發(fā)布時間：2018-03-11 10:02

  本文選題：擬像理論　切入點：相互性　出處：《遼寧大學》2017年碩士論文　論文類型：學位論文

【摘要】：鮑德里亞是法國后現(xiàn)代主義著名思想理論家,他的理論即豐富又深刻,給學術界帶來巨大影響,就此被稱為“后現(xiàn)代主義的祭司”。他的理論有一個最突出的主題,也是他中后期思想的核心關鍵詞——擬像,這是他對后現(xiàn)代社會進行探究和描述的主要線索。在擬像理論的影響下,影視文化相應的也發(fā)生變化。例如著名導演安迪·沃卓斯基兄弟的《黑客帝國》,將擬像隱喻似地顯示在屏幕上。本文針對鮑德里亞的相關原著,對“擬像”這一理論術語進行研究,并從眾多文獻資料中梳理出擬像理論對影視文化的影響,并結合中西方學者研究鮑德里亞的最新成果,對其進行細致的分析。緒論主要闡述本論文選題的研究現(xiàn)狀,現(xiàn)實意義,創(chuàng)新之處,研究方法。對鮑德里亞本人簡單介紹,并對國內外的研究狀況做一個梳理。第一章主要是擬像概念的綜合介紹及其與影視文化的相互關系。首先分析鮑德里亞擬像理論的形成,并分析擬像理論在形成過程的內涵;其次介紹鮑德里亞擬像理論的運行秩序,先分析擬像發(fā)生的三個序列,接著分析擬像演變的四個層次;再次分析擬像運行過程的結果——擬真,并對兩者加以區(qū)分;最后論述鮑德里亞擬像理論觀照的超真實世界。在擬像概念的梳理后,主要分析鮑德里亞擬像理論與影視文化的關系。擬像與影像主要是相互性關系,鮑德里亞說過“影像即虛擬的實在”,并且在著作《美國》中特別論述了“美國”,他認為美國的電影深刻的表現(xiàn)了美國的擬像性。第二章主要從擬像對傳統(tǒng)影視理論的影響以及影視文化理論對擬像理論的接受兩個方面入手,論述鮑德里亞擬像理論之于影視文化理論的影響。鮑德里亞認為,擬像理論給傳統(tǒng)的影視理論造成一定影響,擬像視域下的影視是對基于技術真實的影視模仿本體論的動搖,也是對基于結構主義語言學的影視符號學的否決,當下影視對擬像的接受主要表現(xiàn)在將假象演變成真實,又將真實演變成假象,同時它也給波斯特等人的影視文化理論帶來一定影響,在擬像的影響下,影視作品的超現(xiàn)實特點也更加明顯。第三章主要介紹了鮑德里亞擬像理論對影視文化實踐的影響。分析鮑德里亞擬像視域下影視文化的現(xiàn)狀,主要從擬像在影視文化的具體應用入手,通過分析時下的科幻電影、懷舊電影、真人秀電影,以此更加細致的了解在擬像理論影響下的影視文化。第四章主要介紹擬像理論影響下的影視文化特性以及對其的思考與評價。首先是虛擬性,鮑德里亞認為媒介作為生產(chǎn)機器,會產(chǎn)生一系列真實性缺失的符號,從而構成超真實世界,影像在這種情況下會使現(xiàn)實的真實性缺失,只留下虛擬的真實;其次是內爆性,鮑德里亞受麥克盧漢影響,認為在擬像世界,所有的界限會消逝,它表現(xiàn)在影視文化上,即界限的不確定性;最后是消費性,鮑德里亞的擬像理論主要闡述語境是消費社會,影視的發(fā)展在消費社會,會不自覺地向商品形式靠攏,影視藝術也由作品轉變成了商品。最后結合以上內容,對擬像理論影響下的影視文化做出相應評價,從而全方位的敘述論文內容。
[Abstract]:Baudrillard is a famous French postmodern theorist, his theory is rich and profound, has brought tremendous impact to the academic circles, this is called "priest" postmodernism. His theory is one of the most prominent theme, but also his later thought of key words: simulacra, this is he on the modern society is main clue to explore and describe. In the simulacra theory under the influence of the film culture corresponding changes. For example, the famous director Andy Wachowski brothers "hacker empire", will be like a metaphor was displayed on the screen. The original works for Baudrillard, "to study like this theory the term, and from the numerous literature combing the simulacra theory to the influence of film culture, combined with the latest achievements in the research of western scholars Baudrillard, detailed analysis of its introduction. The research present situation, elaborated the topic of this paper is of practical significance, innovations, research methods. On Baudrillard himself briefly, and the research status at home and abroad to do a comb. The first chapter is mainly the relationship between comprehensive introduction of concepts like and film culture. First analysis of Baudrillard and the formation of the theory of simulacra. Analysis of the simulacra theory in the forming process of the connotation; secondly, Body intends to run like order theory, the first analysis of simulacra three sequences occur, then analysis of simulacra four levels of evolution; again analysis simulacra -- the result of simulation running process, and to distinguish between the two; finally discusses Baudrillard simulacra the theoretical reflection of the real world. In super simulacra concepts, mainly analyzes the relationship between theory and quasi Baudrillard like film culture. Simulacra and image is mutual relationship, Baudrillard said" The image is the virtual reality ", and in the book < > in the United States especially on the" American ", he thought that the movie reflects the profound American simulacra. The second chapter mainly from the simulacra influence on traditional film theory and film culture theory of simulacra theory accepted two aspects discussed Baudrillard intends to influence like theory to theory of film culture. Baudrillard believes that the simulacra theory affects the traditional film theory, from the perspective of simulacra is on television technology real film ontology based on imitation is based on shake, structural linguistics, semiotics and current film to be rejected as the acceptance includes the illusion evolved into real and true, will evolve into an illusion, but also to post et al film culture theory has certain influence, in the influence of simulacra, as shadow The surreal features are more obvious. The third chapter mainly introduces the theory of quasi Baudrillard like effect of film culture practice. Analysis of Baudrillard to be like the current situation of visual culture from the perspective of, mainly from the specific application of simulacra in film and television culture, through the analysis of the current science fiction movies, movies, reality TV movies, as more the detailed understanding of the simulacra theory under the influence of the film culture. The fourth chapter mainly introduces the quasi film culture characteristics like under the influence of the theories and their thinking and evaluation. The first is virtual, Baudrillard believes that the media as a production machine, will produce a series of lack of authenticity of symbols, which constitute the super real world image. The reality in this case the authenticity of the missing, leaving only the virtual reality; followed by the implosion of Baodeliyar affected by Mcluhan, that in all the world be like world. The limit will fade away, it was showed in the film culture, namely the limits of uncertainty; finally the consumer, Baudrillard simulacra theory mainly expounds the context of consumer society, film and television development in the consumer society, will not consciously close to the form of goods, but also by the film and television art works turned into commodities. Finally, with the combination of the above and on the simulacra theory under the influence of the film culture and make the corresponding evaluation, thus fully described the content.

【學位授予單位】：遼寧大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905

【參考文獻】

相關期刊論文 前10條

1 萬書元;;易性癥與異裝癖:當代藝術的身份危機——鮑德里亞對當代藝術的診斷與批判[J];同濟大學學報(社會科學版);2014年06期

2 朱立元;;對西方后現(xiàn)代主義文論消極影響的反思性批判[J];文藝研究;2014年01期

3 郭秋孜;;“擬像”社會的超文本文學——鮑德里亞“擬像”視角下的文本解讀[J];大眾文藝;2012年10期

4 張勁松;;擬像概念的歷史淵源與當代闡釋[J];天津社會科學;2010年05期

5 張勁松;廖維曉;;媒介批判理論的語境轉換:影像·景觀·擬真[J];國際新聞界;2010年08期

6 楊光;;鮑德里亞的媒介意識形態(tài)觀及其符號政治經(jīng)濟學批判[J];文學評論;2010年03期

7 張玉能;;欲望美學的文論與當代中國文論建設——仿象理論與真實性[J];上海師范大學學報(哲學社會科學版);2010年02期

8 李先游;;從哲學到藝術——解析鮑德里亞的交換觀念與藝術轉向[J];新疆大學學報(哲學·人文社會科學版);2010年02期

9 沈軍;;從形像到擬像——鮑德里亞視閾下的圖像透視[J];前沿;2009年12期

10 童小暢;;當代藝術:死亡、終結或消失?——鮑德里亞藝術批評研究[J];文藝研究;2009年09期

，

本文編號：1597671