本文選題：中國獨立電影　切入點：制度改革　出處：《河南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：2000年以后，伴隨我國經(jīng)濟的發(fā)展、國家政策的改革、電影體制的轉(zhuǎn)變，中國的獨立電影開始浮出地面，并逐漸獲得了合法身份，得以在更加寬松、包容的環(huán)境里發(fā)展壯大，由此，興起于20世紀90年代的中國獨立電影跟隨時代變遷的腳步進入了新的發(fā)展階段。 本文首先探討了中國獨立電影在新世紀這一特定歷史背景下如何突破創(chuàng)作的局限性，拓展了其選題的視野空間，轉(zhuǎn)變了電影的敘事策略；其次探討了獨立電影創(chuàng)作者如何以獨立制片人的思維借助外部傳播平臺的發(fā)展逐漸拓展了獨立電影的生存空間；同時關(guān)注了新世紀中國獨立電影創(chuàng)作隊伍的發(fā)展，著重介紹了新銳獨立電影導(dǎo)演的產(chǎn)生以及大學(xué)生獨立電影的發(fā)展。本文試圖從獨立電影創(chuàng)作的發(fā)展、外部生存空間的拓展、創(chuàng)作隊伍的發(fā)展三方面來綜合分析新世紀中國獨立電影的生存、發(fā)展現(xiàn)狀。 并且，，本文在最后對中國獨立電影的發(fā)展進行了一系列思考：首先反思了中國獨立電影自身創(chuàng)作的局限性，認為其應(yīng)避免走入傳遞負面情緒的誤區(qū)，不要一味的以批判的角度看待問題；其次對進一步完善獨立電影的發(fā)行、流通、評價體系展開了設(shè)想，認為借鑒國外獨立電影的先進生產(chǎn)運作模式并盡早建立我國的電影分級制度勢在必行。
[Abstract]:After 2000, with the development of our country's economy, the reform of national policy and the change of film system, the independent film of China began to emerge from the ground, and gradually gained its legal status, and was able to develop and expand in a more relaxed and inclusive environment. Therefore, the Chinese independent film, which rose in 1990s, has entered a new stage of development with the pace of the change of the times. This paper first discusses how to break through the limitations of Chinese independent films in the new century, expand the visual field of their selected topics, and change the narrative strategy of the film. Secondly, it discusses how independent filmmakers develop the living space of independent films with the help of the development of external communication platform, and pay attention to the development of independent filmmaking team in China in the new century. This paper mainly introduces the emergence of the new sharp independent film director and the development of college students' independent film. This paper attempts to expand the external living space from the development of independent film creation. Three aspects of the development of creative team to analyze the survival of independent Chinese films in the new century, the development of the status quo. At the end of this paper, a series of reflections are made on the development of independent films in China: firstly, it reflects on the limitations of the creation of independent films in China, and thinks that it should avoid the misunderstanding of passing on negative emotions. Don't blindly look at the problem from a critical perspective. Secondly, we have conceived a further improvement of the distribution, circulation, and evaluation system of independent films. It is imperative to draw lessons from the advanced production and operation mode of foreign independent films and establish the film classification system of our country as soon as possible.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J909.2

【參考文獻】

相關(guān)期刊論文 前1條

1 李江;;論美國獨立電影的創(chuàng)作特點和文化影響[J];廣西大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2011年03期

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