猩猿崛起的后現(xiàn)代式諷刺——評《猩球崛起3:終極之戰(zhàn)》
發(fā)布時間:2018-03-25 08:38
本文選題:現(xiàn)代式 切入點:后現(xiàn)代社會 出處:《電影評介》2017年17期
【摘要】:正電影《猩球崛起3:終極之戰(zhàn)》由20世紀?怂构境銎,集劇情、科幻、動作為一體,作為這一系列三部曲中的終章,在猿類與人類二元對立且矛盾不斷激化、不可調和的情勢之下,人類的兇狠、殘忍、罪惡的一面亦激發(fā)了猿類的黑暗、復仇、抗爭的一面,人猿由對立而沖突的終極之戰(zhàn)一觸即發(fā)。一、人類病態(tài)具象化的后現(xiàn)代諷刺表達(一)同質化反諷表達《猩球崛起3:終極之戰(zhàn)》為觀眾帶來了一種反常識式的驚喜,這種全新嘗試在帶給觀眾新鮮感、
[Abstract]:The film "the rise of the Planet of the Apes: the final Battle" is produced by 20th Century Fox, which combines plot, science fiction, and action as the final chapter of this trilogy, where apes and humans are dually opposed and increasingly conflicted. In an irreconcilable situation, the ferocious, cruel, and evil side of mankind has also inspired the darkness, revenge, and struggle of apes, and the ultimate battle of apes from opposition to conflict is on the verge. The morbid post-modern sarcasm of human beings (1) the homogenous irony expression "the rise of the Ball of the Apes: the Ultimate War" has brought an anti-common-sense surprise to the audience, and this new attempt is giving the audience a fresh sense of freshness.
【作者單位】: 內(nèi)蒙古農(nóng)業(yè)大學外國語言學院;
【分類號】:J905
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本文編號:1662358
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