本文選題：好萊塢　切入點(diǎn)：造神運(yùn)動(dòng)　出處：《上海戲劇學(xué)院》2014年碩士論文

【摘要】：1940年,美國(guó)《動(dòng)作漫畫》中的《蝙蝠俠》被好萊塢八大電影巨頭之一的哥倫比亞電影公司翻拍成電影,蝙蝠俠成了最早在銀幕上由真人扮演的超級(jí)英雄。1978年,另一好萊塢電影巨頭華納兄弟電影公司將同樣出自《動(dòng)作漫畫》的《超人》搬上了銀幕。自《超人》公映以來,好萊塢推出了大量超級(jí)英雄電影,近些年來,這類影片的發(fā)展勢(shì)頭尤為強(qiáng)勁。王云教授將這一現(xiàn)象稱之為“好萊塢造神運(yùn)動(dòng)”。 作為一種藝術(shù)現(xiàn)象甚至文化現(xiàn)象,好萊塢造神運(yùn)動(dòng)有著深刻的社會(huì)、宗教和藝術(shù)背景。它也絕非僅僅是好萊塢追求票房收益的一種手段,應(yīng)該說它還從根本上回應(yīng)了人類整體上的精神信仰方面的新訴求。在學(xué)理的層面上闡釋好萊塢造神運(yùn)動(dòng),對(duì)于我們理解電影,理解好萊塢,理解好萊塢與社會(huì)的互動(dòng),理解好萊塢與宗教的互動(dòng),理解好萊塢在西方藝術(shù)史乃至西方美學(xué)史上的意義都是不無裨益的。 本論文以“好萊塢造神運(yùn)動(dòng)”作為自己的論題,以“何謂好萊塢造神運(yùn)動(dòng)”、“好萊塢是如何造神的”、“好萊塢為何會(huì)有造神之舉”、“造神的任務(wù)為何要由好萊塢來擔(dān)當(dāng)”和“如何評(píng)價(jià)好萊塢造神運(yùn)動(dòng)”這五個(gè)主干問題作為自己的邏輯架構(gòu)。通過詳盡地回答以上五個(gè)問題以及附著于這五個(gè)問題的諸多子問題,本論文試圖完成對(duì)“好萊塢造神運(yùn)動(dòng)”這一論題的文化闡釋。
[Abstract]:In 1940, the United States "action comics in < > > is one of the Hollywood movie Batman eight giant Colombia Pictures Inc made into a film, Batman became the first on-screen live action superhero.1978, another Hollywood movie giant Warner Bros. will also come from < > > < Superman action comics onto the < > screen. Since the release of Superman, Hollywood launched a number of superhero movies, in recent years, the development momentum of this film is particularly strong. Professor Wang Yun, this phenomenon is called" Hollywood zaoshenyundong. "
As a kind of artistic phenomenon and cultural phenomenon, the Hollywood zaoshenyundong has profound social background, religion and art. It is not only a means of pursuit of Hollywood box office receipts, it should be said that it is fundamentally responded to the new demands of the whole humanity spiritual beliefs. In the academic level Hollywood interpretation of God, for we understand the film, understand the interaction of Hollywood and Hollywood, understanding society, understand the interaction of Hollywood and religion, to understand the significance of Hollywood in the history of Western art and the history of western aesthetics is not without benefit.
This paper is based on "Hollywood zaoshenyundong" as its topic, "what is the Hollywood zaoshenyundong," Hollywood "is how God", "Hollywood why god thing", "God's mission why these five main problems from Hollywood to play" and "how to evaluate the Hollywood God making movement" as the logic structure of their own. Through many sub problems detailed answer these five questions and attached to these five questions, this thesis attempts to complete the cultural interpretation of "the topic of Hollywood zaoshenyundong."

【學(xué)位授予單位】：上海戲劇學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王云;;柏拉圖的宗教正義觀和藝術(shù)正義觀[J];文藝?yán)碚撗芯?2013年01期

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本文編號(hào)：1666778