本文選題：六六電視劇　切入點(diǎn)：現(xiàn)代性　出處：《遼寧大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：六六電視劇集結(jié)了許多被慣常認(rèn)知的二元因素，如傳統(tǒng)與現(xiàn)代，城市與鄉(xiāng)村，個(gè)體與社會等等。它既是中國現(xiàn)代性追求的縮影，也是中國現(xiàn)代性反思的具體表征。因此本文從追求與反思兩個(gè)方面來表現(xiàn)六六電視劇對現(xiàn)代性二元特征的解讀。 文章第一部分通過六六電視劇中具體的故事情節(jié)與深刻的精神內(nèi)涵表達(dá)六六電視劇對現(xiàn)代性品格的追求。它從現(xiàn)實(shí)性與理性化地關(guān)注社會，大眾化與民族化地訴求文化，主體性與人文性地關(guān)懷精神三個(gè)方面論述六六電視劇對現(xiàn)代性的選擇。由此看出六六電視劇緊跟時(shí)代步伐、貼近生活的藝術(shù)追求，也贊賞了現(xiàn)代性對文化和社會所帶來的進(jìn)步。 文章第二三四部分在結(jié)構(gòu)上屬于并列的關(guān)系，從多個(gè)層面表達(dá)了六六電視劇對現(xiàn)代性的反思與批判。首先從個(gè)體空間的瓦解導(dǎo)致的“無根”漂泊，對空間的訴求所引發(fā)的社會沖突以及“拜物教意識”的膨脹導(dǎo)致的個(gè)性淪落三個(gè)方面論述了城市空間在六六電視劇里的影像呈現(xiàn)，通過對《蝸居》的文本分析表達(dá)了城市空間里個(gè)體的孤獨(dú)與焦慮。其次從“情”的倫理功能的隱退，“信仰”的缺失以及個(gè)體失控的欲望所導(dǎo)致的道德缺位三個(gè)方面探討了道德焦慮在六六電視劇里的視覺表達(dá)，并通過對《心術(shù)》的文本分析總結(jié)出現(xiàn)代性思潮對中國傳統(tǒng)道德文化的吞噬。最后從傳統(tǒng)倫理與“個(gè)人主義”的沖突，現(xiàn)代社會結(jié)構(gòu)對傳統(tǒng)社會結(jié)構(gòu)的沖擊，，以及現(xiàn)代人的“身份認(rèn)同”危機(jī)三個(gè)方面討論了“傳統(tǒng)”與“現(xiàn)代”之二維關(guān)系在六六電視劇里的顯在傳達(dá)，通過對《雙面膠》的文本分析表達(dá)了“現(xiàn)代”與“傳統(tǒng)”的斷裂所造成的個(gè)體方向感的迷失。本文通過六六電視劇從這三個(gè)層面對現(xiàn)代性的反思表達(dá)了現(xiàn)代性思潮在中國的蔓延對中國社會、文化和精神所造成的消極影響。 文章通過以上論述得出現(xiàn)代性危機(jī)在中國已經(jīng)凸顯并蔓延開來，六六電視劇中現(xiàn)代性的影像呈現(xiàn)對中國現(xiàn)實(shí)題材電視劇具有重大的啟示意義：理性關(guān)注社會現(xiàn)實(shí)，深入探討人性本質(zhì)，客觀表現(xiàn)現(xiàn)代性的品格與問題。 本文的創(chuàng)新之處在于從現(xiàn)代性的角度對六六電視劇進(jìn)行理性分析，試圖發(fā)現(xiàn)其創(chuàng)作的規(guī)律與特質(zhì)，最終得出六六電視劇社會關(guān)注與文化審美的雙重意義。
[Abstract]:The six six TV series is a collection of many dualistic factors, such as tradition and modernity, city and country, individual and society, which are the epitome of the pursuit of modernity in China. It is also the concrete representation of Chinese modernity reflection. Therefore, this paper shows the six six TV series' interpretation of the duality of modernity from two aspects of pursuit and reflection. The first part of the article expresses the pursuit of modernity character through the concrete story plot and profound spiritual connotation of six six TV dramas. It pays attention to the society, popularizes and nationalizes the culture from the reality and the rationality. This paper discusses the choice of modernity in six six TV dramas from three aspects of subjectivity and humanism, which shows that the six six TV plays follow the pace of the times, close to the artistic pursuit of life, and also appreciate the progress that modernity brings to culture and society. Part 234 is a parallel relationship in structure, which expresses the reflection and critique of modernity in six and six TV dramas from many aspects. First, the "rootless" drift caused by the disintegration of individual space. The social conflict caused by the demand for space and the personality decline caused by the expansion of "fetishism" discussed the image presentation of urban space in six and six TV dramas. Through the text analysis of "living in the Worm", the author expresses the loneliness and anxiety of the individual in the urban space. Secondly, the moral vacancy caused by the ethical function of "emotion", the lack of "belief" and the desire of the individual out of control are expressed. This paper discusses the visual expression of moral anxiety in six or six TV dramas. Through the analysis of the text of Psychology, the author concludes that the modern trend of thought engulfs the Chinese traditional moral culture. Finally, from the conflict between traditional ethics and "individualism", the impact of modern social structure on the traditional social structure is discussed. As well as the crisis of "identity" of modern people, this paper discusses the two dimensional relationship between "tradition" and "modernity" in six or six TV dramas. Through the text analysis of "double sided glue", this paper expresses the loss of individual sense of direction caused by the breakage of "modern" and "tradition". This paper expresses modernity thinking through the reflection of modernity from these three aspects in six and six TV dramas. The spread of the tide in China has affected Chinese society, The negative effects of culture and spirit. Through the above discussion, the article draws the conclusion that the crisis of modernity has been highlighted and spread in China, and the image presentation of modernity in six six TV dramas has great enlightening significance to Chinese realistic TV dramas: rational attention to social reality, To probe into the essence of human nature and to objectively express the character and problems of modernity. The innovation of this paper lies in the rational analysis of six and six TV dramas from the perspective of modernity, and attempts to find out the rules and characteristics of their creation, and finally comes to the double significance of social concern and cultural aesthetics of the six and six TV dramas.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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