本文選題：《民族萬歲》　切入點(diǎn)：紀(jì)錄影片　出處：《北京電影學(xué)院學(xué)報(bào)》2016年01期 　論文類型：期刊論文

【摘要】：抗戰(zhàn)期間,中國電影制片廠制作了一大批反映當(dāng)時(shí)國內(nèi)戰(zhàn)事的紀(jì)錄影片,但沒有一部作品能像《民族萬歲》那樣,從民俗學(xué)和人類學(xué)高度全景式地展現(xiàn)了各少數(shù)民族同胞支援抗戰(zhàn)的豪邁壯舉。與同時(shí)期其它紀(jì)錄影片相比,本片無論是主題內(nèi)容的"政治性"表述,還是形式風(fēng)格的"差異化"表達(dá),都顯露出了鄭君里導(dǎo)演初執(zhí)導(dǎo)筒的藝術(shù)才華。尤其是他對(duì)電影創(chuàng)作"詩性意涵"的美學(xué)追求,體現(xiàn)了中國早期紀(jì)錄影片在"民族化"道路上的有益探索。
[Abstract]:During the War of Resistance against Japan, the Chinese film studio produced a large number of documentary films reflecting the war in the country at that time, but none of them was like "long live the nation". From the perspective of folklore and anthropology, the heroic feat of supporting the War of Resistance by all ethnic compatriots is shown in a panoramic way. Compared with other documentary films of the same period, this film, whether it is a "political" expression of the subject matter, Or the expression of "differentiation" in formal style, both of which reveal the artistic talent of director Zheng Junli's early director, especially his aesthetic pursuit of "poetic meaning" in his film creation. It reflects the beneficial exploration of Chinese early documentary films on the road of nationalization.
【作者單位】： 上海大學(xué)影視學(xué)院;南陽理工學(xué)院文法學(xué)院;
【分類號(hào)】：J952

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