中國(guó)當(dāng)下以“幸福”命名電視劇熱播現(xiàn)象文化研究
本文選題:“幸!泵娨晞 切入點(diǎn):敘事策略 出處:《西北大學(xué)》2013年碩士論文
【摘要】:自20世紀(jì)90年代末電視劇《貧嘴張大民的幸福生活》在熒屏的熱播開始,中國(guó)的電視劇市場(chǎng)逐年涌現(xiàn)出以“幸福”命名的各種電視劇,這些電視劇大多數(shù)贏得廣大觀眾的深切喜愛,在獲得較高收視率的同時(shí)還有不少獲得電視劇專業(yè)獎(jiǎng)項(xiàng)鼓勵(lì),以其追求幸福的敘事母題引導(dǎo)廣大觀眾樹立正確的價(jià)值觀念。以“幸!泵娨晞≈饕獜钠矫褚暯顷P(guān)注普通百姓的日常生活,著重表現(xiàn)中國(guó)社會(huì)轉(zhuǎn)型期人們面臨傳統(tǒng)文化的缺失導(dǎo)致生活幸福感下降的現(xiàn)實(shí),現(xiàn)實(shí)題材通過電視劇藝術(shù)的提煉加工傳達(dá)出正確的價(jià)值觀以及人生導(dǎo)向,幫助人們正確理解幸福的意義,樹立符合時(shí)代的幸福理念。 本論文主要從中國(guó)當(dāng)下以“幸!泵娨晞‘a(chǎn)生的社會(huì)環(huán)境、發(fā)展現(xiàn)狀開始研究,依據(jù)科學(xué)的分析方法為以“幸!泵娨晞〉臒岵ガF(xiàn)象從社會(huì)文化學(xué)進(jìn)行研究分析。論文按章節(jié)劃分逐漸深入分析,首先從社會(huì)學(xué),倫理學(xué)角度辨析幸福的內(nèi)涵,幸福文化在現(xiàn)代人精神生活中的重要作用,以“幸!泵娨晞(duì)正確幸福文化的傳達(dá)對(duì)人們的價(jià)值觀有影響作用。其次深入分析以“幸!泵娨晞‘(dāng)下受熱的原因,從電視劇創(chuàng)作角度切入,從敘事策略、人物關(guān)系、故事編排、情節(jié)設(shè)置等方面分析。最后從藝術(shù)的創(chuàng)作都是為了審美者的參與而存在,大眾文化時(shí)代觀眾對(duì)電視劇的審美心理期待造就了電視劇的創(chuàng)作,同時(shí)社會(huì)文化的不斷發(fā)展又影響了觀眾的審美心理。在傳統(tǒng)文化缺失的今天,以“幸!泵娨晞≈厥皞鹘y(tǒng)文化中精髓,通過電視劇藝術(shù)宣揚(yáng)正面積極的人生價(jià)值觀,讓人們重新找到內(nèi)心真實(shí)的幸福感。所以,電視劇創(chuàng)作要立足當(dāng)下社會(huì),充分考慮大眾社會(huì)文化需求,以百姓視角洞察社會(huì)人生百態(tài),并且要時(shí)刻以創(chuàng)新精神在成功中總結(jié)經(jīng)驗(yàn),制作符合時(shí)代特色的電視劇作品。
[Abstract]:Since the TV series "the Happy Life of the poor mouth Zhang Damien" was broadcast on the screen at the end of the 1990s, the TV series market in China has sprung up with various TV dramas named after "Happiness" year by year. Most of these TV dramas have won the deep affection of the general audience. While they have won higher ratings, they have also been encouraged by professional awards for TV dramas. With its narrative motif of pursuing happiness, the audience is guided to set up correct values. The TV series named after "Happiness" mainly focuses on the daily life of ordinary people from the perspective of the common people. Focusing on the reality that people face the loss of traditional culture in the transitional period of Chinese society, which leads to the decline of life happiness, the realistic theme conveys the correct values and life orientation through the refining and processing of the art of TV dramas. Help people correctly understand the meaning of happiness, set up the concept of happiness in line with the times. This thesis mainly starts from the social environment and the present situation of the development of the TV series named "Happiness" in China. According to the scientific analysis method, the popular phenomenon of TV series named "Happiness" is studied and analyzed from the perspective of social culturology. The thesis is divided into chapters and analyzed gradually. Firstly, the connotation of happiness is analyzed from the angle of sociology and ethics. The important role of happiness culture in modern people's spiritual life, named after "happiness" TV series on the correct transmission of happiness culture has an impact on people's values. Secondly, in-depth analysis of the reasons for the current popularity of television series named after "happiness". From the perspective of TV drama creation, from the narrative strategy, character relations, story arrangement, plot settings, etc. Finally, from the artistic creation is for the participation of the aesthetic and exist, In the age of mass culture, the audience's expectation of aesthetic psychology towards TV plays has brought up the creation of TV dramas, and at the same time, the continuous development of social culture has also influenced the aesthetic psychology of the audience. Named after "Happiness," TV dramas regain the essence of traditional culture, propagate positive and positive values of life through the art of TV dramas, so that people can re-find the true happiness of their hearts. Therefore, TV plays should be created on the basis of the present society. Fully consider the social and cultural needs of the masses, from the perspective of the common people insight into social life, and always with the spirit of innovation in the success of summing up experience, production of TV plays in line with the characteristics of the times.
【學(xué)位授予單位】:西北大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 汪霏霏;;《我們倆的婚姻》引發(fā)觀眾思考生活[J];當(dāng)代電視;2009年02期
2 戴清;人倫之和的主調(diào)與變奏——近年中國(guó)都市家庭倫理電視劇的審美文化批評(píng)[J];當(dāng)代電影;2005年02期
3 張貞;從“日常生活”看大眾文化的平民意識(shí)[J];當(dāng)代文壇;2005年02期
4 宋志剛;王丹;;《金婚》喚起婚姻回歸至平淡[J];電影評(píng)介;2008年16期
5 沈好放,吳冠平;顯微鏡下的生活 關(guān)于《貧嘴張大民的幸福生活》[J];電影藝術(shù);2000年03期
6 閆笑雨;大眾文化的社會(huì)心理基礎(chǔ)[J];華南師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2002年06期
7 方世南;;和諧社會(huì)與以人為本的幸福觀[J];南京航空航天大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2006年01期
8 吳炫;;反傳統(tǒng)·反文化·反文明辨析——否定主義哲學(xué)社會(huì)透視之九[J];山花;2000年02期
9 姍子;;國(guó)產(chǎn)劇的新“婚戀時(shí)代”[J];西部廣播電視;2008年01期
10 ;唱響主旋律 多出精品劇——吉炳軒同志在2000年電視劇題材規(guī)劃會(huì)上的講話要點(diǎn)[J];中國(guó)電視;2000年07期
相關(guān)碩士學(xué)位論文 前1條
1 許那玲;新世紀(jì)中國(guó)家庭倫理劇的文化構(gòu)造[D];暨南大學(xué);2010年
,本文編號(hào):1653635
本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/1653635.html