deep research. Movies like the Lord of the Rings, Harry Potter have emerged in Hollywood. After a wave of magic box-office box-office box-office magic has since become the most fashionable element widely used by artists. So, why did the fantasy movie get so good reviews that it drew the audience like a cloud? Why has magic film become a beautiful dream in the hearts of many viewers? This article will be divided into four parts from the popular psychology to explore why magic films are so respected. Based on the psychological and aesthetic needs of the masses, this paper explores the relationship between the public, the psychological needs and the magic films, through the study of the psychological characteristics, process and essence of the public psychology on the artistic consumption of magic films. It is found that mass psychological factors have a guiding effect on the development of magic film industry, thus making magic film obtain commercial benefits and maximize the cultural, artistic value and effect at the same time. Magic movies also meet the needs of the masses and make the audience happy physically and mentally. This paper analyzes the origin, types, cultural value and development direction of magic films from the perspective of psychology. And to explore some psychological expectations of the public for magic movies. Focusing on the sensual and spiritual needs of the audience, with concrete examples such as "Avatar" and "Lord of the Rings" as the supporting points, and arranging the plot for magic movies, Finally, from the reception psychology of the film and television, according to the audience's feedback, put forward some suggestions to the development of magic film. The production of a movie must go through these links of "creation, dissemination, acceptance, feedback, creation," and what kind of psychology a good film should satisfy in order to maximize art and efficiency. Finally, the author thinks that while complying with the mass consumption psychology, we can not blindly follow, and lose ourselves, while satisfying the masses and entertaining the masses as much as possible, and still have to see clearly where we are at the same time.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:C912.6;J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 賈磊磊;觀眾:作為電影敘事體中的不同角色[J];南京師范大學(xué)文學(xué)院學(xué)報;2003年04期
,本文編號:1666916
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