天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁(yè) > 文藝論文 > 影視論文 >

《六尺之下》的“三我”人格結(jié)構(gòu)

發(fā)布時(shí)間:2018-03-18 20:14

  本文選題:影視劇創(chuàng)作 切入點(diǎn):“三我”人格結(jié)構(gòu) 出處:《福建師范大學(xué)》2013年碩士論文 論文類型:學(xué)位論文


【摘要】:選擇《六尺之下》這部美劇的菲舍“兒女們”的人物關(guān)系和特征作為研究的主題,主要是出于筆者的分析:在該劇的表層表現(xiàn)下,存在一個(gè)以弗洛伊德“三我”框架的人格結(jié)構(gòu)。 從戲劇人物創(chuàng)作的角度來(lái)看,《六尺之下》劇情主要圍繞“菲舍和兒女們”殯葬業(yè)家族開(kāi)展,著重表現(xiàn)“兒女們”相互之間的關(guān)系,從首集矛盾、不融洽到第一季尾集的彼此理解和有進(jìn)展的和諧。劇中,雖然“兒女們”包括三兄妹,互相掣肘、彼此影響,但實(shí)為一個(gè)整體,正如個(gè)體完整獨(dú)立的人格結(jié)構(gòu)。 本文的研究目的在于,借鑒國(guó)內(nèi)外以弗洛伊德“三我”人格理論為理論依據(jù),對(duì)影視文本進(jìn)行剖析,并學(xué)習(xí)該方面研究的現(xiàn)有成果。針對(duì)美劇《六尺之下》中菲舍“兒女們”的人物關(guān)系和特征,從戲劇人物創(chuàng)作的角度出發(fā),力求運(yùn)用弗洛伊德的“三我”人格結(jié)構(gòu)理論,對(duì)劇中人物關(guān)系的研究和發(fā)掘,剖析《六尺之下》劇作創(chuàng)作中潛在的理論,以此作為今后廣播電視劇創(chuàng)作的有效指導(dǎo)。
[Abstract]:Choosing the relationship and characteristics of the characters of "Children and daughters" of "six feet below" as the research theme is mainly out of the author's analysis: under the surface performance of the play, There is a personality structure based on Freud's "three self" frame. From the point of view of the creation of dramatic characters, the plot of "six feet below" mainly revolves around the funeral and burial family of "Fischer and the Children", focusing on the relationship between the "sons and daughters", and from the contradiction of the first episode. Dissonance leads to mutual understanding and progressive harmony at the end of season 1, in which "Children" consists of three brothers and sisters, who interact and influence each other, but as a whole, as an individual with a complete and independent personality structure. The purpose of this paper is to analyze the film and television texts on the basis of Freud's "three I" personality theory at home and abroad. And to study the existing research achievements in this field. In view of the relationship and characteristics of the characters of Fischer's "Children" in the American TV series "under six feet", and from the perspective of dramatic character creation, we strive to apply Freud's "three I" personality structure theory. The study and exploration of the relationship between the characters in the play and the analysis of the potential theory in the creation of the play of "six feet below", as an effective guide for the creation of radio and TV dramas in the future.
【學(xué)位授予單位】:福建師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J904

【參考文獻(xiàn)】

相關(guān)期刊論文 前4條

1 孫淑橋;;論弗洛伊德的人格理論[J];畢節(jié)學(xué)院學(xué)報(bào);2010年09期

2 陳泳華;弗洛伊德晚期三大理論述評(píng)[J];湖南第一師范學(xué)報(bào);2002年01期

3 趙紅全;弗洛伊德人格結(jié)構(gòu)理論的道德視角[J];理論月刊;2004年03期

4 楊暉;唐艷玲;;弗洛伊德的“三我”結(jié)構(gòu)和宗教理論[J];現(xiàn)代交際;2011年01期



本文編號(hào):1631128

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/1631128.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶243fb***提供,本站僅收錄摘要或目錄,作者需要?jiǎng)h除請(qǐng)E-mail郵箱bigeng88@qq.com