本文選題：歌舞片　切入點(diǎn)：好萊塢　出處：《華中師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：好萊塢是全世界最受關(guān)注的電影產(chǎn)業(yè)基地,歌舞片作為好萊塢電影的重要類型,在好萊塢電影產(chǎn)業(yè)中曾有過輝煌的榮耀時(shí)代。雖然好萊塢歌舞片因各種原因曾一度陷入低谷,但近年來在各方努力下也逐漸取得了不俗的成績(jī)而再度受到廣泛關(guān)注。本文針對(duì)好萊塢歌舞片進(jìn)行了深入分析,全文共分為七個(gè)部分：第一部分是緒論,主要闡述本課題研究的目的和意義,通過對(duì)國(guó)內(nèi)外相關(guān)研究成果進(jìn)行分析梳理,為本文的研究奠定基礎(chǔ)；第二部分對(duì)好萊塢歌舞片的概念與背景、發(fā)展歷程等作出分析闡釋；第三部分從歌舞片產(chǎn)生的媒介基礎(chǔ)到好萊塢“舞臺(tái)劇--歌舞電影”的發(fā)展中分析其類型程式,從“時(shí)空轉(zhuǎn)換”以及“故事表達(dá)與拍攝形式”人手分析好萊塢歌舞片的類型特征；第四部分重點(diǎn)分析好萊塢歌舞片類型模式的演進(jìn),指出好萊塢歌舞片的主題主要是“愛情表達(dá)”和“想象性超越”,其敘事模式主要是“后臺(tái)歌舞片”和“組合歌舞片”,其元素創(chuàng)新主要體現(xiàn)在“音樂元素的多元化”、“舞蹈元素的豐富性”以及“歌舞與敘事的完美融合”等方面；第五部分分析好萊塢歌舞片的市場(chǎng)化策略,主要包括以“立足并鞏固國(guó)內(nèi)市場(chǎng)”和“積極有效的國(guó)際市場(chǎng)開拓”等為主導(dǎo)的市場(chǎng)定位,以“受眾接受心理與精神分析”、“迎合與新鮮感的受眾偏好分析”等為主導(dǎo)的受眾分析；第六部分在對(duì)好萊塢歌舞片深入分析的基礎(chǔ)之上全面反思我國(guó)歌舞片存在的不足,這主要包括歌舞片主題不明確、形式美的高度不夠、敘事經(jīng)驗(yàn)不足等問題；同時(shí)闡明了好萊塢歌舞片對(duì)我國(guó)當(dāng)代歌舞片創(chuàng)作的啟示,認(rèn)為借鑒好萊塢的創(chuàng)作經(jīng)驗(yàn)有助于推動(dòng)中國(guó)歌舞片的發(fā)展、優(yōu)化歌舞片的題材選擇以及從受眾需求出發(fā)進(jìn)行創(chuàng)新；第七部分為結(jié)語(yǔ),總結(jié)全文并展望世界歌舞片的發(fā)展前景。
[Abstract]:Hollywood is the world's most-watched film industry base. As an important type of Hollywood film, there has been a glorious era in the Hollywood film industry. However, in recent years, thanks to the efforts of all parties, it has gradually made great achievements and received extensive attention again. This paper makes an in-depth analysis of Hollywood music and dance films, and the full text is divided into seven parts: the first part is the introduction. The purpose and significance of this research are mainly expounded, and the research results at home and abroad are analyzed and combed to lay the foundation for the research. The second part is the analysis and explanation of the concept and background of Hollywood song and dance film, the development course and so on. In the third part, from the media foundation produced by song and dance films to the development of Hollywood "stage Drama-Song and Dance Film", the author analyzes the type characteristics of Hollywood song and dance films from "time and space conversion" and "story expression and shooting form". The 4th part focuses on the evolution of Hollywood song and dance genre model. It is pointed out that the main themes of Hollywood song and dance films are "love expression" and "imaginative transcendence", its narrative mode is mainly "backstage song and dance film" and "combination song and dance film", and its element innovation is mainly reflected in "the diversity of musical elements". "the richness of dance elements" and "the perfect fusion of song and dance and narration"; The 5th part analyzes the marketing strategy of Hollywood song and dance films, which mainly includes the market orientation, such as "based on and consolidated the domestic market" and "active and effective international market development". Based on the analysis of audience acceptance psychology and spirit, the analysis of audience preference of pandering and freshness, the 6th part reflects on the shortcomings of Chinese song and dance films on the basis of in-depth analysis of Hollywood song and dance films. This mainly includes the theme of song and dance films is unclear, the height of formal beauty is not enough, narrative experience is insufficient, and so on; at the same time, it clarifies the inspiration of Hollywood song and dance films to the creation of contemporary music and dance films in China. The author thinks that drawing lessons from Hollywood's creative experience is helpful to promote the development of Chinese song and dance films, to optimize the theme selection of song and dance films and to innovate according to the needs of the audience. Part 7th is the conclusion, summarizing the full text and looking forward to the development prospects of the world song and dance films.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J905

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本文編號(hào)：1598262