本文選題：《鄉(xiāng)村里的中國》　切入點(diǎn)：非物質(zhì)文化　出處：《電影文學(xué)》2017年07期 　論文類型：期刊論文

【摘要】：電影《鄉(xiāng)村里的中國》是鄉(xiāng)村寫實(shí)紀(jì)錄片,忠實(shí)地記錄普通村莊普通村民的生活場景,真實(shí)地展現(xiàn)現(xiàn)代鄉(xiāng)村景觀全貌。鄉(xiāng)村非物質(zhì)文化景觀由多個(gè)要素組成,影片主要展現(xiàn)了失卻語言重構(gòu)的方言敘事、隨機(jī)事件發(fā)生的慣性處理、人物關(guān)系的生態(tài)倫理。通過對(duì)影片中三個(gè)非物質(zhì)文化景觀要素進(jìn)行解讀,認(rèn)為其美學(xué)展現(xiàn)中鄉(xiāng)村方言敘事智慧、處世慣性是維護(hù)非物質(zhì)文化景觀生態(tài)的重要手段;而生態(tài)倫理則依靠強(qiáng)大趨吉心態(tài)。闡釋了非物質(zhì)文化景觀重構(gòu)在微觀上具有變數(shù),而宏觀導(dǎo)向上則具有確定性。
[Abstract]:The film "China in the country" is a realistic documentary about the countryside, faithfully documenting the life scenes of ordinary villagers in ordinary villages, and showing a complete picture of the modern rural landscape. The immaterial cultural landscape of the countryside is composed of many elements. The film mainly shows the dialect narrative of language loss reconstruction, the inertial processing of random events, the ecological ethics of the relationship between the characters, and the interpretation of the three immaterial cultural landscape elements in the film. The author thinks that the narrative wisdom of rural dialects in its aesthetics is an important means to maintain the immaterial cultural landscape ecology, while the ecological ethics depends on the strong tendency of good fortune. It explains that the reconstruction of immaterial cultural landscape is variable on the micro level. But macroscopical guidance has certainty.
【作者單位】： 廣西大學(xué)藝術(shù)學(xué)院;
【基金】：2014國家社科基金藝術(shù)學(xué)項(xiàng)目“廣西古村鎮(zhèn)景觀設(shè)計(jì)特征與文化傳承研究”(項(xiàng)目編號(hào):14EG156) 2015廣西教育廳社科基金項(xiàng)目“廣西古建筑空間特征解析與傳承保護(hù)研究”(項(xiàng)目編號(hào):Ky2015yb019) 2016廣西大學(xué)科研基金資助項(xiàng)目“廣西古村落旅游景觀設(shè)計(jì)優(yōu)化研究”(項(xiàng)目編號(hào):XBS16007)
【分類號(hào)】：J952
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本文編號(hào)：1606314