本文選題：《小羊肖恩》　切入點(diǎn)：《喜洋洋與灰太狼》　出處：《視聽》2016年12期 　論文類型：期刊論文

【摘要】：本文通過對2015年上映的英國動(dòng)畫《小羊肖恩》與國產(chǎn)動(dòng)畫《喜洋洋與灰太狼》的碰撞分析,淺析"落后"黏土動(dòng)畫對國產(chǎn)動(dòng)畫的羈絆和無法吸引真正兒童觀眾的原因,尋找導(dǎo)致國產(chǎn)動(dòng)畫不能"走出去"的真正原因,旨在為國產(chǎn)動(dòng)畫創(chuàng)作提供一些理論依據(jù)。
[Abstract]:Based on the analysis of the collision between the British animation Shawn of the Sheep and the domestic Animation of Joy and Grey Wolf released in 2015, this paper analyzes the reasons why the clay animation of "backwardness" has fettered the domestic animation and failed to attract the real child audience. In order to provide some theoretical basis for the creation of domestic animation, this paper seeks to find out the real reason why domestic animation can not "go out".
【作者單位】： 上海師范大學(xué);
【分類號】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 譚晨;靳晶;;淺談阿德曼的美術(shù)風(fēng)格和敘事策略[J];藝術(shù)與設(shè)計(jì)(理論);2016年Z1期

2 屠s，

本文編號：1604882