本文選題：擬像理論　切入點(diǎn)：相互性　出處：《遼寧大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：鮑德里亞是法國(guó)后現(xiàn)代主義著名思想理論家,他的理論即豐富又深刻,給學(xué)術(shù)界帶來巨大影響,就此被稱為“后現(xiàn)代主義的祭司”。他的理論有一個(gè)最突出的主題,也是他中后期思想的核心關(guān)鍵詞——擬像,這是他對(duì)后現(xiàn)代社會(huì)進(jìn)行探究和描述的主要線索。在擬像理論的影響下,影視文化相應(yīng)的也發(fā)生變化。例如著名導(dǎo)演安迪·沃卓斯基兄弟的《黑客帝國(guó)》,將擬像隱喻似地顯示在屏幕上。本文針對(duì)鮑德里亞的相關(guān)原著,對(duì)“擬像”這一理論術(shù)語進(jìn)行研究,并從眾多文獻(xiàn)資料中梳理出擬像理論對(duì)影視文化的影響,并結(jié)合中西方學(xué)者研究鮑德里亞的最新成果,對(duì)其進(jìn)行細(xì)致的分析。緒論主要闡述本論文選題的研究現(xiàn)狀,現(xiàn)實(shí)意義,創(chuàng)新之處,研究方法。對(duì)鮑德里亞本人簡(jiǎn)單介紹,并對(duì)國(guó)內(nèi)外的研究狀況做一個(gè)梳理。第一章主要是擬像概念的綜合介紹及其與影視文化的相互關(guān)系。首先分析鮑德里亞擬像理論的形成,并分析擬像理論在形成過程的內(nèi)涵;其次介紹鮑德里亞擬像理論的運(yùn)行秩序,先分析擬像發(fā)生的三個(gè)序列,接著分析擬像演變的四個(gè)層次;再次分析擬像運(yùn)行過程的結(jié)果——擬真,并對(duì)兩者加以區(qū)分;最后論述鮑德里亞擬像理論觀照的超真實(shí)世界。在擬像概念的梳理后,主要分析鮑德里亞擬像理論與影視文化的關(guān)系。擬像與影像主要是相互性關(guān)系,鮑德里亞說過“影像即虛擬的實(shí)在”,并且在著作《美國(guó)》中特別論述了“美國(guó)”,他認(rèn)為美國(guó)的電影深刻的表現(xiàn)了美國(guó)的擬像性。第二章主要從擬像對(duì)傳統(tǒng)影視理論的影響以及影視文化理論對(duì)擬像理論的接受兩個(gè)方面入手,論述鮑德里亞擬像理論之于影視文化理論的影響。鮑德里亞認(rèn)為,擬像理論給傳統(tǒng)的影視理論造成一定影響,擬像視域下的影視是對(duì)基于技術(shù)真實(shí)的影視模仿本體論的動(dòng)搖,也是對(duì)基于結(jié)構(gòu)主義語言學(xué)的影視符號(hào)學(xué)的否決,當(dāng)下影視對(duì)擬像的接受主要表現(xiàn)在將假象演變成真實(shí),又將真實(shí)演變成假象,同時(shí)它也給波斯特等人的影視文化理論帶來一定影響,在擬像的影響下,影視作品的超現(xiàn)實(shí)特點(diǎn)也更加明顯。第三章主要介紹了鮑德里亞擬像理論對(duì)影視文化實(shí)踐的影響。分析鮑德里亞擬像視域下影視文化的現(xiàn)狀,主要從擬像在影視文化的具體應(yīng)用入手,通過分析時(shí)下的科幻電影、懷舊電影、真人秀電影,以此更加細(xì)致的了解在擬像理論影響下的影視文化。第四章主要介紹擬像理論影響下的影視文化特性以及對(duì)其的思考與評(píng)價(jià)。首先是虛擬性,鮑德里亞認(rèn)為媒介作為生產(chǎn)機(jī)器,會(huì)產(chǎn)生一系列真實(shí)性缺失的符號(hào),從而構(gòu)成超真實(shí)世界,影像在這種情況下會(huì)使現(xiàn)實(shí)的真實(shí)性缺失,只留下虛擬的真實(shí);其次是內(nèi)爆性,鮑德里亞受麥克盧漢影響,認(rèn)為在擬像世界,所有的界限會(huì)消逝,它表現(xiàn)在影視文化上,即界限的不確定性;最后是消費(fèi)性,鮑德里亞的擬像理論主要闡述語境是消費(fèi)社會(huì),影視的發(fā)展在消費(fèi)社會(huì),會(huì)不自覺地向商品形式靠攏,影視藝術(shù)也由作品轉(zhuǎn)變成了商品。最后結(jié)合以上內(nèi)容,對(duì)擬像理論影響下的影視文化做出相應(yīng)評(píng)價(jià),從而全方位的敘述論文內(nèi)容。
[Abstract]:Baudrillard is a famous French postmodern theorist, his theory is rich and profound, has brought tremendous impact to the academic circles, this is called "priest" postmodernism. His theory is one of the most prominent theme, but also his later thought of key words: simulacra, this is he on the modern society is main clue to explore and describe. In the simulacra theory under the influence of the film culture corresponding changes. For example, the famous director Andy Wachowski brothers "hacker empire", will be like a metaphor was displayed on the screen. The original works for Baudrillard, "to study like this theory the term, and from the numerous literature combing the simulacra theory to the influence of film culture, combined with the latest achievements in the research of western scholars Baudrillard, detailed analysis of its introduction. The research present situation, elaborated the topic of this paper is of practical significance, innovations, research methods. On Baudrillard himself briefly, and the research status at home and abroad to do a comb. The first chapter is mainly the relationship between comprehensive introduction of concepts like and film culture. First analysis of Baudrillard and the formation of the theory of simulacra. Analysis of the simulacra theory in the forming process of the connotation; secondly, Body intends to run like order theory, the first analysis of simulacra three sequences occur, then analysis of simulacra four levels of evolution; again analysis simulacra -- the result of simulation running process, and to distinguish between the two; finally discusses Baudrillard simulacra the theoretical reflection of the real world. In super simulacra concepts, mainly analyzes the relationship between theory and quasi Baudrillard like film culture. Simulacra and image is mutual relationship, Baudrillard said" The image is the virtual reality ", and in the book < > in the United States especially on the" American ", he thought that the movie reflects the profound American simulacra. The second chapter mainly from the simulacra influence on traditional film theory and film culture theory of simulacra theory accepted two aspects discussed Baudrillard intends to influence like theory to theory of film culture. Baudrillard believes that the simulacra theory affects the traditional film theory, from the perspective of simulacra is on television technology real film ontology based on imitation is based on shake, structural linguistics, semiotics and current film to be rejected as the acceptance includes the illusion evolved into real and true, will evolve into an illusion, but also to post et al film culture theory has certain influence, in the influence of simulacra, as shadow The surreal features are more obvious. The third chapter mainly introduces the theory of quasi Baudrillard like effect of film culture practice. Analysis of Baudrillard to be like the current situation of visual culture from the perspective of, mainly from the specific application of simulacra in film and television culture, through the analysis of the current science fiction movies, movies, reality TV movies, as more the detailed understanding of the simulacra theory under the influence of the film culture. The fourth chapter mainly introduces the quasi film culture characteristics like under the influence of the theories and their thinking and evaluation. The first is virtual, Baudrillard believes that the media as a production machine, will produce a series of lack of authenticity of symbols, which constitute the super real world image. The reality in this case the authenticity of the missing, leaving only the virtual reality; followed by the implosion of Baodeliyar affected by Mcluhan, that in all the world be like world. The limit will fade away, it was showed in the film culture, namely the limits of uncertainty; finally the consumer, Baudrillard simulacra theory mainly expounds the context of consumer society, film and television development in the consumer society, will not consciously close to the form of goods, but also by the film and television art works turned into commodities. Finally, with the combination of the above and on the simulacra theory under the influence of the film culture and make the corresponding evaluation, thus fully described the content.

【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905

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