本文選題：穿越劇　切入點(diǎn)：敘事模式　出處：《安徽大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：敘事研究是近些年人們分析影視作品常常用到的一個研究角度,人們的研究興趣不僅在于作品“說了什么”,而更重要的在于作品“怎么說?”。穿越劇在影視理論界還是一個新話題,這個新不僅表現(xiàn)在其作為一個新興的電視劇品種,帶給觀眾前所未有的、新鮮的審美體驗,而且表現(xiàn)在目前學(xué)界對穿越劇的研究還不是很成熟,有些研究角度還沒有涉及。當(dāng)下對穿越劇的研究多是對某部作品的評述或直接意指層面的探析,而從敘事學(xué)的角度進(jìn)行分析的研究成果更少,還多是對某一個案進(jìn)行敘事學(xué)的解讀。 雖然穿越劇的生產(chǎn)已經(jīng)擁有了作為成熟類型劇的規(guī)模和產(chǎn)量,在創(chuàng)作過程中也自覺不自覺地形成了若干敘事策略方面的程式和規(guī)范,但是,卻沒有專門的著作對這些實(shí)踐真知進(jìn)行有效的梳理和歸納。理論研究的忽視使得穿越劇批評與創(chuàng)作長期以來缺乏現(xiàn)實(shí)可行的立足點(diǎn)和出發(fā)點(diǎn),導(dǎo)致對新形勢下出現(xiàn)的新現(xiàn)象、新問題難有前瞻性的認(rèn)識和創(chuàng)造性的回答。 本課題對我國穿越劇的敘事進(jìn)行研究,總結(jié)其創(chuàng)作規(guī)律,發(fā)現(xiàn)其存在問題。文中采用文本分析方法、比較方法和敘事學(xué)等方法對這一課題進(jìn)行分析、研究。為了論述的簡潔和效率,本文特選取能夠涵蓋我國穿越劇敘事特點(diǎn)和風(fēng)格的幾部穿越劇來作為目標(biāo)文本加以詳細(xì)論述,分別是《尋秦記》、《神話》、《宮》和《步步驚心》,這幾部電視劇分別代表了我國穿越劇的發(fā)展歷程,它們的播出在當(dāng)時都引起了大家的關(guān)注,具有很強(qiáng)的代表性。 針對穿越劇這一研究客體,首先是通過文本分析總結(jié)出穿越劇的題材特點(diǎn),然后,本文主要從敘事時空結(jié)構(gòu)、情節(jié)結(jié)構(gòu)、敘事策略和敘事話語四個方面分析穿越劇的敘事特點(diǎn),希冀總結(jié)探究穿越劇存在的問題以及解決問題的對策。 本篇論文共分六章。第一章為緒論部分,主要說明本文研究的緣起,論述選題來源、研究目的和意義,以及相關(guān)研究綜述和研究方法。第二、三、四、五章主要通過文本分析的方法,通過具體的案例,分別從敘事時空、敘事情節(jié)結(jié)構(gòu)、敘事策略和敘事話語這四個方面論述穿越劇的敘事特點(diǎn)。最后一章是在前幾章的分析基礎(chǔ)上,指出當(dāng)下穿越劇存在的問題,并指出穿越劇的出路在何方。
[Abstract]:Narrative research is a research angle that people often use to analyze film and television works in recent years. People's research interest lies not only in "what has been said", but more importantly in "how to say"? ". Traversing drama is still a new topic in the field of film and television theory. This new phenomenon is not only reflected in the fact that as a new variety of TV dramas, it brings audiences an unprecedented and fresh aesthetic experience. And this is reflected in the fact that the current academic research on traversing drama is not very mature, and some research angles have not been involved. At present, most of the research on traversing drama is a review of a certain work or an analysis of the level of direct implication. However, the research results of narratology are less, and more of them are narratological interpretation of a particular case. Although the production of traversing drama has already possessed the scale and output as a mature type of drama, and has consciously and unconsciously formed a number of narrative strategies and norms in the process of creation, however, However, there are no special works to effectively sort out and summarize these practical knowledge. The neglect of theoretical research makes the criticism and creation of traversing drama lack realistic and feasible foothold and starting point for a long time, leading to the emergence of new phenomena in the new situation. New questions are difficult to have foresight and creative answers. This paper studies the narrative of traversing drama in our country, summarizes its creation law, finds out its existing problems, and analyzes the subject by means of text analysis, comparative method and narratology. Research. For the sake of simplicity and efficiency, this paper selects several traversing dramas which can cover the narrative characteristics and styles of Chinese traversing dramas to be discussed in detail as the target text. These TV dramas represent the development of the traversing drama in our country, and their broadcast has attracted the attention of all people at that time and has a strong representativeness. In view of the research object of traversing drama, first of all, through text analysis to summarize the theme characteristics of traversing drama, then, this paper mainly from the narrative space-time structure, plot structure, This paper analyzes the narrative characteristics of traversing drama from four aspects: narrative strategy and narrative discourse, hoping to sum up the problems existing in traversing drama and the countermeasures to solve them. This paper is divided into six chapters. The first chapter is the introduction part, mainly explains the origin of this study, discusses the origin of the topic, the purpose and significance of the study, as well as the related research review and research methods. Second, third, fourth, Five chapters mainly through the text analysis method, through the concrete case, separately from the narrative time and space, the narrative plot structure, On the basis of the analysis of the previous chapters, the last chapter points out the problems existing in the current traversing drama, and points out where the outlet of the traversing drama lies.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J905

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