發(fā)布時(shí)間：2018-03-12 15:07

  本文選題：動(dòng)畫人物　切入點(diǎn)：設(shè)計(jì)風(fēng)格　出處：《東北師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：動(dòng)畫作為一種獨(dú)特的藝術(shù)形式,不論是從其動(dòng)畫人物形象的設(shè)計(jì)還是制作整體過程上來看,都體現(xiàn)出了中日兩國文化差異。同處東方文化體系中,中日在動(dòng)畫形象設(shè)計(jì)發(fā)展中都沒有放棄對(duì)個(gè)性的追求,都在逐漸的形成自己的風(fēng)格和造型規(guī)律。 動(dòng)畫人物形象是一部動(dòng)畫作品中單獨(dú)設(shè)計(jì)出來的人物角色形象,是為一切視覺媒體創(chuàng)作的個(gè)性鮮明的人物形象或者擬人化形象,無論在動(dòng)畫片中還是其他動(dòng)畫形式中,角色的形象設(shè)計(jì)往往是一部作品的關(guān)鍵所在,一部動(dòng)畫作品的成功與否在很大程度上與作品的角色的設(shè)定優(yōu)劣有著極大的關(guān)系�？梢哉f成功的動(dòng)畫形象,可以在較短時(shí)間里吸引觀眾。當(dāng)你一想起這部動(dòng)畫片時(shí)腦海中就馬上浮現(xiàn)這個(gè)人物形象,這個(gè)形象在這部動(dòng)畫片中具有代表性作用。而一部動(dòng)畫作品中人物形象的設(shè)計(jì)往往吸取了自身文化和民族風(fēng)俗的特征,并以此為元素進(jìn)行整合、藝術(shù)化再造,使之成為新的形象。本文從動(dòng)畫形象設(shè)計(jì)中的內(nèi)涵為導(dǎo)線,引出動(dòng)畫人物形象設(shè)計(jì)的功能以及設(shè)計(jì)的過程,通過挖掘出兩國動(dòng)畫人物形象設(shè)計(jì)背景下的更深層次的文化差異,分析中日動(dòng)畫藝術(shù)人物形象設(shè)計(jì)風(fēng)格形成的原因,以兩國動(dòng)畫人物形象設(shè)計(jì)的發(fā)展歷史為構(gòu)架,從而對(duì)中日動(dòng)畫人物形象進(jìn)行全方位地比較研究。通過對(duì)中日動(dòng)畫人物形象的差異性研究,找出中日動(dòng)畫人物形象設(shè)計(jì)的差異和可以借鑒的地方,通過比較的方法,從差異性的角度來討論中日動(dòng)畫人物形象,以期更好地為中國動(dòng)畫的未來發(fā)展做一些有參考價(jià)值的嘗試。
[Abstract]:Animation, as a unique artistic form, reflects the cultural differences between China and Japan, both in the design of its animated characters and in the whole process of production. In the development of animation image design, China and Japan have not given up the pursuit of personality, and are gradually forming their own style and modeling law. Animation character image is a character character image that is designed separately in an animation work. It is a persona or personification image created for all visual media, whether in animation or in other animation forms. The character image design is often the key of a work. The success of an animated work has a great relationship with the character setting of the work to a great extent. You can attract viewers in a short period of time. When you think about this cartoon, you get this character in your mind. This image is representative in this animated film. And the design of characters in an animated work often draws on the characteristics of their own culture and national customs, and takes it as an element to integrate and recreate artistically. From the connotation of the animation image design as the conductor, this paper leads to the function and design process of the animation character image design, through digging out the deeper cultural difference under the background of the animation character image design between the two countries. This paper analyzes the reasons for the formation of the image design style of the Chinese and Japanese animation art characters, and takes the development history of the two countries' animation character image design as the frame. Through the study of the differences between the Chinese and Japanese animation characters, the differences in the design of the Chinese and Japanese animation characters and the places that can be used for reference are found, and the comparison method is adopted. This paper discusses the characters of Chinese and Japanese animation from the perspective of difference, in order to make some valuable attempts for the future development of Chinese animation.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J954

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本文編號(hào)：1602092