映月荷花別樣紅:李少紅的電影世界
發(fā)布時間:2018-03-24 04:29
本文選題:李少紅 切入點(diǎn):電影 出處:《西南大學(xué)》2014年碩士論文
【摘要】:李少紅是第五代導(dǎo)演中引人注目的女導(dǎo)演,也是中國當(dāng)代影壇女導(dǎo)演群體中的佼佼者,她個性化的藝術(shù)創(chuàng)作風(fēng)格以及對個體情感命運(yùn)的關(guān)注,奠定了她在影視圈獨(dú)樹一幟的歷史地位。李少紅的電影作品有著濃濃的個性和情懷,選材、改編、人物、鏡頭、畫面、造型、光影、色彩、聲音等每一個方面都充滿了精巧的設(shè)計,豐富的電影語言和深厚的人文精神獲得了廣泛認(rèn)可。本論文除了前言和后記部分,共分為三個章節(jié),對李少紅的電影創(chuàng)作軌跡和作品風(fēng)格進(jìn)行了比較全面的研究。 文章前言部分,簡要概括了李少紅的作品與地位,闡述了作者選題的原因及意義。正文部分,第一章將李少紅的創(chuàng)作歷程分為了四個部分,從初入影壇時拍攝《銀蛇謀殺案》和《血色清晨》的鋒芒畢露,到《四十不惑》、《紅粉》時個人意識的逐漸覺醒,再到《紅西服》時電影與一系列電視劇拍攝的雙重成功,到最后《戀愛中的寶貝》和《門》里不懈地藝術(shù)追求,對李少紅的電影作品以及創(chuàng)作過程中的故事進(jìn)行了較為細(xì)致的梳理;第二章將目光聚焦于李少紅獨(dú)到的創(chuàng)作視角,通過其作品獨(dú)特多義的選材和對原著個性化的改編以及其對邊緣人物的關(guān)注,展現(xiàn)了李少紅精致且細(xì)膩的情感體悟。對其電影作品中不同身份、性格各異的女性角色,文章也進(jìn)行了較為細(xì)致的對比和分析。論文第三章以文章第一章、第二章為跳板,立足于李少紅電影作品本身,深入研究李少紅的電影創(chuàng)作風(fēng)格。對其作品中體現(xiàn)出的較為鮮明的個性元素以及視聽語言進(jìn)行分析,解讀其冷靜的鏡頭、飽含意味的聲音造型、光影與色彩.以及作品中對“戲中戲”和“精致暴力”的展現(xiàn),在此基礎(chǔ)上提出一些新觀點(diǎn)。最后,以一則小小的后記代為結(jié)語,對李少紅的電影之路以小小的總結(jié),從青澀的電影學(xué)院學(xué)子,到獨(dú)當(dāng)一面的大導(dǎo)演,一直到如今的中國電影導(dǎo)演協(xié)會的會長,李少紅一直在嘗試中前行,并將一步一腳印地繼續(xù)走下去。 到目前為止,關(guān)于李少紅的研究已經(jīng)達(dá)到了一定的廣度,但其深度和系統(tǒng)性還遠(yuǎn)遠(yuǎn)不夠,本文是建立在筆者對李少紅電影作品的審美感受之上,以前輩學(xué)者的研究為基礎(chǔ),力求對李少紅的創(chuàng)作經(jīng)歷和作品風(fēng)格進(jìn)行一次完整細(xì)致的梳理和新的解讀,希望其作品中的藝術(shù)探索能夠受到更多的關(guān)注。
[Abstract]:Li Shaohong is a remarkable female director in the fifth generation of directors, as well as a leader in the group of female directors in contemporary Chinese films. Her individualized artistic creation style and her concern for the fate of individual emotions, Li Shaohong's film works have a strong personality and feelings, material selection, adaptation, characters, lenses, pictures, modeling, light, color, Sound and other aspects are full of exquisite design, rich film language and deep humanistic spirit has been widely recognized. This paper, in addition to the preface and postscript, is divided into three chapters. Li Shaohong's film creation track and style were studied comprehensively. In the preface part of the article, the author briefly summarizes the works and status of Li Shaohong, and expounds the reasons and significance of the author's selected topic. The main body part, the first chapter, divides Li Shaohong's creative process into four parts. From the sharpness of filming "murder of Silver Snake" and "Bloody Morning" at the beginning of the film world, to the gradual awakening of personal consciousness in "40 without doubt", and to the dual success of shooting films and a series of TV dramas in "Red suit". At the end of the "Baby in Love" and "door" in the relentless pursuit of art, Li Shaohong's film works and the creative process of the story were more detailed combing; the second chapter will focus on Li Shaohong's unique creative perspective. Through his unique and polysemous material selection, the individualized adaptation of the original work and his concern for the marginal characters, Li Shaohong's delicate and delicate emotional understanding is revealed. The third chapter takes the first chapter and the second chapter as the springboard, based on the film works of Li Shaohong. Deeply studying Li Shaohong's film creation style. Analyzing the relatively distinct personality elements and audio-visual language embodied in his works, interpreting his cool lens and full of sound modeling, Light, shadow and color, as well as the exhibition of "drama in the play" and "delicate violence" in the works, on this basis, put forward some new points of view. Finally, with a small postscript as the conclusion, a small summary of Li Shaohong's film path. From young film academy students to independent directors to today's president of the China Film Directors Association, Li Shaohong has been trying to move forward, and will continue to go one step at a time. Up to now, the research on Li Shaohong has reached a certain extent, but its depth and systematicness are far from enough. This article is based on the author's aesthetic feelings about Li Shaohong's film works, and is based on the research of his predecessors. It is hoped that the artistic exploration in Li Shaohong's works will be paid more attention to in order to make a complete and meticulous combing and new interpretation of Li Shaohong's creative experience and style.
【學(xué)位授予單位】:西南大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前8條
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