本文選題：中國武俠電影　切入點(diǎn)：傳統(tǒng)文化　出處：《西安建筑科技大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：武俠電影是在中國本土文化的土壤中生根繁衍出的一種獨(dú)有的類型電影。歷經(jīng)八十多年的發(fā)展歷程,武俠電影不僅是中國電影市場的票房保障,同時(shí)也在國際電影舞臺(tái)中占有一席之地,并被很多好萊塢動(dòng)作大片所借鑒。獨(dú)特且精彩的視覺形態(tài)和耐人尋味的武俠文化使武俠電影在眾多的電影類型中獨(dú)樹一幟,經(jīng)久不衰。本文從對(duì)中國武俠精神的詮釋入手,通過深入地分析武俠電影縱向與橫向的發(fā)展脈絡(luò),研究中國武俠電影在發(fā)展過程中的“變”與“不變”。中國武俠電影的歷史幾乎可追溯到中國電影萌芽階段,從最初的武戲電影,到1960年代的“陽剛美學(xué)”,1970—80年代求新求變的“喜劇功夫”及融入科幻色彩的武俠片,再到新世紀(jì)追求傳統(tǒng)“詩意”美學(xué)的武俠片,中國武俠電影在繼承與創(chuàng)新的道路上不斷發(fā)展,在形式的千變?nèi)f化下,其文化內(nèi)核卻保持著一種固有的恒定。在世界電影發(fā)展的不同時(shí)期,都有西方電影對(duì)中國武俠片或武俠元素的模仿和使用,與國內(nèi)不同的是,西方電影(特別是好萊塢動(dòng)作電影)對(duì)于中國武俠電影的解讀更多的是在“武”字上,即“刀光劍影”的武打動(dòng)作上,注重場面的氣勢(shì)和氛圍。在文化取向上,則慣于將中國武俠片行俠仗義的精神內(nèi)涵放在了個(gè)人英雄主義及個(gè)人與全人類的更大的文化背景下。而中國武俠電影則慣于詮釋忠孝仁義等中國式的儒道思想、家國情懷和俠義精神�？傊�,中國武俠電影的發(fā)展歷程,表現(xiàn)為敘事形態(tài)與影像形式的不斷求新求變和文化精神與倫理思想的傳統(tǒng)守恒。傳統(tǒng)文化的根植性,是中國武俠電影能夠保持特色常做常新,并立足于國內(nèi)市場且躋身海外市場的根本原因所在。
[Abstract]:The martial arts film is a kind of unique type film that takes root and multiplies in the soil of Chinese native culture. After more than 80 years of development, martial arts film is not only the guarantee of box office of Chinese film market, At the same time, it also occupies a place in the international film stage, and is used for reference by many Hollywood action blockbusters. The unique and wonderful visual form and the interesting martial arts culture make the martial arts movies unique among many movie types. This article begins with the interpretation of the Chinese martial arts spirit, through in-depth analysis of the vertical and horizontal development of the martial arts film, The history of Chinese martial arts films can almost be traced back to the budding stage of Chinese films, from the original martial arts movies, By the 1960s, the "masculine aesthetics", the "comedy kung fu" of the 1970-80 's, and the swordsman film with the color of science fiction, and then the swordsman film of pursuing the traditional "poetic" aesthetics in the new century, the Chinese martial arts film was developing continuously on the way of inheritance and innovation. Under the ever-changing form, its cultural core maintains an inherent constancy. In different periods of the development of the world's films, there are imitation and use of Chinese swordsman films or martial arts elements in western films, which are different from those in China. The interpretation of Chinese martial arts movies in western movies (especially Hollywood action films) is more focused on the momentum and atmosphere of the scenes in terms of the word "martial arts", that is, the martial arts movements of "sword and sword shadow." in terms of cultural orientation, He is used to putting the spiritual connotation of the chivalrous guard of justice in Chinese martial arts films under the larger cultural background of individual heroism and individual and human beings, while the Chinese martial arts films are used to interpreting Chinese Confucian and Taoist ideas such as loyalty, filial piety, benevolence and righteousness. In a word, the development of Chinese martial arts movies is manifested in the continuous innovation and change of narrative form and image form, the traditional conservation of cultural spirit and ethical thought, and the root of traditional culture, in short, the chivalrous spirit and chivalrous spirit. It is the fundamental reason why the Chinese martial arts movies can keep their characteristics and always be new, based on the domestic market and into the overseas market.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J905
，

本文編號(hào)：1634331