本文選題：情景喜劇　切入點：文化傳播　出處：《西北大學》2014年碩士論文

【摘要】：1993年,導演英達將我國首部真正意義上的情景喜劇--《我愛我家》搬上熒屏,標志著情景喜劇這一源自美國的電視劇藝術(shù)表現(xiàn)形式被成功引入中國。經(jīng)過20余年的發(fā)展,我國情景喜劇先后經(jīng)歷了高潮與低谷,目前,《武林外傳》、《家有兒女》、《愛情公寓》等一大批情景喜劇作品相繼在各大主流電視頻道黃金時段熱播,使情景喜劇已經(jīng)成為了一種不可或缺的電視劇形式,也擁有了數(shù)量龐大的受眾群體。但創(chuàng)作隊伍素質(zhì)參差不齊、創(chuàng)作題材選擇廣泛龐雜等原因帶來的作品質(zhì)量良莠不齊等問題也隨之而來,導致情景喜劇在文化傳播中的影響力指數(shù)大幅增加的同時也產(chǎn)生了一些隱患。 通過查閱文獻,筆者認為中國的情景喜劇研究尚處于起步階段,對國內(nèi)情景喜劇研究的方面相關(guān)專著較少。這些研究大多集中在敘事手法、言語策略、發(fā)展方向等方面,但幾乎沒有涉及情景喜劇對文化傳播影響方面的研究。本文緊跟我國情景喜劇的發(fā)展步伐,基于對我國情景喜劇相關(guān)文獻資料的參閱研讀,對中國情景喜劇典型代表作品的梳理歸納,以及對中國情景喜劇發(fā)展現(xiàn)狀的思考研究,意在用辯證的方法,分析我國情景喜劇與文化傳播的相互關(guān)系,以及情景喜劇在文化傳播中發(fā)揮的正反兩方面現(xiàn)實作用,從而圍繞如何揚長避短,使我國情景喜劇在文化傳播中發(fā)揮更積極的推動作用提出建議。 本文正文共分四個部分：第一部分從中外知名學者對情景喜劇的定義入手,系統(tǒng)地闡述了情景喜劇的概念,并從場景、人物、結(jié)構(gòu)、喜劇性等方面分析了我國情景喜劇的特征,結(jié)合情景喜劇的起源和發(fā)展過程,將情景喜劇的發(fā)展劃分為“萌生階段”、“探索階段”以及“繁盛階段”等三個重要歷史時期；第二部分從文化傳播的基本概念入手,通過研究情景喜劇承載的文化傳播功能,闡明我國情景喜劇在文化傳播中的作用以及二者的相互關(guān)系,從傳播本土傳統(tǒng)文化、傳播地域文化、傳播網(wǎng)絡文化三方面,通過大量實例分析對比,詳細闡述了我國情景喜劇承載和傳播的主要文化要素；第三部分分別從成因與表現(xiàn)兩方面,配合指出了目前我國情景喜劇在文化傳播中產(chǎn)生的“承載與傳播的文化內(nèi)容匱乏”、“區(qū)域文化的妖魔化”和“對文化內(nèi)容低俗化的呈現(xiàn)”等問題；第四部分是文章的重點,針對如何應對情景喜劇在文化傳播中出現(xiàn)的問題,提出了“紐住根本環(huán)節(jié),增加文化內(nèi)容的廣度和深度”、“摘掉有色眼鏡,消除對地域文化的片面理解”、“嚴控審核關(guān)口,注重監(jiān)督審核的客觀性和有效性”、“慎用拿來主義,提升節(jié)目本身的原創(chuàng)性和適用性”等建議,針對如何讓情景喜劇在文化傳播中發(fā)揮更大積極作用,提出了“借助新興傳媒手段,開辟更加廣泛的傳播途徑”、“打破外來思維禁錮,創(chuàng)造更加豐富的內(nèi)容形式”、“摸清觀眾關(guān)注熱點,積累更加廣泛的受眾群體”等建議。
[Abstract]:In 1993, director Ying Da will be China's first true sense of the sitcom - I love my family on the screen, marking the sitcom that comes from the United States drama art form was successfully introduced into the China. After 20 years of development, China's situation comedy has experienced the climax and low, at present, "swordsman < >, < > home has children, love apartments > a large number of sitcom works have been in the major mainstream TV primetime hit, the sitcom has become an indispensable form of drama, also has a large number of audience. But the creative team of uneven quality works of works quality uneven in quality bring about extensive and other reasons also follow, lead and influence index of sitcoms in dissemination of culture increased significantly also created some problems.
Through the literature review, the author thinks that the study of sitcom China is still in the initial stage, the related research of domestic situation comedy works less. Most of these studies focused on narrative speech strategies, such as the direction of development, but almost no influence on research involving sitcom culture communication. Following the pace of development of our country situation comedy, on Chinese sitcom references refer to the study based on the summary of the situation comedy Chinese typical combing and thinking of situation comedy development Chinese scenarios, the intended use of the dialectical method, analysis the relationship of China's situation comedy and the spread of culture, two aspects as well as the positive play in the sitcom cultural communication in the reality, and focus on how to avoid weaknesses, so that our sitcom play more active push action in cultural communication Make suggestions.
This text is divided into four parts: the first part starts from the definition of the well-known scholars of the sitcom, systematically expounded the situation comedy concept, and from the scene, character, structure, comedy and other aspects of China's situation comedy feature, combined with the situation comedy of the origin and development process, the development of division sitcom "the initiation stage", "three important historical period in the exploration stage and prosperous stage"; the second part starts from the basic concept of cultural communication, the cultural dissemination function of comedy bearing scene, the relationship between China's situation comedy to clarify in the cultural dissemination and the role of the two. From the spread of local traditional culture, regional culture, three aspects of communication network culture, through the analysis and comparison of a large number of examples, describes the main cultural elements of China's situation comedy and carried article; Two the three part respectively from the causes and performance, with pointing out that the current situation comedy in the cultural dissemination from "cultural bearing content and spread deficient", "regional cultural demonization" and "culture of the vulgarization of the content presented" problem; the fourth part is the focus of the article, aiming at how to deal with sitcoms in cultural communication problems, put forward the "new basic links, increase the breadth and depth of" culture, "tainted glasses off, eliminate the one-sided understanding of the regional culture", "strict control of the examination, the objectivity and validity of focus on supervision of audit", "caution ism, enhance the program itself the originality and applicability of the" suggestions on how to make the sitcom play more active role in the cultural dissemination, put forward "with the help of new media, open communication channels more widely "Breaking the confinement of foreign thinking and creating a more rich form of content", "to find out the focus of attention to the audience and to accumulate a wider audience".

【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：G206;J905

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